GREAT
FESTIVAL
OF
CREATIVITY
20 - 22 May
2014
Istanbul
DESIGN:
A CATALYST
FOR
INNOVATION
Grant Gibson
Carole Collet
Dani Salvadori
Caroline Till
Carole
Collet
Textile
Research
Centre
Futures
GREAT FESTIVAL OF
CREATIVITY
TEXTILE FUTURES RESEARCH CENTRE
(TFRC)
Prof Carole Collet
Ist...
Who We Are
“TFRC hosts a community of practice-based researchers who explore how
materials and textiles can enable a more ...
Textile
Research
Centre
Futures
“Design as a Conduit to Develop
Sustainable Strategies”
LASER LINE
FOR NORTHFACE
Dr. Kate Goldsworthy
Textile
Research
Centre
Futures
PhD: Laser-finishing: a new process for
desi...
Textile
Research
Centre
Futures
Textile
Research
Centre
Futures
Working with Cos designer
David Telfer to produce
‘minimal seam’ garment
designs which min...
PROTOTYPING
LASER LINE 2D AT TWI
Dr. Kate Goldsworthy
Textile
Research
Centre
Futures
Finishing combined with garment
cons...
Textile
Research
Centre
Futures
MISTRA FUTURE FASHION
Professor Becky Earley
Key Partners:
§  Innventia
§  SP Technical Research Institute of Sweden
§ ...
The TEN
Professor Becky Earley
Textile
Research
Centre
Futures
Training Design Teams / SME Companies
Redesign Workshop: co...
Textile
Research
Centre
Futures
Training designers in large fashion corporations:
H&M Pilot training programme (Earley & t...
H&M PILOT TRAINING
PROGRAMME
Professor Becky Earley
Textile
Research
Centre
Futures
Responsible Living for VF
Corporation USA
Professor Becky Earley /
TED@TFRC
In 2011 TED @ TFRC was selected by
VF Corporat...
SMART NATURAL
Biomimetic Textiles
PhD Candidate Jane Scott
How can the structure of knitted fabric be
engineered using bio...
Textile
Research
Centre
Futures
“Design as Connective Tissue Between
Engineering & Science”
Textile
Research
Centre
Futures
Life My Mind – The North Face
Dr Jenny Tillotson
The invention was designed to work in a
N...
1.  wearable technology + fashion =
jewellery, smart clothing
2.  ‘miniaturisation’, MEMS, lab-on-a-chip
biometric sensors...
FABER FUTURES
Natsai Chieza
Designer, Researcher,
Materiologist
Faber Futures is an ongoing project in
collaboration with ...
Textile
Research
Centre
Futures
Textile
Research
Centre
Futures
Heimtextil, Frankfurt 2014 Big Data: Designing with the Materials of Life,
London 2014
Syn...
ON-LOOM FINISHING
TECHNIQUES
Philippa Brock
§  2D-3D: solo exhibition at the Montreal
Centre for Contemporary Textiles (2...
Textile
Research
Centre
Futures
Textile
Research
Centre
Futures
“Speculative Design”
BIOLACE
Professor Carole Collet,
Design & Living System Lab
Biolace is a speculative design-led research
project that inve...
Textile
Research
Centre
Futures
Basil N 5Strawberry Noir
BIOLOGICAL ATELIER:
A/W 2082 'BIO NOUVEAU'
COLLECTION
Amy Congdon, PhD
Candidate
Textile
Research
Centre
Futures
BIOLOGICAL ATELIER: A.C.
ATELIER SKINCARE
COLLECTION
Amy Congdon
Expanding upon the Biological Atelier story,
this series ...
BIOLOGICAL ATELIER:
A/W 2014 'HAUTE BACON'
COLLECTION
Amy Congdon
The ‘Haute Bacon’ collection, is made using
a technique ...
Textile
Research
Centre
Futures
“Design for Public Engagement”
Textile
Research
Centre
Futures
EXHIBITION CURATION
Professor Carole Collet
Alive, New Design Frontiers,
Espace Fondation ...
Textile
Research
Centre
Futures
The BIOCOUTURE SHOE
Suzanne lee, Liz Ciokajlo-
Squire, Aaron Lampert, 2013
Design Commissi...
Textile
Research
Centre
Futures
The BIOCOUTURE SHOE
Suzanne lee, Liz Ciokajlo-
Squire, Aaron Lampert, 2013
SUGAR DANCE
Linda Florence
Victoria & Albert Museum.
Textile
Research
Centre
Futures
Textile
Research
Centre
Futures
THE HOUSE OF BLING
Linda Florence
The National Trust: Tattershall Castle,
Lincolnshire England.
Textile
Research
Centre
Fu...
Contact
Textile
Research
Centre
Futures
Director: Professor Rebecca Earley
Deputy Director: Professor Carole Collet
Centre...
GREAT
FESTIVAL
OF
CREATIVITY
20 - 22 May
2014
Istanbul
Caroline
Till
Research in context:
Translating Academic
Research Innovation
for commercial potential
Caroline Till,
Course Leader MA Mat...
FranklinTill
Studio
FranklinTill
Studio
MA Material Futures:
Exploring the intersection
of craft, science
& technology
FranklinTill
Studio
Naturology by Elaine Ng, Graduate
2010
FranklinTill
Studio
Protocell trainer by Shamees Aden, Graduate
2012
FranklinTill
Studio
Hybrids by Hao Ni Tsai, Graduate 2012
FranklinTill
Studio
Scent-ography by Amy Radcliffe, Graduate
2013
FranklinTill
Studio
Three cities collaborative project between MA Material Futures and Nissan
Design Europe
FranklinTill Studio:
Making trend forecasting
and design research
tangible
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
Heimtextil trends 2014/2015 by FranklinTill Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
FranklinTill
Studio
Find out more:
www.materialfutures.com
www.franklintill.com
c.till@csm.arts.ac.uk
caroline@franklintill.com
FranklinTill
S...
GREAT
FESTIVAL
OF
CREATIVITY
20 - 22 May
2014
Istanbul
Dani
Salvadori
TURNING
CREATIVITY
INTO
INNOVATION
Central Saint Martins
University of the Arts London
In the heart of
London
but truly
international
So how do we turn
the extraordinary
creativity of our
staff and students
into innovation for
our clients?
We do the four basic
processes of innovation -
but not in a straight line
Research Analyse
SynthesiseImplement
We’re open to the world
in all its complexity and
with all its possibilities
We’re
open!
New
ideas
New
products
New
proces...
We enable clients to ask questions
of the right people:
new thinkers
open minds
great artists and designers
VF wanted to know
WHAT’S THE FUTURE
OF APPAREL?
The Swedish
fashion industry
wanted
to know
HOW DO WE
IMPROVE OUR
ENVIRONMENTAL
PERFORMANCE?
Dr Martens wanted
to know
HOW DO WE
PROMOTE OUR
CLASSIC PRODUCT IN
A CONTEMPORARY
WAY?
Tod’s No Code
wanted to know
HOW DO WE GET A
NEW TYPE OF
FASHION CONTENT
FOR OUR WEBSITE?
Anthropologie
wanted to know
HOW CAN WE GET A
NEW FEEL FOR OUR
FASHION PRINTS?
Chow Tai Fook
wanted to know
HOW CAN WE BRING
A CONTEMPORARY
FEEL TO OUR HIGH
END JEWELLERY?
We wanted to
know
HOW CAN YOUNG
BRANDS BENEFIT
FROM UAL’S
ACADEMIC
EXPERTISE?
DANI
SALVADORI
d.salvadori@csm.arts.ac.uk
@csminnovation
GREAT
FESTIVAL
OF
CREATIVITY
20 - 22 May
2014
Istanbul
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Design: A Catalyst for Innovation

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Design: A Catalyst for Innovation

  1. 1. GREAT FESTIVAL OF CREATIVITY 20 - 22 May 2014 Istanbul
  2. 2. DESIGN: A CATALYST FOR INNOVATION Grant Gibson
  3. 3. Carole Collet Dani Salvadori Caroline Till
  4. 4. Carole Collet
  5. 5. Textile Research Centre Futures GREAT FESTIVAL OF CREATIVITY TEXTILE FUTURES RESEARCH CENTRE (TFRC) Prof Carole Collet Istanbul, Hong Kong, Shanghai 2014
  6. 6. Who We Are “TFRC hosts a community of practice-based researchers who explore how materials and textiles can enable a more sustainable future.” Our research projects examine the future of textiles through several lenses: §  Science and technology §  Sustainable strategy §  Future materials §  Well-being and community of practice Textile Research Centre Futures
  7. 7. Textile Research Centre Futures “Design as a Conduit to Develop Sustainable Strategies”
  8. 8. LASER LINE FOR NORTHFACE Dr. Kate Goldsworthy Textile Research Centre Futures PhD: Laser-finishing: a new process for designing recyclability in synthetic textiles’, Mono Finishing / Laser Line How can laser engineering be re-developed to create innovative mono-material embellishing and patterning techniques for future applications in fashion with a focus on zero waste and minimal construction.
  9. 9. Textile Research Centre Futures
  10. 10. Textile Research Centre Futures Working with Cos designer David Telfer to produce ‘minimal seam’ garment designs which minimise the cost of production
  11. 11. PROTOTYPING LASER LINE 2D AT TWI Dr. Kate Goldsworthy Textile Research Centre Futures Finishing combined with garment construction in a single process for integrated production capability.
  12. 12. Textile Research Centre Futures
  13. 13. MISTRA FUTURE FASHION Professor Becky Earley Key Partners: §  Innventia §  SP Technical Research Institute of Sweden §  Swerea IVF §  Chalmers University of Technology §  Copenhagen Business School, Konstfack §  Malmo University §  Stockholm School of Economics §  H&M Textile Research Centre Futures
  14. 14. The TEN Professor Becky Earley Textile Research Centre Futures Training Design Teams / SME Companies Redesign Workshop: concepts improve performance within range of 3% - 26%
  15. 15. Textile Research Centre Futures Training designers in large fashion corporations: H&M Pilot training programme (Earley & team) H&M PILOT TRAINING PROGRAMME Professor Becky Earley
  16. 16. H&M PILOT TRAINING PROGRAMME Professor Becky Earley Textile Research Centre Futures
  17. 17. Responsible Living for VF Corporation USA Professor Becky Earley / TED@TFRC In 2011 TED @ TFRC was selected by VF Corporation, USA – the largest fashion conglomerate in the world – to curate an exhibition of prototypes to explore future sustainability for their 25+ clothing brands, using The TEN as a framework Textile Research Centre Futures
  18. 18. SMART NATURAL Biomimetic Textiles PhD Candidate Jane Scott How can the structure of knitted fabric be engineered using biomimetic models to design environmentally responsive textiles? Textile Research Centre Futures
  19. 19. Textile Research Centre Futures “Design as Connective Tissue Between Engineering & Science”
  20. 20. Textile Research Centre Futures Life My Mind – The North Face Dr Jenny Tillotson The invention was designed to work in a North Face rucksack to demonstrate computer-controlled scent delivery for sports endurance and relaxation. Exhibited at the VF Corp private world summit to showcase the latest global textile innovations, a replaceable cartridge system was designed to fit a small unit and customised in the front chest panel of a hydration rucksack.
  21. 21. 1.  wearable technology + fashion = jewellery, smart clothing 2.  ‘miniaturisation’, MEMS, lab-on-a-chip biometric sensors, nanotechnology 3.  smell communication, how this affects the brain, mood, feelings and senses Creative Convergence of                                                                                                        Scentsory  Design®   jOLFACTORY NERVE        Ancient  Art  of  Perfumery  +  Emerging  Technologies   Textile Research Centre Futures
  22. 22. FABER FUTURES Natsai Chieza Designer, Researcher, Materiologist Faber Futures is an ongoing project in collaboration with the WARD Lab at UCL that aims to find design strategies that reappropriate bacteria in our material world. Textile Research Centre Futures
  23. 23. Textile Research Centre Futures
  24. 24. Textile Research Centre Futures Heimtextil, Frankfurt 2014 Big Data: Designing with the Materials of Life, London 2014 Synthetic Aesthetics, V&A, London, 2014
  25. 25. ON-LOOM FINISHING TECHNIQUES Philippa Brock §  2D-3D: solo exhibition at the Montreal Centre for Contemporary Textiles (2012) §  Digital Jacquard: Mythologies (2013) Hong Kong, Shenzhen Modern Design Museum, China National Silk Museum Hangzhou §  Self Assembly is part of the Crafts Council’s permanent collection in London Textile Research Centre Futures
  26. 26. Textile Research Centre Futures
  27. 27. Textile Research Centre Futures “Speculative Design”
  28. 28. BIOLACE Professor Carole Collet, Design & Living System Lab Biolace is a speculative design-led research project that investigates the intersection of synthetic biology and textile design to propose future fabrication processes for food and textiles. Textile Research Centre Futures
  29. 29. Textile Research Centre Futures Basil N 5Strawberry Noir
  30. 30. BIOLOGICAL ATELIER: A/W 2082 'BIO NOUVEAU' COLLECTION Amy Congdon, PhD Candidate Textile Research Centre Futures
  31. 31. BIOLOGICAL ATELIER: A.C. ATELIER SKINCARE COLLECTION Amy Congdon Expanding upon the Biological Atelier story, this series suggests a future where beauty products are formulated to be biologically compatible with their users. Synthetically engineered grafts are in need of high-tech products that are specifically designed around the needs of fashioned couture skins. Textile Research Centre Futures
  32. 32. BIOLOGICAL ATELIER: A/W 2014 'HAUTE BACON' COLLECTION Amy Congdon The ‘Haute Bacon’ collection, is made using a technique called decellularisation, a process developed for regenerative medicine purposes that involves removing the cells from an organ, leaving behind the extracellular matrix. Textile Research Centre Futures
  33. 33. Textile Research Centre Futures “Design for Public Engagement”
  34. 34. Textile Research Centre Futures EXHIBITION CURATION Professor Carole Collet Alive, New Design Frontiers, Espace Fondation EDF, Paris. April-August 2013
  35. 35. Textile Research Centre Futures The BIOCOUTURE SHOE Suzanne lee, Liz Ciokajlo- Squire, Aaron Lampert, 2013 Design Commissioned by Carole Collet for the ALIVE exhibition at the EDF Foundation
  36. 36. Textile Research Centre Futures The BIOCOUTURE SHOE Suzanne lee, Liz Ciokajlo- Squire, Aaron Lampert, 2013
  37. 37. SUGAR DANCE Linda Florence Victoria & Albert Museum. Textile Research Centre Futures
  38. 38. Textile Research Centre Futures
  39. 39. THE HOUSE OF BLING Linda Florence The National Trust: Tattershall Castle, Lincolnshire England. Textile Research Centre Futures
  40. 40. Contact Textile Research Centre Futures Director: Professor Rebecca Earley Deputy Director: Professor Carole Collet Centre Manager Angela Hartley a.hartley@arts.ac.uk Business Manager Joisie Nicholson j.nicholson@arts.ac.uk
  41. 41. GREAT FESTIVAL OF CREATIVITY 20 - 22 May 2014 Istanbul
  42. 42. Caroline Till
  43. 43. Research in context: Translating Academic Research Innovation for commercial potential Caroline Till, Course Leader MA Material Futures, Central Saint Martins & Director of FranklinTill Studio FranklinTill Studio
  44. 44. FranklinTill Studio FranklinTill Studio
  45. 45. MA Material Futures: Exploring the intersection of craft, science & technology
  46. 46. FranklinTill Studio Naturology by Elaine Ng, Graduate 2010
  47. 47. FranklinTill Studio Protocell trainer by Shamees Aden, Graduate 2012
  48. 48. FranklinTill Studio Hybrids by Hao Ni Tsai, Graduate 2012
  49. 49. FranklinTill Studio Scent-ography by Amy Radcliffe, Graduate 2013
  50. 50. FranklinTill Studio Three cities collaborative project between MA Material Futures and Nissan Design Europe
  51. 51. FranklinTill Studio: Making trend forecasting and design research tangible FranklinTill Studio
  52. 52. FranklinTill Studio
  53. 53. FranklinTill Studio Heimtextil trends 2014/2015 by FranklinTill Studio
  54. 54. FranklinTill Studio
  55. 55. FranklinTill Studio
  56. 56. FranklinTill Studio
  57. 57. FranklinTill Studio
  58. 58. FranklinTill Studio
  59. 59. FranklinTill Studio
  60. 60. FranklinTill Studio
  61. 61. FranklinTill Studio
  62. 62. FranklinTill Studio
  63. 63. FranklinTill Studio
  64. 64. FranklinTill Studio
  65. 65. FranklinTill Studio
  66. 66. FranklinTill Studio
  67. 67. FranklinTill Studio
  68. 68. Find out more: www.materialfutures.com www.franklintill.com c.till@csm.arts.ac.uk caroline@franklintill.com FranklinTill Studio
  69. 69. GREAT FESTIVAL OF CREATIVITY 20 - 22 May 2014 Istanbul
  70. 70. Dani Salvadori
  71. 71. TURNING CREATIVITY INTO INNOVATION Central Saint Martins University of the Arts London
  72. 72. In the heart of London but truly international
  73. 73. So how do we turn the extraordinary creativity of our staff and students into innovation for our clients?
  74. 74. We do the four basic processes of innovation - but not in a straight line Research Analyse SynthesiseImplement
  75. 75. We’re open to the world in all its complexity and with all its possibilities We’re open! New ideas New products New processes
  76. 76. We enable clients to ask questions of the right people: new thinkers open minds great artists and designers
  77. 77. VF wanted to know WHAT’S THE FUTURE OF APPAREL?
  78. 78. The Swedish fashion industry wanted to know HOW DO WE IMPROVE OUR ENVIRONMENTAL PERFORMANCE?
  79. 79. Dr Martens wanted to know HOW DO WE PROMOTE OUR CLASSIC PRODUCT IN A CONTEMPORARY WAY?
  80. 80. Tod’s No Code wanted to know HOW DO WE GET A NEW TYPE OF FASHION CONTENT FOR OUR WEBSITE?
  81. 81. Anthropologie wanted to know HOW CAN WE GET A NEW FEEL FOR OUR FASHION PRINTS?
  82. 82. Chow Tai Fook wanted to know HOW CAN WE BRING A CONTEMPORARY FEEL TO OUR HIGH END JEWELLERY?
  83. 83. We wanted to know HOW CAN YOUNG BRANDS BENEFIT FROM UAL’S ACADEMIC EXPERTISE?
  84. 84. DANI SALVADORI d.salvadori@csm.arts.ac.uk @csminnovation
  85. 85. GREAT FESTIVAL OF CREATIVITY 20 - 22 May 2014 Istanbul
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