Support eachother on aEuropean levelto play a leadingrole locally New fundingsources forchallengingprojectsA EuropeanvoiceExchangeinformation,initiate projects,shareexperiences Like-minded yetvery differentperforming artsorganisationsA European NetworkAckroyd Harvey ON THE FIELD
Commissions Co-productions Touring & Programming Residencies Partnerships Summer Labs Conferences Act as « agents » Document Produce and work differently Frédéric Ferrer, KYOTO FOREVER
Anna Mendelssohn,CRY ME A RIVERInstallations, Site speciﬁc, Black boxLarge, medium, small scaleCommunity basedSmall/large audiences
“Cultural institutions want to suggest solutions with the help ofthe artists. Do you think that this sort of positioning ispossible?” “ Yes, and perhaps more than a positioning of the artists themselves. Mixingtogether artists working in different ﬁelds, different art forms, could allowthe cultural institutions to think tomorrow’s world and to invent leads andproposals. But artists can be at the core of such reﬂections.” Frédéric Ferrer in “Art for Earth’s Sake”Role of the artist/ Role of the organisation
CHANGING YOUR ORGANISATIONDomaine d’O, Montpellier
GREEN RIDERThis Green Rider is from the organiser/venue to the artist/company/producer in addition to theTechnical Rider.GENERAL> As part of its on-going commitment to the environment and in the firm belief that the cultural sectorhas a role to play in the fight against climate change, [name of venue/organisation] has decided togreen its contracts and limit CO2 emissions whenever possible.> [the artist/company] will, as much as possible, provide information necessary to help [name ofvenue/organisation] to measure and reduce the environmental impact of the performances.> During the duration of the engagement and while in the promoter’s venue, the company will striveto adhere to the ecological charter [name of venue/organisation] has developed for its employees.> [name of venue/organisation] encourages [the artist/company] to ask for the simple measures listedin this Green Rider at all other venues they will perform at.> [name of venue/organisation] encourages [the artist/company] to ask other venues and festivals towaiver any geographical exclusivity clauses so that tours can be organised in a more efficient way.> Further information and advice are available under IMPROVE at imagine2020.euSCENOGRAPHY> If [name of venue/organisation] is a commissioner or co-producer of [the production] the [name ofvenue/organisation] and [the artist/company] will work together to explore different options withregards to materials used in the design of the set, costumes, props, lighting, and an “exit strategy”(i.e. re-use/recycling) for all materials used.TRAVEL> Before deciding the best travel option, [name of venue/organisation] and [the artist/company] agreeto calculate the CO2 impact of the different means of travel.IMAGINE 2020 GREEN MODELS – Staff, artists, audiences
WHAT WORKSFrédéric Ferrer, COMMENT J’AI APPRIS A NE PLUS M’EN FAIRE….
New Economics Foundation / Imagine 2020 IMAGINE THE GREAT TRANSITION Dette Glashouwer MONEY MONEY MONEYThe Great Transition Great Revaluing (« good » things cheap and « bad » things expensive)Great Redistribution (of income and wealth)Great Rebalancing (different markets)Great Localisation (« subsidiary » system)Great Reskilling (local production = different skills)Great Economic Irrigation (different taxation)Great Interdependance (international context)Commissioned Films, Performances, Talks(NEF, Imagine 2020 network, local players)