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Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
Alls Well Program Web[1]
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Alls Well Program Web[1]

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  • 1. S E AT T L E S H A K E S P E A R E C O M PA N YS t e p h a n i e S h i n e , A r t i s t i c D i r e c t o r | J o h n B r a d s h a w , M a n a g i n g D i r e c t o r 2007-2008 Season pericles CHAMBER julius caesar swansong the miser all’s well that ends well October 25 – November 18 January 3 – 27, 2008 January 7 – 23, 2008 March 13 – April 6, 2008 June 5 – 29, 2008 all’s well that ends wellby william shakespeare | directed by stephanie shine june 5 – 29, 2008 center house theatre • seattle center june 5 – 29, 2008 center house theatre • seattle center Pictured:LeticiaJaramillo,HeatherRoberts,SarahHarlett,MarianneOwen,andTristaDuvall.PhotobyErikStuhaug.
  • 2. S E AT T L E S H A K E S P E A R E C O M PA N Y Welcome From the Managing Director A few years ago, George Mount asked me,“What does it mean to be Seattle Shakespeare?” It’s a matter that I’ve turned over and over in my head. The question can be looked at two different ways: “What does it mean to be Seattle Shakespeare the organization?” and“What does it mean to produce Shakespeare in Seattle that reflects the city and region’s distinctiveness?” Both are good questions, especially now as this Shakespeare- focused company faces the challenges of change. It’s been a big year. This past April, Seattle Shakespeare Company and Wooden O Theatre merged two burgeoning organizations that both share a deep commitment to Shakespeare and our community. With the energy and resources of two outstanding companies, we will now produce Shakespeare and classics in all seasons – indoors and outdoors – expanding our service to the community and increasing access. The merger is a rare and exciting event, but there’s more. Last spring, we launched a new touring program guided by the vision of having every student in our state experience a professional production of Shakespeare. An ambitious goal, but one we think is so very worth it. Our tour of Romeo and Juliet has crisscrossed the state from Sunnyside to Port Angles, from Omak to Moses Lake, from Wenatchee to Morton and many places in between. It’s an honor to serve as informal ambassadors for Seattle. In all, our touring Romeo and Juliet has had more than 40 performances to more than 10,000 people. We’re on our way to reaching that goal. And there’s been even more change. With the addition of Swansong to this season, we increased our main stage offering to five plays. Within the past four years our operating budget has more than doubled. Our board of directors has increased by nearly 100%. We will serve more than 30,000 people this season, up from 18,000 four years ago. Next year we will hire 200 actors, designers, directors, teaching artists, and other theatre professionals – doubling the amount from four years ago. It’s been so much in such a short time! Which leads back to the touchstone question:“What does it mean to be Seattle Shakespeare?” For me it means staying true to the company’s values while weathering the white water of change. It means continuing to create intimate productions that bring an audience closer to the genius behind the words. It means being true to the text of these plays while being innovative in our approach. It means always searching for new ways people can enter into these wonderful works. And most of all it means valuing and respecting artists and audiences, students and teachers, staff and volunteers – we all play a part in this living art. I know Seattle Shakespeare Company will continue to evolve as every growing and living thing should, and I hope that you’ll continue to live the great questions with us for some time to come. Enjoy the show. John Bradshaw, Managing Director John Bradshaw. Photo: John Ulman
  • 3. S E AT T L E S H A K E S P E A R E C O M PA N Y all’s well that ends wella romantic comedy by william shakespeare | directed by stephanie shine** Stephanie Shine - Artistic Director • John Bradshaw - Managing Director DESIGN TEAM Scenic Designer Kurt Walls Costume Designer Tiana Colovos Lighting Designer Tim Wratten Dance Choreographer Jen Havlin Music Director Sean Patrick Taylor Voice and Text Director Kimberly White CAST in alphabetical order Marianne Trista Duval Helena Sarah Harlett* Widow Leticia Jaramillo Lafew James Lapan Ensemble Joseph Luckhurst Lord G. Dumaine Chris Maslen Lord E. Dumaine Taylor Maxwell Countess of Rossillion Marianne Owen* King of France Michael Patten* Diana Heather Roberts Lavatch Alexander Samuels Parolles Paul Morgan Stetler* Musician Sean Patrick Taylor Bertram Connor Toms* Renaldo/Interpreter John Ulman Stage Manager Miller Freeman IV* production staff There will be one 15-minute intermission. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The taking of pictures or the making of recordings of any kind during the performance is strictly prohibited. Sponsors media sponsor Nesholm Family Foundation Master Electrician Lynne Ellis Technical Direction & Properties Design Seattle Scenic Studios Wardrobe Supervisor Ayako Yamada Production Assistant Mary E. Cannon Costume Assistant Melanie Burgess Stitchers Janessa Styck Heather Culver Assistant to the Director Faren McCrehin **
  • 4. S E AT T L E S H A K E S P E A R E C O M PA N Y O love is the crooked thing, There is nobody wise enough To find out all that is in it, For he would be thinking of love Till the stars had run away And the shadows eaten the moon. WB Yeats These lines of poetry have resounded with me for years, haunting me with the notion that there is no one wise enough to find out all that is in love. Does that mean we settle for less? Or that we give up on love too easily? Do we abandon relationships that push us out of our comfort zone, even when the comfort zone has not served us in the past, and only by pushing through to whatever is on the other side, will we be able to arrive at a transcendent love? When we do release love- where does that love go? What happens to lost love? When love was new, first found and first acknowledged, it certainly had matter. Palpable matter. How can it just disappear? I do not think I am wise, but I am sure there is more in love– I feel it–and I want to be challenged and nurtured to arrive at the discovery. I am certain my growth will be eternally stunted until I arrive at the other side of the love journey. I promise myself to be fearless in my pursuit – because always, for me, it is fear that has prevented me from finding out all that is in love. Unlike Helena in All’s Well That Ends Well…who is fearless. Helena – in the face of great adversity, in the face of searing rejection, will continue to love through to the other side. She will be the wise one who Yeats declares does not exist. And through her service of love, to love, and the active choice to manifest love in all responses, she will perform miracles and elevate everyone she touches. Shakespeare titles this play All’s Well That End’s Well. It seems to dismiss the trial of the journey, but maybe it reveals to us the greatest discovery of love: That love accepts, forgives, fortifies, and transforms. It meets all challenges. It faces the fear. It embraces the“we.” In the arms of each other, we learn how to be. In the arms of each other, is grace. Stephanie Shine, Director All’s Well That Ends WEll - Director’s Note Stephanie Shine. Photo: John Ulman
  • 5. Jumpstart into All’s Well That Ends Well A quick way to get you up to speed on the play, but not give too much away. S E AT T L E S H A K E S P E A R E C O M PA N Y Helena, the orphaned daughter of a physician, has been adopted by the Countess of Rossillion and is secretly in love with the Countess’ son, Bertram. After his father’s death, Bertram departs Rossillion for the French court, where the King is gravely ill. Wishing to follow Bertram, Helena journeys to Paris. While at court Helena cures the King of a painful fistula with one of her father’s old remedies. Grateful for the relief from his illness, the King rewards Helena with her choice of a husband from all the Lords at court. She asks for Bertram, who is outraged at being commanded to marry a woman he sees as little better than a servant. They proceed with the wedding ceremony, but Bertram leaves immediately for the Italian wars. He vows that he will not accept Helena as his wife until she has conceived his child and obtained from him a ring - two seemingly impossible conditions. Bertram travels to Florence, where he is quickly promoted through the ranks. While in Italy he meets, falls for and plans to seduce Diana, a widow’s daughter. With faith that her heart has chosen well, Helena, disguised as a pilgrim, also travels to Florence where she also meets Diana... Phone Numbers Ticket office: (206) 733-8222 Administrative offices: (206) 733-8228 Fax: (206) 733-8202 Ticket Office Hours Tuesday-Friday: 1PM–6PM (and one hour before curtain) Saturday & Sunday: One hour before curtain Mailing Address Seattle Shakespeare Company PO Box 19595 Seattle, WA 98109 www.seattleshakespeare.org For Seattle Shakespeare Company Patrons While in the Lobby Show-themed cocktails, wine and beer are available at our lobby bar and concession stand before the show and at intermission. Coffee, tea, and assorted soft drinks, candy and fresh baked goods are available before the performance and at intermission. For Everyone’s Enjoyment • Cell phone and pagers are disruptive to actors and audience members. Please turn them off or leave them with the house manager before the performance. • If you have candies or lozenges with wrappers, please unwrap them before the performance. • Sound and video recordings are prohibited during the performance. • No Late Seating – Due to the intimate nature of our theatre, there is no late seating. • There is no smoking in the theatre or lobby. Washington State law prohibits smoking in areas within 25 feet from entrances, exits, windows that open, and ventilation intakes. If you wish to smoke, you may do so within the parameters outlined above. • Because of the nature of our productions and the intimacy of our theatre, we recommended that you not bring children under 12. Please, NO babes in arms. Safety • Exits – to ensure your safety in case of fire or other emergency, please familiarize yourself with the exit route nearest your seat.
  • 6. S E AT T L E S H A K E S P E A R E C O M PA N Y Cast Biographies Trista Duval (Marianne) Trista is delighted to be appearing in her first production with Seattle Shakespeare Company. She recently moved to the area after working with the Orlando Shake- speare Festival during their 2006-2007 Season.Trista graduated magna cum laude from Elon University in North Carolina, having earned her BFA in Music Theatre andaminorinDance.Favoriteproductions include Into the Woods, The Sound of Music, Jekyll & Hyde, The Gingerbread Lady, and The Fantasticks. Sarah Harlett (Helena) Sarah Harlett is delighted to be performing with Seattle Shakespeare Company again. She last performed here in The Two Gentle- men of Verona. A performer in Seattle for the past 15 years, Sarah has worked at Se- attle Children’s Theatre, On The Boards, New City Theater, Seattle Repertory The- atre, Intiman Theatre, Empty Space The- atre and with her own performance group in the late 90’s, The Compound. Most recently Sarah was seen in The Neverend- ing Story and The Hundred Dresses, both at Seattle Children’s Theater. Favorite roles include Neely O’Hara in The Valley of the Dolls, Joan in Far Away, and Hermione in The Winter’s Tale. That production with Freehold went to Purdy Women’s Prison and Monroe Men’s Prison, performances that brought Sarah two of the most in- tense, present and receptive audiences of Shakespeare she has ever experienced. The experience reinforced, once again, how much these works still resonate. Leticia Jaramillo (Widow) Leticia is happy to be making her debut with Seattle Shakespeare Company. She most recently appeared locally as Flor- ence in Book-It Repertory Theatre’s pro- duction of The Highest Tide and as Nana in The House of the Spirits. After training and performing at American Conserva- tory Theatre in San Francisco, she worked and taught at Pacific Conservatory for the Performing Arts in California and at the Denver Center Theatre Company, appear- ing in over 60 productions. She has also performed at the Pacific Theatre Ensemble in Los Angeles, The Ensemble Theatre in Santa Barbara, The Hippodrome Theatre in Gainesville, Florida and many others. She has been seen in twelve productions of the beloved Bard’s plays, including Kate in The Taming of the Shrew, Queen Elizabeth in Richard III, and Helena and the Count- ess Rossillion in prior productions of All’s Well That Ends Well. In 1992-98, Leticia was the co-owner and founder, as well as Executive Producer of UPN-65, WRBW- TVinOrlando,Floridawhichcontinuesto flourish. James Lapan (Lafew) Jim is delighted to return to Seattle Shake- speare Company. Previous credits here include The Merchant of Venice, Richard III, Blood & Iron, and a long-touring four- person Romeo and Juliet. He also directed Richard II and Richard III for the Short Shakes program. Elsewhere, Jim has acted at Theater Schmeater,Wooden O Theatre, Village Theatre, and Book-It Repertory Theatre, among others. He’s a proud dad and a graduate of Bates College and the University of Washington PATP. Joseph Luckhurst (Ensemble) Joseph Luckhurst is a graduate of Cornish College of theArts and is happy to be mak- ing his first appearance with Seattle Shake- speare Company. Joseph most recently appeared in Book-It Repertory Theatre’s production of Persuasion.Past roles include Andre in Five Flights, Peer Gynt in Peer Gynt: Part 2, and Matt of the Mint in The Beggar’s Opera. He thanks his family for their unwavering tolerance and support. Chris Maslen (Lord G. Dumaine) Chris is “pretty darn jazzed” to be on the Seattle Shakespeare Company stage for the first time. He recently finished co-writing, producing,and starring in the play Heaven- lySpirits,directedbyGavinMcLean.Before that,hegarneredsomeprettydecentcritical praise for the two-man show Santaland Di- aries withtheBroadwayCenter,directedby Russ Banham. Chris appeared in Wooden O Theatre’s productions of Love’s Labours Lost, Hamlet, and The Merchant of Venice, playing Berowne, Laertes, and Bassanio respectively. He’s worked with the Oregon Shakespeare Festival in their productions of Richard III and Twelfth Night, and Faus- tus and The Rubicon Theatre Company’s Hamlet in California. He holds a BFA in Original Works from Cornish College of the Arts (‘04). Chris is a writer and pops up every once in awhile in the stand-up comedy scene.He also played a surly waiter in the film Conversations with God (20th Century Fox). Taylor Maxwell (Lord E. Dumaine) Taylor Maxwell is happy to be performing at Seattle Shakespeare Company. A recent graduate of Cornish College of the Arts, Leticia Jaramillo Sarah Harlett Trista Duval James Lapan Joseph Luckhurst Chris Maslen
  • 7. S E AT T L E S H A K E S P E A R E C O M PA N Y Taylor Maxwell Marianne Owen Taylor got straight to work around the city taking the role of Malcolm in Seattle ShakespeareCompany’sChamberMacbeth, Mercutio in the company’s touring produc- tion of Romeo and Juliet,and Murphy in the The House of Epicureanism’s The Indian Wants the Bronx. He will continue to tack- le acting, directing, and producing projects around town. Marianne Owen (Countess of Rossillion) Marianne’s work in Seattle includes many shows at ACT (most recently The Women andStuffHappens),6showsatSeattleChil- drens’ Theatre (most recently The Hundred Dresses), shows at Intiman Theatre, Empty Space Theatre, Village Theatre, and 9 seasons with Dan Sullivan as a company member at Seattle Repertory Theatre. A founding member of the American Reper- tory Theatre, she toured with them in the U.S.,Europe,IsraelandtotheInternational Chekhov Festival at the Moscow Art The- atre.Ms.Owen has also worked atArizona Theatre Co., Yale Rep., La Jolla Playhouse, Guthrie Theater, Actors’ Theatre of Louis- ville, New York Shakespeare Festival, Rep- ertory Theatre of St. Louis, Playwrights’ Horizons, the Goodman Theatre, and has toured nationally in The Real Thing byTom Stoppard. Marianne holds an MFA from the Yale School of Drama. Michael Patten (King of France) Recent Seattle stage credits include Neil LaBute’s Autobahn at Re-bar, Oberman and The Chain Letter in The Water Engine for Strawberry Theatre Workshop, An- tonio (Merchant of Venice) and Claudius (Hamlet) for Wooden O Theatre and Ag- amemnon in Seattle Opera’s Iphigenia in Tauris, directed by Stephen Wadsworth. Some local favorites include Freddie Fel- lowesinNoisesOffandMaryZimmerman’s The Odyssey at Seattle Repertory Theatre, Hector in Heartbreak House at Intiman, and Mellors in Lady Chatterley’s Lover with Book-It Repertory Theatre. Michael is a co-founding member of New Century Theatre Company and will be appearing in theensemble’sinauguralproduction,Elmer Rice’s 1923 expressionist masterpiece The Adding Machine, this coming November at ACT Theatre along with fellow co-found- ing member Paul Stetler. Mr. Patten is proud to be a member of AEA, SAG, and AFTRA and thanks Seattle Shakespeare Company for providing Union opportuni- ties to working actors. Heather Roberts (Diana) Heather is thrilled to be a part of her first production with the Seattle Shakespeare Company. She recently received her BFA from Cornish College of the Arts. Her fa- vorite Cornish roles include: Peer in Peer Gynt directed by Sheila Daniels and Jane in Five Flights directed by Katjana Vadebon- coeur.She was last seen as Pegeen in Mame at The 5th Avenue Theatre. Alexander Samuels (Lavatch) Alexander Samuels is so pleased to be back with Seattle Shakespeare having previ- ously played Oliver in As You Like It. He has acted with many local companies.Most recently, he played Jerry in Edward Albee’s The Zoo Story and was in Next Stage The- atre’sinnauguralproductionofDemonology. Behind the scenes he is the assistant to the Managing Director of Theater Schmeater and is on the steering committee for 14/48: The World’s Quickest Theater Festival. Michael Patten Alexander Samuels Paul Morgan Stetler Heather Roberts Paul Morgan Stetler (Parolles) Paul is thrilled to be back for this his 6th show at Seattle Shakespeare Company and is grateful to Stephanie Shine for her continued faith and support. Paul has ap- peared in leading roles on most of Seattle’s stages and numerous regional houses around the country.Most recently,Paul has banded together with some fellow Seattle artists (many of them Seattle Shakespeare Company regulars) to create the New Cen- tury Theatre Company, Seattle’s newest professional theater. Please join them for their inaugural production of Elmer Rice’s The Adding Machine this November, per- formed at ACT Theatre’s beautiful Falls Theatre Space. Sean Patrick Taylor (Musician and Music Director) Sean Patrick Taylor is pleased to be back with Seattle Shakespeare Company where he was last seen performing several parts in Cyrano de Bergerac, which he translated for the company.Other recent roles include Montague in Balagan Theatre’s Romeo and Juliet, Polonius in Ghostlight’s Rosen- crantz and Guildenstern Are Dead,Tubal in Wooden O Theatre’s The Merchant of Ven- ice and Maxim in Annex Theatre’s produc- tion of The Secret Recordings of Lenin. Connor Toms (Bertram) Connor is thrilled to be working at Seattle Shakespeare Company for the third time where previously he appeared in Cyrano de Bergerac and the chamber series produc- tion of Richard III. Other regional credits include the Intiman Theatre (The Diary of Anne Frank, The Grapes of Wrath,andRich- ard III), Seattle Repertory Theatre (The Chosen), Shakespeare Santa Cruz (The
  • 8. S E AT T L E S H A K E S P E A R E C O M PA N Y Production Team Biographies Stephanie Shine (Director) Stephanie is completing her 10th season as Artistic Director of Seattle Shakespeare Company where she has directed The Com- edy of Errors, Swansong by Patrick Page, Cyrano de Bergerac, the lauded all-male Taming of the Shrew, Measure For Measure, Richard II, Wild Oats, Hamlet, Henry V, Romeo and Juliet, A Midsummer Night’s Dream, and Henry IV, pt 1. Her other di- rectorial credits include, The Comedy of Errors for Colorado Shakespeare Festival, I Am of Ireland (which she also conceived and adapted), and A Christmas Memory for Book-It Repertory Theatre, Love’s La- bors Lost for Cornish College of the Arts, A Christmas Carol (also adapted) for Bain- bridge Performing Arts, and the award- winning one-woman Marilyn Monroe Biopic, Marilyn: Forever Blonde, which is currently touring across the nation.A well- known actress in the Northwest, she has performed for Seattle Repertory Theatre, ACT, Empty Space Theatre, Seattle Chil- dren’s Theatre, Book-It Repertory Theatre, and Tacoma Actors Guild, as well as sever- al theatres across the nation including both the Oregon and New Jersey Shakespeare Festivals. Her Shakespearean roles include Juliet, Rosalind, Lady Macbeth, Beatrice, Regan, Feste, Kate, Bianca, Dionyza, The Princess of France, Hero, and Perdita. Stephanie is a graduate of the University of Washington’s Professional Actor Train- ing Program and the very proud mother of Conor and Cahilan Shine. Merry Wives of Windsor and Coriolanus) and Seattle Children’s Theatre, where he appeared in The Big Friendly Giant, The GreenSheep,andrecentlystarredasHamlet in Rita Giomi’s five actor adaptation of the play. Connor is a graduate of Cornish Col- lege of the Arts.He would like to thank his great cast and crew, his wonderful director, and beautiful girlfriend, and he dedicates this show to his father – now 100% cancer free…way to go, Pops. John Ulman (Renaldo/Interpreter) John is thrilled to be back onstage at Seattle Shakespeare Company where he was previ- ously seen as Demetrius in A Midsummer Night’s Dream and several characters in Cyrano de Bergerac. John is originally from Bakersfield,California,where he performed intwoseasonsof theKernShakespeareFes- tival. He went on from there to receive his B.A.degree in drama from UC Irvine.John has performed at the Edinburgh Fringe Festival in Scotland. He also has toured nationally in several productions with Cali- forniaTheatreCenter.Locally,Johnhasalso been seen in the Capitol Hill Arts Center’s God’s Country, Book-It Repertory Theatre’s Bud, Not Buddy andRhoda: A Life in Stories, and several Book-It-All-Over touring pro- ductions. When John’s not acting,he works as a photographer. Kurt Walls (Scenic Designer) Kurt is very happy to make his Seattle Shakespeare Company debut designing scenery for Stephanie, having worked with her 25 years ago at the Williamstown The- atre Festival. Kurt is an Associate Profes- sor and Director of Theatre Production at the University of Puget Sound, where his favorite designs includes A Midsummer’s Night Dream, Tartuffe, Angels in America and the premier of Rosalind Bell’s The New Orleans Monologues.Inadditiontoteaching technical theatre and design, he mentors the Senior Theatre Festival. He also has designed scenery for over 25 productions of the Seattle Men’s and Seattle Women’s Choruses. Prior to UPS, Kurt was the General Manager and founder of Pacific Studio, a design and fabrication firm that specializes in the entertainment and mu- seum industries. After earning his MFA in Scene Design and Stage Technology from the University of Washington, Kurt was the Assistant Technical Director at Seattle Repertory Theatre. Tiana Colovos (Costume Designer) Tiana has designed, co-designed and as- sisted on other Shakespeare plays includ- ing a buffoons version of The Tempest at New Holly and Deus X Machina, an 80’s remix of The Two Gentleman of Verona at Tacoma Actors Guild and the magically staged The Winter’s Tale at Seattle Shake- speare Company.She often assists costume designer extraordinaire Melanie Burgess in the quest for the perfect pieces. Connor Toms John Ulman Sean Patrick Taylor Don Darryl Rivera, Alexandra Tavares, and Caety Sagoian in The Comedy of Errors. Photo John Ulman
  • 9. S E AT T L E S H A K E S P E A R E C O M PA N Y Tim Wratten (Lighting Designer) Timlovestoplaywithlightandisdelighted to return to Seattle Shakespeare Company to light these shows after having worked in British rep theatres (Bristol Old Vic, Man- chester Library, Coventry Belgrade) for manyyears.In1996,Timandfamilydecid- ed to come and play in Seattle (the weather is the same). Since then he has completed over forty shows, including designs for The Empty Space Theatre, New City Theatre, Seattle University,and theAlliance Theatre Atlanta. Jen Havlin (Dance Choreographer) Jen received a degree in Dance and Cho- reography while taking her pre-med class- es. She’s choreographed and performed nationally and locally. Her past Seattle Shakespeare Company productions in- clude Much Ado About Nothing, and As You Like It. She volunteers for Seattle area high schools, choreographing their musi- cals and modern dance productions. She is engaged to former Seattle Shakespeare Company board president, Steven Wells. She and Steph Shine have been friends for 16 years. Kimberly White (Vocal/Text Director) This begins Kimberly’s fifth season with Seattle Shakespeare Company. She has worked with Shakespeare’s plays for the past 20 years as coach, teacher, director, producer and actor. Other credits include University of Washington, Freehold Stu- dio, University of British Columbia, Ot- terbein College (Columbus,OH),Harvard University, Korean University of the Arts, Shakespeare & Company, Seattle Chil- dren’s Theatre, Lake Tahoe Shakespeare Festival, and Sun Valley Shakespeare Festival (Co-Founder & Artistic Direc- tor, 2000-2004). In November Kimberly worked with Maryland Shakespeare on a workshop production of Richard III. She is a graduate of California Institute of the Arts and a Designated Linklater Voice Teacher.Love always to her daughter Han- nah, a junior at UCSC. Miller Freeman IV (Stage Manager) Miller is honored to return as stage manag- er for All’s Well That Ends Well, in addition to his responsibilities as Production Man- ager for Seattle Shakespeare Company this season. Other Seattle Shakespeare pro- ductions for which he has served as stage manager include The Miser, Pericles, The School for Scandal, Chamber Macbeth, Much Ado About Nothing, and Romeo and Juliet. Miller has also worked as stage manager for a host of shows in Seattle, including Cinderella, A Love Story with the Sound of Motown, Summer Rhapsody: The Reunion, and Uncle Willy’s Chocolate Factory pro- ducedbytheLangstonHughesPerforming Arts Center at Seattle Repertory Theatre, Rebecca and Waxwings with Book-it Rep- ertory Theatre, and a number of shows at Theater Schmeater and the University of Washington, including the graduate acting program’sPATPshowcasetour.Miller’sin- terest in theatre began as a student at Johns Hopkins University. While there, he acted in several shows and then served as direc- tor for the production of The Taming of the Shrew after which he decided that his true interest in theatre lay backstage. Seattle Scenic Studios (Technical Direction) Seattle Scenic Studios’ mission is to serve the region’s non-profit arts and cultural organizations and introduce, inspire and train the next generation of technical the- atre artists. Their clients include Seattle PublicTheater,ReAct,YouthTheatreNW, Civic Light Opera, Wing Luke Asian Mu- seum,Book-It Repertory Theatre,Eastside Musical Theatre, Centerstage, BrownBox, Broadway Bound, Spectrum Dance The- ater, Studio East, Bainbridge KidiMu, Ta- coma Children’s Museum, The Bruce Lee Exhibit for Inter*Im and Bellevue Opera to name a few. Their education program currently works with the Bush School, Summit, Roosevelt High School, Bothell High School, Olympic View, and North- west School. Seattle Scenic’s education and production programs are supported in gen- erous part by 4Culture, Mayor’s Office of Arts and Culture Affairs, and The Boeing Company. All’s Well That Ends Well Special Thanks Karen Lane, John Merner, Seattle Center, Theatre Puget Sound, Dan McCleary Jennifer Sue Johnson and Todd Jefferson Moore in The Miser. Photo John Ulman.
  • 10. S E AT T L E S H A K E S P E A R E C O M PA N Y Biographies Stephanie Shine, Artistic Director See Production biographies John Bradshaw, Managing Director Now in his fifth season with Seattle Shakespeare Company, John is a gradu- ate of the University of Washington and has spent nearly his entire career as part of the Seattle theatre community. Prior to joining Seattle Shakespeare Company, he was Managing Director at The Empty Space Theatre; Director of Endowment and Planned Giving at Seattle Reper- tory Theatre; and General Manager and Development Director for Kirkland Per- formance Center. He currently serves as Treasurer of the Board of Directors for the Washington State Arts Alliance/ Foundation. As a student stage manager at UW, he had the pleasure of working with a very talented young actress named Stephanie Shine on several productions, including Shakespeare’s The Taming of the Shrew. Michelle Traverso, Education Director As Education Director at Seattle Shake- speare Company, Michelle supervises matinees, workshops, in-school per- formances, Short Shakes, Camp Bill, residencies, and professional develop- ment through Bringing Theatre into the Classroom (BTiC) with partners Seattle Repertory Theatre, Book-It Repertory Theatre, and Seattle Children’s Theatre. Michelle is an Equity stage manager, a Washington State certificated teacher, and Mom to two teenage sons. Key Staff Gordon Carpenter and Hana Lass in Chamber Julius Caesar. Photo John Ulman SEATTLE SHAKESPEARE COMPANY henry iv Anepiccomingofagefeaturingthegreatstagecomic-Falstaff October 23 – November 16, 2008 the servant of two masters Acollisioncourseofclowningwiththewise-crackingTruffaldino January 8 – February 1, 2009 the turn of the screw AneeriestageadaptationofHenryJames’chillingghoststory January 13 – 28, 2009* the merchant of venice Athrillingdramaofpassion,cunningandvengeance March 12 – April 5, 2009 the tempest Loveisthemostpotentmagicofall June 4 – 28, 2009 206-733-8222 • seattleshakespeare.org *Running in repertory with The Servant of Two Masters. All titles and dates subject to change. Photos: Richard Ziman, Hans Altweis and Jennifer Sue Johnson, Todd Jefferson Moore and Leslie Law. 2008-2009 season Subscribe Today
  • 11. S E AT T L E S H A K E S P E A R E C O M PA N Y And a special THANKS to all the companies and individuals that donated items to our auction. O n April 21st, over 200 guests joined us for our annual Bill’s Birthday Bash. As part of the evening, attendees were asked to “bid” in support of actor’s salaries for the current season. Much to our delight, the following donors answered the call by stepping forward to contribute more than $30,000. Thanks to everyone who helped to make this year’s BILL’S BIRTHDAY BASH a HUGE success! Anonymous (2) Kay Abramson David and Gay Allais Bruce and Joanne Amundson Hank Balson John Bodoia Charles and Shirley Bollinger John Bradshaw Marianna Clark Janet, Don and Anne Conte Debra Cotter Kate Cudney and Jeff Kenknight Pierre De Vries and Susan Tonkin Dan Drais and Jane Mills Pete and Lisa Dufour Joyce Erickson and Kenneth Brown Emily Evans and Kevin Wilson Josh Gaul and Holly Vance Robert and Roberta Greenwood Lisa Hager Jerry and Michelle Hahn John and Wendy Hardman Holly Harris Jennifer Havlin Heather Hawkins-Weinland and Jay Weinland Kate Hokanson Harry Hosey and Judith Shulman Lani Jacobsen and Peter Kahle Lisa Jaret Terry Johnson and Joe Maio Richard Jones Steve and Carole Kelley Jim Kelly Rita and Robert Kotler Kyrsten Laboda Teri Lazzara Tom and Megan Luce Pamela Malkson Brad Mathews Phil and Carol Miller Thomas and Meridith O’Kelley Douglas Paasch John and Margaret Pageler Meg Pageler Mourning and Dr. David Mourning David and Pam Peters Bill O’Donnell and Barbara Peterson Thanks to our FUND AN ACTOR donors! Candace and Woody Pidcock Grace Reamer and Kevin Bose Owen Richards and Tania Westby Nicole and Tim Rothrock Paula Russell Kathleen Scurlock Michael Shurgot Laurie A. Smiley and George Bennett Christopher and Marcie Taylor Robert and Anne Van Cleve Leslie and Tom Vogl Pat and Charlie Walker Judith and Morton Weisman Juda Youngstrom and Peter Covell Christianna Zaremba The 5 Spot Abeja Winery Acorn Media Adriatic Grill Italian Cuisine & Wine Bar Afterglow David and Gay Allais Eric Allais Allstar Fitness Hans Altwies Animal Talk Arden Forest Inn Arnies Restaurants NW Inc. Artists Gardens ArtsWest Playhouse and Gallery Russ Banham Bard on the Beach Laurie Barnoski Basel Cellars Estate Winery Bellevue Art Museum Annie and Rossi Bennett John Bodoia Boeing Tours John Bogar Book-It Repertory Theatre Maya Borhani John Bradshaw BrightWorks Coaching Jeanette Brynn at Salon Opulence Buchanan Chocolates Inc. Bungie Studios Trey Busch Buty Winery Carol Cahill Gordon Carpenter Chapters Photography David Clemons Columbia Winery Consider Yourself Skincare Janet and Don Conte DaMa Wines DanceExperts Shelia Daniels Karan Dannenberg Clothier Dee Vine Wines Alban Dennis Dick’s Drive-In Restaurants George Divoky Robert Doggett Duke’s Chowder House Dunham Cellars Edmonds Center for the Arts The Elias Family and Adam Woog Ellentuck Interiors Emily Evans and Kevin Wilson Facere Jewelry Art Gallery Anne Fennessy and David Moseley Deb Fialkow Jeff Fickes Foundry Vineyards Bonnie and Jessica Frederick Frenchy’s Day Spa Molly Frothingham Frye Art Museum Future of Flight Aviation Center and Boeing Tour Jim Gall Great Harvest Bread Company GreenStage Robert and Roberta Greenwood Emily Grogan Holly Harris Henry Art Gallery Highline Athletic Club John Hinds Harry Hosey and Judith Shulman Intiman Theatre Isenhower Cellars Charles and Kristin Jazdzewski Jenny Sue Johnson Terry Anne Johnson and Joseph Maio Kathleen Cain and Charles McAleese KCTS Public Television Steve Kelley Darragh Kennan Kimmi Kirkland Arts Center Kirkland Performance Center Bob and M.J. Koenig Lake Chelan Winery Annie Lareau Suzanne Lederer & Joshua Freilich Lisa Hager Lynnwood Ice Center Brad Mathews Taylor Maxwell McCarthy and Schiering Wine Merchants McCaw Hall at Seattle Center Andrew McGinn Dan McLeary Medieval Women’s Choir Phil and Carol Miller Mind/Body Associates International George Mount Meg Pageler Mourning and Dr. David Mourning The Moyer Foundation and Debra Cotter Jayne Muirhead / Enerjewels Marty Mukhalian Museum of History and Industry Erica Neils Netstar Communications, Inc. Northstar Winery Northwest Boychoir / Vocal Point Northwest Film Forum Peter Dylan O’Connor Olympic Music Festival On the Boards One Reel Oregon Shakespeare Festival Original Basket Boutique Pacific Northwest Ballet Jack and Margaret Pageler Michael Patten Pepper Bridge Winery Barbara Peterson Brandon Petty Rod Pilloud Pork Filled Players Rebecca Price Jim Purcell and Jackie Miller Qwest ReAct Theatre Red Balloon Company Anne Repass Mike Repass Restaurants Unlimited Inc. Lucy Richman Robert Leonard Salon & Day Spa Nicole Rothrock D’Acquisto Paula Russell Caety Sagoian Santa Fe Café Cynthia Saver Judi Schimke Seastar Restaurant and Raw Bar Seattle Aquarium Society Seattle Children’s Theatre Seattle Children’s Theatre Drama School Seattle International Children’s Festival Seattle International Film Festival Seattle Public Theater Seattle Repertory Theatre Seattle Tours Seven Hills Winery Shakespeare’s Den Stephanie Shine Stacya Silverman SIS Productions Laurie Smiley and George Bennett Spectrum Dance Theater Chef John Howie’s Sport Restaurant and Bar Spring Valley Vineyard St. Clouds Restaurant and Catering Paul Morgan Stetler Studio East, Training for the Performing Arts Erik Stuhaug / Iconographics Tom and Sarah Sweeney David and Sheila Taft Taproot Theatre Company Tara Gimmer Photography Sean Patrick Taylor Teacup Theater Schmeater Amy Thone Tillicum Village & Tours Time of Your Life Tours Susan Tonkin Dan and Joanna Trefethen John Ulman Photography Underground Tours Utah Shakespearean Festival Sharon Vanderslice Laura Vida Village Theatre Leslie and Tom Vogl Doug Walker Catherine Walker and David Fuqua Walla Walla Inns Walla Walla Vintners Washington Ensemble Theatre Rebecca Wellington / Aria Salon Kimberly White Devan White / Bowie Salon Whoopemup Hollow Café Mandi Wickline / Earth, Wine and Wire Wing-It Productions Jeanne Wintz Woodhouse Family Cellars Woodward Canyon Winery Wuhoo Fitness Richard Ziman
  • 12. S E AT T L E S H A K E S P E A R E C O M PA N Y Take It Outside By George Mount whether you’ve been a fan of Seattle Shakespeare Company or Wooden O, or both! You’ll recognize actors like Kelly Kitchens, Jim Gall, David Quicksall, Hana Lass, David Goldstein and many more. I’ll be directing Romeo and Juliet with a very modern take, as we examine the classic love story from across battle lines forged by political and national conflict, not just feuding families. For A Midsummer Night’s Dream, Wooden O favorite Vanessa Miller gives a psychedelic casino twist on her Las Vegas inspired production. Very groovy! The Wooden O series of free outdoor productions will play Mercer Island’s Luther Burbank Park Amphitheater and numerous other parks, starting July 10. A complete schedule with map directions is available at the website, www.woodeno.org. All productions are free (donations accepted) and picnics are encouraged. After a long eight months spent watching great Shakespeare inside our Center House theatre, it’s time to take it outside! “Now is the winter of our discontent Changed to glorious summer…” Summer is coming, so get outside and a see a play! Seattle Shakespeare Company, the region’s best indoor Shakespeare company, has merged with Wooden O, the premier outdoor Shakespeare company. Wooden O is a theatre I started in 1994 as a way to bring the highest quality classical theatre to as many people in our region as possible, in a setting as accessible as it is entertaining. 2008 marks our fifteenth annual free Shakespeare in the parks season, and we’re bringing our shows to a park near you! Wooden O’s fifteenth season is, in essence, a gift to our audiences. We’re bringing to life Shakespeare’s best loved and most popular plays: Romeo and Juliet and A Midsummer Night’s Dream. These are two timeless and time-tested tales of love and the pitfalls of being in love. It really will be a“summer of love.” We’ve also brought together some of your favorite artists for these shows, This summer, after we’ve finished touring the King county parks, we’re packing up our sets and costumes and heading to Walla Walla, Washington. The Wooden O production of A Midsummer Night’s Dream will play at the Fort Walla Walla Amphitheater August 6-10 at 8PM thanks to a unique venture entitled Shakespeare Uncorked. Shakespeare Uncorked in Walla Walla aims to present outdoor professional productions of Shakespeare’s work and other classical plays for the people and visitors in the Southeast Washington region. We’re thrilled to be able perform for our new friends on the other side of the state, and, if you’re in the area this summer (or want to make a special trip out!), we hope to see you at the show. Shakespeare Uncorked Contributors Walla Walla Foundry, Inc. Mark and Patty Anderson Brian Hearden Harry Hosey and Judith Shulman Charlie and Catherine Konen Dennis and Donna Ledford Heading Out of Town for Shakespeare Uncorked George Mount. Photo: John Ulman
  • 13. S E AT T L E S H A K E S P E A R E C O M PA N Y DIY Shakespeare at Camp Bill Getting Our Act Together And Taking It On the Road Up at the theatre by 5AM to load the set and head out to another part of state. That’s what it’s been like for Seattle Shakespeare Company’s troupe of touring players who have been on the road with Romeo and Juliet more or less since last October. In April, in addition to all the miles they’ve logged in the van, the 5-actor group passed the 10K mark (10,000 audience members, that is) and they still had plenty of towns and schools to visit in their trek across the state. “Thank you for coming to Port Angeles, WA!” wrote Suzanne Keegan, a 2nd grade teacher at Franklin Elementary. “We just watched 90 minutes of constant action. My class had a wonderful time and we would do it all over again. Those actors were working the whole time to keep our students engaged and enthralled. Some of our students had never seen a professional production and couldn't get enough. Again, thank you.” Seattle Shakespeare Company’s tour of Romeo and Juliet is supported through a grant from the National Endowment for the Arts Shakespeare in American Communities initiative that helped to fund free performances in Port Angeles, Wenatchee, and Morton. And it’s not just schools that the troupe has toured to but local performing arts centers as well,“I just got a call from the principal from Paschal Sherman Indian School to say thank you, it was wonderful, and the kids were GLUED to their seats,” wrote Kate Jones from Methow Valley Arts. “This is huge, especially for a school where many of the kids are struggling with very complicated lives and have had little to no experience with this type of performance. I also received a call from a teacher from another school to say thank you, and was stopped on the street by the principal of the local school to say the same. Bringing this performance to our rural communities is a real treat for us, and provides an opportunity for kids to experience Shakespeare in a truly engaging manner.” The tour of Romeo and Juliet wraps up with a few more engagements in the fall. In spring of 2009 Seattle Shakespeare Company will launch a 6-actor Othello that will tour through spring 2010. To bring one of Seattle Shakespeare Company’s touring productions to your area, contact George Mount at (206) 733-8228 ext. 212. Leilani Aileene Saper and Brandon Petty in Romeo and Juliet. Photo Ken Holmes Join Seattle Shakespeare Company for a summer experience like no other - a summer spent with Shakespeare. Camp Bill is an immersion into the world of Shakespeare performance. It isn’t just about learning the plays; it’s about living the plays. “It was by far the best acting experience I have so far ever had,” one recent camper told us. “Because of Camp Bill, I want to act more, not just with my school, like I have before, but in a more intense experience.” Camp Bill is for teenagers who really want a“Do-It- Yourself ” experience of Shakespeare. No matter what a teenager’s exposure to the Bard has been, Camp Bill has a level to match it. Camp Bill Basics instructs beginning or younger acting students in the skills needed for the Advance Production Intensive. It’s a great chance to get your feet wet as an actor, focus on a specific play, and build your skills with voice and text work, scene study, and Elizabethan dance and movement. Last year’s Camp Bill Production Intensive students produced and performed A Midsummer Night’s Dream. Everyone who signed up got a role, but they also built and painted sets, found props, sewed costumes and more. On stage and backstage, Camp Bill Production Intensive exposes campers to all aspects of stagecraft. This year Camp Bill starts in June with a one week session (June 23-27), a two-week session (July 7-18), and the three week intensive (July 21-Aug 8). To sign up or get more information go to www.seattleshakespeare.org or call (206) 733-8228 ext 212.
  • 14. S E AT T L E S H A K E S P E A R E C O M PA N Y Board of Directors Emily Evans - President Harry P.Hosey,P.E.- Vice President Meg Pageler Mourning - Vice President Susan Tonkin - Treasurer Phillip S.Miller - Secretary Board Members David C.Allais John Bodoia Robert Doggett Francisco A. Duarte Edwin Green Jerry Hahn Maria C. Mackey Brad Mathews Barbara Peterson Pamela Ottaviano Rhodes Paula Russell Dr. David Taft Deborah Taglialavore Dan Tierney Leslie M. Vogl Jeanne C.Wintz, Ph.D. Advisory Board Kenneth Alhadeff Cecile Delafield Dan Drais Donald Frothingham Slade Gorton Gaelynn McGavick Sarah Merner Jane Mills Richard Rhodes Pat Walker Doug Walker Steven M.Wells ARTISTIC STAFF Neil Freeman - Text Consultant John Langs - Associate Artist George Mount - Director of Outdoor and Touring Performances Amy Thone - Casting Director EDUCATION Michelle Traverso - Education Director PRODUCTION Miller Freeman,IV - Production Manager Pete Rush - Costume Shop Manager MARKETING Jeff Fickes - Director of Marketing FRONT OF HOUSE Katjana Vadeboncoeur-Audience Services/House Manager BOX OFFICE Rebecca Price - Box Office Manager Melinda Beck - Box Office Associate Elaine Huber - Box Office Associate Caitlin Walraven - Box Office Associate DEVELOPMENT Jeff Fickes - Director of Organizational Development John Osebold - Development Director Rebecca Olson - Development Manager, Wooden O Consulting doctor Dr. Mary Weiss - Swedish Physicians Providence Clinic OPERATIONS Bernie McIlroy - Technology Overlord Kathy Hsieh - Bookkeeper Sara Lachman - Technology Projects Assistant Staff Stephanie Shine - Artistic Director • John Bradshaw - Managing Director Teaching Artists (2006-07) Michael Acquino Geof Alm Hans Altwies Cara Anderson John Bogar Susanna Burney Colin Byrne Gordon Carpenter Anne Conte Eveline Darroch Austin Farwell Deb Fialkow Troy Fischnaller David Goldstein Heather Hawkins Evan Hernandez Ryan Higgins Ken Holmes Karen Kennedy Kelly Kitchens Leslie Law Taylor Maxwell Vanessa Miller George Mount Brandon Petty Don Darryl Rivera Leilani Saper Stephanie Shine M. J. Sieber Ryan Spickard Paul Morgan Stetler Sean Patrick Taylor Amy Thone Michelle Traverso Katjana Vadeboncoeur Actors’Equity Association (AEA), founded in 1913, represents more than 45-thousand actors and stage managers in the United States. Equity seeks to advance, pro- mote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions.The Equity emblem is our mark of excellence. www.actorsequity.org Tim Gouran and Brandon Whitehead in Swansong. Photo John Ulman.
  • 15. S E AT T L E S H A K E S P E A R E C O M PA N Y $75,000 and over Paul G. Allen Family Foundation $25,000 to $74,999 National Endowment for the Arts/Arts Midwest/Shakespeare in American Communities 10,000 to $24,999 CORPORATIONS/GOVERNMENT/ FOUNDATIONS ArtsFund KUOW 94.9 Nesholm Family Foundation Qwest Foundation The Norcliffe Foundation The Seattle Foundation INDIVIDUALS Sarah Merner and Craig McKibben Doug and Maggie Walker $5,000 to $9,999 CORPORATIONS/GOVERNMENT/ FOUNDATIONS 4Culture Fox Bowman Duarte, PLLC Glaser Foundation North American Coffee Partnership Mayor’s Office of Arts & Cultural Affairs Washington State Arts Commission INDIVIDUALS Emily Evans and Kevin Wilson Heather Hawkins-Weinland and Jay Weinland Harry Hosey and Judith Shulman Dennis and Donna Ledford Bernie McIlroy Phil and Carol Miller Meg Pageler Mourning and Dr. David Mourning Pat and Charlie Walker Steven Wells $2,500 to $4,999 CORPORATIONS/GOVERNMENT/ FOUNDATIONS Bus No. 8 Canonicus Fund Colymbus Foundation K&L Gates Microsoft Matching Gifts Program Pacific International Engineering, PLLC Pepsico Foundation Matching Gifts PONCHO Tuxedos andTennis Shoes WallaWalla Foundry, Inc. INDIVIDUALS Anonymous (2) David and Gay Allais John Bodoia John Bradshaw Pierre DeVries and SusanTonkin Dan Drais and Jane Mills Donald and Ann Frothingham Susan Little Maria Mackey Carl and Makiko Pirscher DavidA. and Sheila B.Taft $1,000 to 2,499 CORPORTIONS/GOVERNMENT/ FOUNDATIONS Dorsey &Whitney Foundation Fales FoundationTrust John BrooksWilliams and John H. Bauer Endowment forTheatre U. M. R. Foundation Inc. Wachovia Foundation Matching Gifts Program INDIVIDUALS Anonymous Mark and Patty Anderson Cecile and J. D. Delafield Jane & Robert Doggett Lauren Dudley Anne Fennessy and David Moseley John andWendy Hardman Holly Harris Brian Hearden Kristin and Charles Jazdzewski Terry Johnson and Joe Maio Charlie and Catherine Konen Teri Lazzara Sue Livingstone and Donald Padelford Brad Mathews Gaelynn and Mike McGavick Mardi Newman Eleanor and Charles Pollnow Jr. Victoria Quinn Jeanne and JimWintz $500 TO $999 CORPORATIONS/ GOVERNMENT/ FOUNDATIONS Boeing Gift Matching Program English Speaking Union - Shakespeare Committee First Data Foundation We extend our heart-felt thanks to the following contributors for their generous support. Contributors Contributions from 5/01/07 through 5/08/08 Double your support to Seattle Shakespeare Company! EMPLOYEE MATCHING GIFTS When donating to Seattle Shakespeare Company, your gift can go much farther. Many employers will match your gift to non-profit organizations on a one-to-one basis.It’s an easy way to increase your impact at Seattle Shakespeare Company.All you have to do is: • Get a gift matching from from your Personnel Office (some companies will skip the form,making it even easier). • Fill out the employee part of the form. • Mail the form to Seattle Shakespeare Company,PO Box 19595,Seattle,WA 98109,and we’ll do the rest. If you aren’t sure whether your company has a matching gift program, please check with your Personnel or Human Resources Manager.
  • 16. S E AT T L E S H A K E S P E A R E C O M PA N Y Contributors (Continued from previous page) Contributions from 5/01/07 through 5/08/08 Teri Lazarra/Moccasin Lake Foundation Wells Fargo Cultural Education Enhancement Fund INDIVIDUALS Anonymous (3) Janet, Don & Anne Conte Larry and Gabi Copeland Rick and Terry Edwards Barbara Feasey & Bill Bryant Slade and Sally Gorton Corrie Greene and Matt Segal Robert and Roberta Greenwood Lawrence & Hylton Hard Megan Moholt Bill O’Donnell and Barbara Peterson Robert Papsdorf and Jonetta Taylor Kevin Phaup and Cathy Wissink Anne Repass Paula Russell Cynthia Saver Laurie Stusser-McNeil and KC McNeil Leslie and Tom Vogl $250 to $499 CORPORATIONS/GOVERNMENT/ FOUNDATIONS Palomino Restaurant UBS Matching Gifts INDIVIDUALS Anonymous (2) Bruce and Joanne Amundson Lenore Bensinger Chris Beron Jeff Brown and Anne Watanabe Sara and Victor Craig Raney, Grace, Bob Cumbow Mary Dickinson Sue Drais William and Roberta Duvall Elizabeth L. Flexer James and Patricia Frits Rick and Marjorie Goldfarb Fred Grimm Jon Highum Tom and Janice Huseby Deirdre Katt Lynn Manley and Lex Lindsey Barry Martin and Allison Kramer Vicki McMullin John and Margaret Pageler Candace and Woody Pidcock Larry and Michell Pihl Linda Reichenbach Steven and Fredrica Rice Owen Richards and Tania Westby Catherine and Thurston Roach Chris Schenck Shelley Schermer Ann Richel Schuh Michael Shurgot Peter and Marcia Joslyn Sill Laurie A. Smiley and George Bennett Carey Smith James L. and Sara Gehart Snell Kenneth and Debra Stangland Nancy Talley Don Theiler and Janet Price Robert and Anne Van Cleve David and Beth Whitehead Juda Youngstrom and Peter Covell $100 to $249 CORPORATIONS/GOVERNMENT/ FOUNDATIONS Adams Financial Concepts LLC Bill & Melinda Gates Foundation Matching Gifts Program INDIVIDUALS Anonymous (5) Shawn Aebi Eric, Lynette and Nicole Allais Kathy Alm Janet Angell Frink and Lloyd D. Frink Richard Asia Julie Beckman and Paul Lippert Steven Billeau Charles and Shirley Bollinger Elaine Bongiorno Pirkko Borland Harry Carstens Terese Cateriano Mark Chamberlain Marianna Clark Tom Clein and Helen Kyte Lynne Cohee and Matt Smith Shaun and Reed Corry Debra Cotter Sam Dachs Keith Dahlgren Cam and Bobbie De Vore Todd and Megan Elliott Joyce Erickson Kenneth Brown Walt Evans and Becki Berg Miller Freeman III Stephen Friend Josh Gaul Holly Vance Gerald Ginader and Karen Elledge Rita Giomi Lisa Hager and Karl Divoky Jerry and Michelle Hahn Eric and Jean Harrington Jennifer Havlin Randy and Barbara Hieronymus Kate Hokanson Sharelle Howard Lani Jacobsen and Peter Kahle Gwendolyn Grim Johnson Charles Kaplan Steve and Carole Kelley Rita and Robert Kotler Kyrsten Laboda Ellen Lackermann and Neal Stephenson Tom and Megan Luce Rob Jansen and Kate Czajkowski in Pericles. Photo: Erik Stuhaug
  • 17. S E AT T L E S H A K E S P E A R E C O M PA N Y David E. and Nancy C. Lundsgaard K.A. and Marlene S. Luther Pamela Malkson Heidi Mathisen and Klaus Brauer Sean and Debbie McDonald Christine Mellinger and Thomas Greenwood John Merner Phoebe Ann Moore Coe Tug Morgan Diane M. Morrison and Joel C. Bradbury Colette Ogle Thomas and Meridith O’Kelley Douglas Paasch Donald Padelford and Sue Livingstone Eric and Carla Pryne Grace Reamer Kevin Bose Karen Reed Michael Repass Michael Richards Jayne Ross George Matsuda Nicole and Tim Rothrock Elizabeth Russell Anne Senter Rob and Kris Shanafelt Debbie Taglialavore Christopher and MarcieTaylor Elizabeth Thorson Juanita Todd Robert Townsend Bruno & Yvonne Vogele Kathryn Volk Richard Wakefield Judith and Morton Weisman Myron and Jo Ella Weybright Jerry and Karen White $25 to $99 CORPORATIONS/GOVERNMENT/ FOUNDATIONS Amgen Foundation Matching Gifts Safeco Insurance Corporate Matching The Fulton Company INDIVIDUALS Anonymous (3) Kay Abramson William and Beverly Allen Russell and Jennifer Sue Banham Robert and Laura Barnoski Shawn Baz Barbara Beaver Katherine Stelter Belisle and Rick Belisle Edward J. Boone, Jr. Jean Carlson and C.B. Carlson Elizabeth Cerini-Lopis Harriett and Halley Cody and Harvey Sadis Monty and Nancy Correll Clayton and Susan Corzatte Kate Cudney and Jeff Kenknight Joe and Diane Dodson Ronald Doesher Pete and Lisa Dufour Glenn and Bertha Eades Martha Evans Erica Forhan Diana Gale and Jerry Hillis David Gedrose Martha Groom Hilary Hamilton John and Gerry Hay Margery Hokonson and Neil Hokoson Robert Hovden and Ron DeChene Lisa Jaret Joe and Rebecca Johnson Richard Jones Jim Kelly David Kessler Bob and MJ Koenig Viki and George Kychakoff Bruce and Brigid Laing Susan Lee Robert Hook Peter D. Leveque Bonnie Lewman Deborah Malone Peter Martin Gillian Grant-Martin Elaine Mathies Lare Mischo Robert and Cherry Montague Kathryn P. Moore Todd and M. Joby Moore Ellen Nadelhoffer John Dirks William and Barbara Neal Chris Gordon Owen Moss Patashnik David and Pam Peters Barbara Phillips Barbara and Daniel Radin DL Raymond Sharon A. Rice Eric and Karen Richter Grace Ross Anthony Salisbury Kathleen Scurlock Rita Smilkstein George and Susan Smith Karen Stephenson Jennifer Stepler and Peter Camp Awnie and Joseph Thompson Diane Thompson and Timothy Radonich Laura L. Weese Tim Whittome Carolyn and Randon Wickman John C. Wilson Adam Woog Karen L. Kent Christianna Zaremba Robi Zocher We make every effort to be accurate with this list, which reflects donations of $25 and over made between 5/1/2007 and 5/8/2008. Please contact us at 206- 733-8228 ext 214 or by email at JeffF@ seattleshakespeare.org if any changes should be made in the way your name is listed. John Farrage, Elena Wright, and Jack Greenman in The Winter’s Tale. Photo John Ulman.

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