The Birth of Online TV

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    The Birth of Online TV - Presentation Transcript

    1. The Birth of Online TV
    2. Online TV Shows The birth of a new medium
      • Colin Donald
      • Director
      www.futurescape.tv
    3. The Birth of Online TV
      • New Web series - scripted comedy and drama
      • Britain and America
    4. Overview
      • Why is online TV booming?
      • Who is making the shows?
      • Creative opportunities
    5. Why is online TV booming?
      • Ubiquitous broadband
      • Audience aggregators
      • New online TV studios
      • New funding opportunities
      • Hollywood writers’ strike as catalyst
      • Falling production costs
    6.  
    7. Widespread broadband
      • Nearly 6 in 10 homes (57%) in UK have broadband (Ofcom, May 2008)
      • 8% narrowband dial-up (65% total)
      • BT to invest £1.5bn for super-fast broadband to 10m homes by 2012
      • HD movies, gaming, graphics, music
    8. Online video viewing soaring
      • 12 billion video views per month in the USA (comScore)
        • Rising by 1 billion per month
      • 3.5 billion per month in the UK
      • 30% of UK adults have used Internet to watch video content (Ofcom)
    9. Issue – falling TV viewing?
      • Yes – 30% of UK adults with Internet say they watch less TV (Ofcom)
      • Yes, but – small fall? 1%?
        • From 219 mins / day in 2005
        • To 216 mins / day in 2006 (Ofcom)
    10. Audience aggregators – Bebo
    11. Online TV studios launching
      • About 30 in Hollywood
        • 8 have raised $50m in funding
      • Major studios – digital units
        • Hundreds of shows in production
      • UK indies involved
        • New: Shimmer Productions
        • Talkback Thames - Toyboize
    12.  
    13.  
    14. New funding sources
      • 14 ways to fund a show
      • Broadcasters, new studios, sponsors
      • Download sales via iTunes
      • Joss Whedon (Buffy) – self-funded
      • Dr Horrible’s Sing-Along Blog
      • Hollywood writers’ strike as catalyst
    15.  
    16. New funding sources
      • Particularly important
        • Branded entertainment
        • Product placement
        • Product integration
      • Controversial – “hidden” advertising?
    17.  
    18.  
    19.  
    20.  
    21.  
    22.  
    23. Issue – product placement
      • Acceptable?
      • EU says Yes
      • UK culture secretary not keen
        • Holding consultations
      • FCC – American TV regulator
        • Also consulting
        • Would and should TV regulations apply to online shows?
    24. Falling production costs
      • The Gap Year (Endemol / Bebo)
        • One-person “team” following their subject
        • Camera, laptop, liaising with production company
      • Higher tech quality
        • Sofia’s Diary made in HD
    25.  
    26. Who’s making the shows?
      • New studios
      • Broadcasters and established indies
      • New commissioners
        • Social networking sites
        • Ad agencies
    27. New commissioners
      • Social networking sites
      • Bebo
        • The Gap Year
        • KateModern (two seasons)
        • Sofia’s Diary (two seasons)
        • Next: The Secret World of Sam King
      • MySpace
        • I Love Chieftown
    28.  
    29. New commissioners
      • Ad agencies and sponsors are commissioning
      • In The Motherhood
      • US Web comedy about parenting
      • MindShare agency for Sprint and Suave
    30.  
    31. Creative opportunities
      • “ Nobody knows anything”
      • It’s a new medium
      • Previous attempts at online shows
        • The Spot (1990s)
        • Online Caroline BAFTA winner (2000)
        • The Strand (2004)
        • Wannabes (2007)
    32.  
    33.  
    34.  
    35. Creative opportunities
      • Online TV doesn’t mean cheap TV
      • Short or long episodes?
      • How many episodes comprise a season?
      • Interactivity – support or straitjacket?
      • Opportunities across all genres
      • Online shows integrated into TV industry
    36. Online TV doesn’t mean cheap TV
    37. Short or long episodes?
    38. How many episodes in a season?
    39. Interactivity: support or straitjacket?
    40. Opportunities across all genres
    41. Online integrated into TV industry
    42. The future: audience co-creation
    43. Online TV Shows The birth of a new medium
      • Colin Donald
      • Director
      www.futurescape.tv

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