Sublimation workshop cairo 28.09.10 rg gd - sensient


Published on

Published in: Business, Lifestyle
1 Like
  • Be the first to comment

No Downloads
Total Views
On Slideshare
From Embeds
Number of Embeds
Embeds 0
No embeds

No notes for slide

Sublimation workshop cairo 28.09.10 rg gd - sensient

  1. 1. Sublimation Workshop, Cairo 2010 September 28, 2010 Sensient Imaging Technologies Morges, Switzerland
  2. 2. Table of content <ul><ul><li>Presentation of Sensient </li></ul></ul><ul><ul><li>Sublimation transfer printing </li></ul></ul><ul><ul><ul><li>History </li></ul></ul></ul><ul><ul><ul><li>Principle </li></ul></ul></ul><ul><ul><ul><li>Substrate selection </li></ul></ul></ul><ul><ul><ul><li>Dye selection </li></ul></ul></ul><ul><ul><ul><li>Sensient sublimation ink ranges </li></ul></ul></ul><ul><ul><li>Inkjet: a viable production process </li></ul></ul><ul><ul><li>S4 Subli standard inkjet sublimation ink series </li></ul></ul><ul><ul><ul><li>Characteristics </li></ul></ul></ul><ul><ul><ul><li>Complementors </li></ul></ul></ul><ul><ul><ul><li>FAQ </li></ul></ul></ul>
  3. 3. Sensient Corporation <ul><li>Headquarter: Millwaukee (WI), USA </li></ul><ul><li>>3500 employees </li></ul><ul><li>70 locations in 30 countries </li></ul><ul><li>> 1.5 billions US$ turnover </li></ul><ul><li>Fields of activity: </li></ul><ul><li>Food & Beverage </li></ul><ul><li>Pharmaceuticals </li></ul><ul><li>Cosmetics </li></ul><ul><li>Personal &Home Care </li></ul><ul><li>Display Imaging </li></ul><ul><li>Industrial Colors </li></ul><ul><li>Inkjet &Specialty Inks </li></ul>
  4. 4. Sensient Imaging Technologies <ul><ul><li>Inkjet &Specialty Inks </li></ul></ul><ul><ul><ul><li>Inkjet Inks California (desktop inks) </li></ul></ul></ul><ul><ul><ul><li>Inkjet Inks UK (desktop inks) </li></ul></ul></ul><ul><ul><ul><li>Leipzig (dyes for LCD displays) </li></ul></ul></ul><ul><ul><ul><li>Specialty Inks Switzerland (textile inks) </li></ul></ul></ul>
  5. 5. SIT – Specialty Inks and Colors Switzerland <ul><li>Sensient Imaging Technologies S.A. </li></ul><ul><li>Specialty Inks (Morges, Switzerland) </li></ul><ul><ul><li>1988 Foundation of ECS (SICPA division) </li></ul></ul><ul><ul><li>Traditional sublimation inks </li></ul></ul><ul><ul><li>& Desensitizing inks </li></ul></ul><ul><ul><li>1992 Starting research on inkjet sublimation inks </li></ul></ul><ul><ul><li>1998 First commercial product for piezo heads </li></ul></ul><ul><ul><li>2002 Acquisition by Sensient </li></ul></ul><ul><ul><li>Today: Traditional sublimation inks (any printing technique) </li></ul></ul><ul><ul><ul><ul><ul><li>Inkjet sublimation inks </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>Inkjet pigmented inks for textile </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>Desensitizing inks </li></ul></ul></ul></ul></ul>
  6. 6. Theory: Sublimation <ul><li>Sublimation Transfer printing </li></ul><ul><li>≠ </li></ul><ul><li>Transfer printing </li></ul>
  7. 7. Sublimation printing history <ul><ul><li>Invention by SUBLISTATIC in France, mid sixties </li></ul></ul><ul><ul><li>Development starts in fashion goods </li></ul></ul><ul><ul><li>Penetration in home furnishing in the mid eighties </li></ul></ul><ul><ul><li>Non-textile applications in development </li></ul></ul>
  8. 8. Sublimation transfer printing: how it works <ul><li>Sublimation transfer printing process (SIT-Specialty Inks’ specialty for more than 20 years, as well in traditional as in inkjet printing processes) </li></ul>Phase 2 210°C, 30s Phase 1 Phase 3
  9. 9. Sublimation transfer printing (2) Paper: before transfer Transferred fabric Paper: after transfer
  10. 10. Sublimation transfer printing: A to Z
  11. 11. Substrate selection <ul><ul><li>Selected disperse dyes can sublimate and have affinity for </li></ul></ul><ul><li>selected substrates: </li></ul><ul><ul><ul><li>Man-made fibers: </li></ul></ul></ul><ul><ul><ul><ul><li>polyester (PES) </li></ul></ul></ul></ul><ul><ul><ul><ul><li>(polyacryl (PAN)) </li></ul></ul></ul></ul><ul><ul><ul><ul><li>(polyamide (PA 6.6)) </li></ul></ul></ul></ul><ul><ul><ul><li>coated or laminated materials polymers </li></ul></ul></ul>
  12. 12. Dye selection = Sensient core expertise <ul><ul><li>Only certain dyes are suitable for the production of heat transfer paper </li></ul></ul><ul><ul><li>Selection criteria </li></ul></ul><ul><ul><ul><li>Sublimation curve </li></ul></ul></ul><ul><ul><ul><li>Fastnesses </li></ul></ul></ul><ul><ul><ul><li>Shade (Core range) </li></ul></ul></ul>
  13. 13. Dye selection: sublimation curve
  14. 14. Dye selection: Fastnesses and shade <ul><ul><li>Fastnesses </li></ul></ul><ul><ul><li>Substrate dependent </li></ul></ul><ul><ul><li>Concentration dependent </li></ul></ul><ul><ul><li>Selection according to the “weakest link in the chain” </li></ul></ul><ul><ul><li>Independent on the printing technique </li></ul></ul><ul><ul><li>Shade </li></ul></ul><ul><ul><li>A minimum of number of dyes must give the maximum number of shades </li></ul></ul><ul><ul><li>Such a selection is called a core range </li></ul></ul><ul><ul><li>Result of a time-consuming screening of the sublimation dyes </li></ul></ul>
  15. 15. Subli Inks - Fastnesses The light fastnesses have been measured at the maximal recommended dye concentration and a dilution of 1:9 (B: bluer). All other fastnesses have been measured at the maximal recommended dye concentration
  16. 16. Examples of application <ul><li>Applications of transfer printing : </li></ul><ul><ul><li>Soft signage </li></ul></ul><ul><ul><li>Home furnishing </li></ul></ul><ul><ul><li>Carpets </li></ul></ul><ul><ul><li>Apparel </li></ul></ul><ul><ul><li>Sportswear </li></ul></ul><ul><ul><li>Skis and snowboards </li></ul></ul><ul><ul><li>Ceramic tiles </li></ul></ul><ul><ul><li>Mouse pads </li></ul></ul><ul><ul><li>… any polyester coated substrate. </li></ul></ul><ul><ul><li>Cotton, Silk : No </li></ul></ul><ul><ul><li>PVC: No </li></ul></ul>
  17. 17. Examples of application: Textile
  18. 18. Examples of application: hard substrates
  19. 19. Examples of application: 3D
  20. 20. Sensient sublimation ink ranges <ul><ul><li>Sensient offer sublimation inks for all types of printing techniques </li></ul></ul>Traditional printing Inkjet printing Rotary screen Flatbed Offset <ul><ul><li>Bafixan </li></ul></ul><ul><ul><li>Teraprint </li></ul></ul><ul><ul><li>Subli </li></ul></ul>
  21. 21. Inkjet Sublimation: a viable production process Average run length per colour way [in meters] [1] [1] Stork report, 2002 Market Trend : Mass customization
  22. 22. Economics: IJ vs Traditional Digital vs. traditional printing square meter cost comparison
  23. 23. Sensient sublimation Inkjet ink ranges <ul><ul><li>S4 Subli Epson, Mimaki, Roland, Mutoh </li></ul></ul><ul><ul><li>S4 Fluo Epson, Mimaki, Roland, Mutoh </li></ul></ul><ul><ul><li>S4 IWS7 Epson, Mimaki, Roland, Mutoh </li></ul></ul><ul><ul><li>Elvajet SE 100 Epson, Mimaki, Roland, Mutoh </li></ul></ul>
  24. 24. S4 Subli inks = standard sublimation inks <ul><ul><ul><li>S4 Subli Yellow 781 = Y </li></ul></ul></ul><ul><ul><li>S4 Subli Orange 765 </li></ul></ul><ul><ul><li>S4 Subli Red 770 = M </li></ul></ul><ul><ul><li>S4 Subli Red 770 light = Lm </li></ul></ul><ul><ul><li>S4 Subli Blue 770 = C </li></ul></ul><ul><ul><li>S4 Subli Blue 770 light = Lc </li></ul></ul><ul><ul><li>S4 Subli Blue 774 </li></ul></ul><ul><ul><li>S4 Subli Black 774 = K for textile </li></ul></ul><ul><ul><li>S4 Subli Black 795 = K for flags, banners and sportswear </li></ul></ul>
  25. 25. S4 Subli inks – Complementors chart Coldenhove Qualimage Beaver Georg Otto Friedrich Berger 3P Textiles Monti Transmatic Klieverik Lemaire Wasatch Ergosoft Onyx Scanvec Caldera Epson Roland Mimaki Mutoh Ink Paper Printer RIP Fabric Press
  26. 26. FAQ <ul><li> The color on the paper is not right. </li></ul><ul><li>We can judge a color only after transfer. </li></ul><ul><li> Standard transfer condition </li></ul><ul><li>Temperature: 210°C, Time: 30s </li></ul><ul><li>These settings are standard for 100% PES fabrics. Depending on the substrate (fabric or hard substrate), other conditions may be more appropriate. In case of fragile substrate, it is indeed possible to reduce the temperature and still obtain an optimal transfer by increasing the transfer time. </li></ul>
  27. 27. FAQ <ul><li> Release is bad. </li></ul><ul><li>Control paper side. The rough side is usually to be used. </li></ul><ul><li>Control press or calendar temperature. </li></ul>
  28. 28. FAQ <ul><li> Suitability for outdoor application </li></ul><ul><li>The light fastness reachable by the dye-sub inks is in general limited. Thus a UV-protector is recommended and it is in any case necessary to test whether the end product fulfils the requirements of the application. No extrapolation for outdoor fastness should be drawn from the light fastness rating performed according to the ISO105-B02 norm, which attempts to reproduce indoor light conditions. </li></ul>
  29. 29. FAQ <ul><li> Which substrates are suitable for transfer? </li></ul><ul><li>100% PES fabric is the optimal substrate for sublimation transfer printing. However other synthetic materials (Polyamide, Polyacryl …) can be applied as long as testing has shown their suitability. </li></ul>
  30. 30. Thank you
  1. A particular slide catching your eye?

    Clipping is a handy way to collect important slides you want to go back to later.