Daniel Freaker               Professor - DesignChichester College - Higher International Diploma
British DesignSmall Island - Big Ideas
What is Design?
Experience   The connection between user and object:Improving and Enriching our lives through design
U.K - DiversityThe U.K is a diverse hub for creativity and culture...
British DesignerA designer that lives, and works in the U.K.
Min-Kyu Choi
Min-Kyu Choi with	  the	  famous	  Bri/sh	  sculptor	  and	  designer	  	  Antony	  Gormley	  
Min-Kyu Choi%*+34%(%2.*91&):%;$&%,"<&%*%#$&%-."/,$%21+5%&=&.7%/)&%$&%#.(=&11&4:%>#%",%9"5%(34%4"?0+1#%#*%2(0@:%%
Min-Kyu Choi	  designed	  a	  solu/on	  to	  the	  problem.	  He	  came	  up	  with	  a	  way	  to	  fold	  the	  plug	  fl...
Min-Kyu Choi	  also	  thought	  further.	  He	  wondered	  if	  there	  was	  even	  more	  scope	  to	  the	  design	  of...
Michael MarriottSimple / Cheap / Functional / Funny / Surprising / Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /        To be picked upDifferent          and moved like a  ...
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different            Table lamp with changeable post-card as...
Michael MarriotMichael Marriott                      doesn’t want to                    design completelySimple /Cheap /Fu...
Michael Marriott                            Many would say that the design has no technique,                   but the des...
Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
Carl Clerkin  Subtle / Familiar /   New / Unusual /
Carl ClerkinSubtle /Familiar /New /Unusual /
Carl ClerkinSubtle /Familiar /New /Unusual /Long Crawling thing
Even the titles of the                          works areCarl ClerkinSubtle /                 humorous. This isFamiliar /N...
Carl ClerkinSubtle /Familiar /New /Unusual /
Carl ClerkinSubtle /Familiar /New /Unusual /
Carl ClerkinSubtle /Familiar /New /Unusual /                 Glass Chandelier:               18 wine glasses and          ...
Richard Shed Interaction /  Process /   Context /   Function
Richard ShedInteraction /Process /Context /Function
Richard ShedInteraction /Process /Context /Function
Richard ShedInteraction /Process /Context /Function
The design will interact                 with the space aroundRichard Shed        it. Almost becomingInteraction /Process ...
Richard ShedInteraction /Process /Context /Function           The hook for jackets is two things combined. It is a sign fo...
Richard ShedInteraction /Process /Context /Function
Richard ShedInteraction /Process /Context /Function                                            Richard Shed asks questions...
Richard ShedInteraction /Process /Context /Function                                          Richard Shed asks questions l...
Richard ShedInteraction /Process /Context /Function
Richard ShedInteraction /Process /Context /Function
Richard ShedInteraction /Process /Context /Function           Sometimes the design is completely functional, at other time...
Richard ShedInteraction /Process /Context /Function
Richard ShedInteraction /Process /Context /FunctionSolutions for spaces look atreal issues. This space hadissues with soun...
Richard ShedInteraction /Process /Context /FunctionExhibition space designmade it feel like the worksurrounded the viewer.
Richard ShedInteraction /Process /Context /FunctionExhibition space designmade it feel like the worksurrounded the viewer....
Max LambExperimentation /   Simplicity /   Materials /   Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Max LambExperimentation /Simplicity /Materials /Everyday
Tom Dixon Material / Process / Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /        Gravity and accident make eachHonesty      chair different, but the basic shape is    ...
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Tom DixonMaterial /Process /Honesty
Johanna Van Daalen + Tim Denton      Human Interaction /         Relationships /          Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
Stuart Haygarth  Recycling /    Light /   Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Stuart HaygarthRecycling /Light /Colour /
Gitta Gschwedtner   Humour /  Subversion /   Mutation /
Gitta GschwedtnerHumour /Subversion /Mutation /
Gitta GschwedtnerHumour /Subversion /Mutation /
Gitta GschwedtnerHumour /Subversion /Mutation /                    Playing with the scale and shape of normal objects give...
Gitta GschwedtnerHumour /Subversion /Mutation /
Gitta GschwedtnerHumour /Subversion /Mutation /
Gitta GschwedtnerHumour /Subversion /Mutation /
Gitta GschwedtnerHumour /Subversion /Mutation /
Gitta GschwedtnerHumour /Subversion /Mutation /
Dominic Wilcox    Speed /Re-appropriation /   Tradition /      New
Each day for 30                        consecutive days IDominic Wilcox                        attempted to makeSpeed /Re-...
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New
Dominic WilcoxSpeed /Re-appropriation /Tradition /New              A traditional door mat actually becomes the carpet for ...
Industrial FacilityKim Colin + Sam Hecht     Reduced /       Clean /     Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /                      Space and objects /Clean /Functional               ...
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional        Even the smallest                 object in a sp...
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
Norman Foster Technology /  Machine /  Modernity
Norman FosterTechnology /Machine /Modernity
While the form                looks patterned,Norman FosterTechnology /                       it actuallyMachine /Modernit...
Norman FosterTechnology /Machine /Modernity
Norman FosterTechnology /Machine /Modernity
Norman FosterTechnology /Machine /Modernity
Norman FosterTechnology /Machine /Modernity
Norman FosterTechnology /Machine /Modernity
Norman FosterTechnology /Machine /Modernity
Norman FosterTechnology /Machine /Modernity
Thomas Heatherwick     Nature /    Collection /   Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Breaking up a space                     and playing with theThomas HeatherwickNature /                      dimensions mea...
Thomas Heatherwick
Thomas HeatherwickNature /Collection /Celebration          Even the most ugly of forms                  can be inspirational
Thomas Heatherwick
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration        Each pole extension actually         draws light into the building.
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration                 Sometimes ideas come from processes as well as from shap...
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration                     205
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /CelebrationEast Beach Café,Near Chichester College
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration
Thomas HeatherwickNature /Collection /Celebration Looking at the shapes in naturecan give us so much inspiration.
Seymour PowellRichard Seymour + Dick Powell           Sleek /         Functional /           Quality
Richard Seymour &Dick PowellSleek /Functional /Quality                    212
Richard Seymour &Dick PowellSleek /Functional /Quality
Richard Seymour &Dick PowellSleek /Functional /Quality
Richard Seymour &Dick PowellSleek /Functional /Quality
Richard Seymour &Dick PowellSleek /Functional /Quality
Richard Seymour &Dick PowellSleek /Functional /Quality
Richard Seymour &Dick PowellSleek /Functional /Quality
End
British design   small
British design   small
British design   small
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British design small

  1. 1. Daniel Freaker Professor - DesignChichester College - Higher International Diploma
  2. 2. British DesignSmall Island - Big Ideas
  3. 3. What is Design?
  4. 4. Experience The connection between user and object:Improving and Enriching our lives through design
  5. 5. U.K - DiversityThe U.K is a diverse hub for creativity and culture...
  6. 6. British DesignerA designer that lives, and works in the U.K.
  7. 7. Min-Kyu Choi
  8. 8. Min-Kyu Choi with  the  famous  Bri/sh  sculptor  and  designer    Antony  Gormley  
  9. 9. Min-Kyu Choi%*+34%(%2.*91&):%;$&%,"<&%*%#$&%-."/,$%21+5%&=&.7%/)&%$&%#.(=&11&4:%>#%",%9"5%(34%4"?0+1#%#*%2(0@:%%
  10. 10. Min-Kyu Choi  designed  a  solu/on  to  the  problem.  He  came  up  with  a  way  to  fold  the  plug  flat.  
  11. 11. Min-Kyu Choi  also  thought  further.  He  wondered  if  there  was  even  more  scope  to  the  design  of  the  plug.  
  12. 12. Michael MarriottSimple / Cheap / Functional / Funny / Surprising / Different
  13. 13. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  14. 14. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  15. 15. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  16. 16. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  17. 17. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  18. 18. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  19. 19. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  20. 20. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  21. 21. Michael MarriottSimple /Cheap /Functional /Funny /Surprising / To be picked upDifferent and moved like a bowling ball.
  22. 22. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different Table lamp with changeable post-card as lampshade. This lets the user customize the design.
  23. 23. Michael MarriotMichael Marriott doesn’t want to design completelySimple /Cheap /Functional /Funny /Surprising /Different new objects, just to see what we have being used in a different way.
  24. 24. Michael Marriott Many would say that the design has no technique, but the design is about the imagination, about play and fun.
  25. 25. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  26. 26. Carl Clerkin Subtle / Familiar / New / Unusual /
  27. 27. Carl ClerkinSubtle /Familiar /New /Unusual /
  28. 28. Carl ClerkinSubtle /Familiar /New /Unusual /Long Crawling thing
  29. 29. Even the titles of the works areCarl ClerkinSubtle / humorous. This isFamiliar /New /Unusual / called: “Long Crawling Thing”
  30. 30. Carl ClerkinSubtle /Familiar /New /Unusual /
  31. 31. Carl ClerkinSubtle /Familiar /New /Unusual /
  32. 32. Carl ClerkinSubtle /Familiar /New /Unusual / Glass Chandelier: 18 wine glasses and clear clips for self- assembly.
  33. 33. Richard Shed Interaction / Process / Context / Function
  34. 34. Richard ShedInteraction /Process /Context /Function
  35. 35. Richard ShedInteraction /Process /Context /Function
  36. 36. Richard ShedInteraction /Process /Context /Function
  37. 37. The design will interact with the space aroundRichard Shed it. Almost becomingInteraction /Process /Context / part of the space, rather than staying onFunction its own.
  38. 38. Richard ShedInteraction /Process /Context /Function The hook for jackets is two things combined. It is a sign for where to put your jacket and the hook itself.
  39. 39. Richard ShedInteraction /Process /Context /Function
  40. 40. Richard ShedInteraction /Process /Context /Function Richard Shed asks questions like: how can an object work better and become two things at once?
  41. 41. Richard ShedInteraction /Process /Context /Function Richard Shed asks questions like: how can an something become adaptable to the space I am in?
  42. 42. Richard ShedInteraction /Process /Context /Function
  43. 43. Richard ShedInteraction /Process /Context /Function
  44. 44. Richard ShedInteraction /Process /Context /Function Sometimes the design is completely functional, at other times the use of image makes us feel more secure in a psychological way.
  45. 45. Richard ShedInteraction /Process /Context /Function
  46. 46. Richard ShedInteraction /Process /Context /FunctionSolutions for spaces look atreal issues. This space hadissues with sound so thedesign of the ceiling issound absorbing.
  47. 47. Richard ShedInteraction /Process /Context /FunctionExhibition space designmade it feel like the worksurrounded the viewer.
  48. 48. Richard ShedInteraction /Process /Context /FunctionExhibition space designmade it feel like the worksurrounded the viewer. Butthe use of materials ishonest and cheap.
  49. 49. Max LambExperimentation / Simplicity / Materials / Everyday
  50. 50. Max LambExperimentation /Simplicity /Materials /Everyday
  51. 51. Max LambExperimentation /Simplicity /Materials /Everyday
  52. 52. Max LambExperimentation /Simplicity /Materials /Everyday
  53. 53. Max LambExperimentation /Simplicity /Materials /Everyday
  54. 54. Max LambExperimentation /Simplicity /Materials /Everyday
  55. 55. Max LambExperimentation /Simplicity /Materials /Everyday
  56. 56. Max LambExperimentation /Simplicity /Materials /Everyday
  57. 57. Max LambExperimentation /Simplicity /Materials /Everyday
  58. 58. Max LambExperimentation /Simplicity /Materials /Everyday
  59. 59. Max LambExperimentation /Simplicity /Materials /Everyday
  60. 60. Max LambExperimentation /Simplicity /Materials /Everyday
  61. 61. Max LambExperimentation /Simplicity /Materials /Everyday
  62. 62. Max LambExperimentation /Simplicity /Materials /Everyday
  63. 63. Max LambExperimentation /Simplicity /Materials /Everyday
  64. 64. Max LambExperimentation /Simplicity /Materials /Everyday
  65. 65. Max LambExperimentation /Simplicity /Materials /Everyday
  66. 66. Max LambExperimentation /Simplicity /Materials /Everyday
  67. 67. Max LambExperimentation /Simplicity /Materials /Everyday
  68. 68. Max LambExperimentation /Simplicity /Materials /Everyday
  69. 69. Max LambExperimentation /Simplicity /Materials /Everyday
  70. 70. Max LambExperimentation /Simplicity /Materials /Everyday
  71. 71. Max LambExperimentation /Simplicity /Materials /Everyday
  72. 72. Max LambExperimentation /Simplicity /Materials /Everyday
  73. 73. Max LambExperimentation /Simplicity /Materials /Everyday
  74. 74. Max LambExperimentation /Simplicity /Materials /Everyday
  75. 75. Max LambExperimentation /Simplicity /Materials /Everyday
  76. 76. Max LambExperimentation /Simplicity /Materials /Everyday
  77. 77. Max LambExperimentation /Simplicity /Materials /Everyday
  78. 78. Max LambExperimentation /Simplicity /Materials /Everyday
  79. 79. Max LambExperimentation /Simplicity /Materials /Everyday
  80. 80. Max LambExperimentation /Simplicity /Materials /Everyday
  81. 81. Max LambExperimentation /Simplicity /Materials /Everyday
  82. 82. Max LambExperimentation /Simplicity /Materials /Everyday
  83. 83. Max LambExperimentation /Simplicity /Materials /Everyday
  84. 84. Max LambExperimentation /Simplicity /Materials /Everyday
  85. 85. Max LambExperimentation /Simplicity /Materials /Everyday
  86. 86. Max LambExperimentation /Simplicity /Materials /Everyday
  87. 87. Max LambExperimentation /Simplicity /Materials /Everyday
  88. 88. Max LambExperimentation /Simplicity /Materials /Everyday
  89. 89. Max LambExperimentation /Simplicity /Materials /Everyday
  90. 90. Max LambExperimentation /Simplicity /Materials /Everyday
  91. 91. Max LambExperimentation /Simplicity /Materials /Everyday
  92. 92. Max LambExperimentation /Simplicity /Materials /Everyday
  93. 93. Max LambExperimentation /Simplicity /Materials /Everyday
  94. 94. Max LambExperimentation /Simplicity /Materials /Everyday
  95. 95. Max LambExperimentation /Simplicity /Materials /Everyday
  96. 96. Max LambExperimentation /Simplicity /Materials /Everyday
  97. 97. Tom Dixon Material / Process / Honesty
  98. 98. Tom DixonMaterial /Process /Honesty
  99. 99. Tom DixonMaterial /Process /Honesty
  100. 100. Tom DixonMaterial /Process /Honesty
  101. 101. Tom DixonMaterial /Process / Gravity and accident make eachHonesty chair different, but the basic shape is the same.
  102. 102. Tom DixonMaterial /Process /Honesty
  103. 103. Tom DixonMaterial /Process /Honesty
  104. 104. Tom DixonMaterial /Process /Honesty
  105. 105. Tom DixonMaterial /Process /Honesty
  106. 106. Tom DixonMaterial /Process /Honesty
  107. 107. Tom DixonMaterial /Process /Honesty
  108. 108. Tom DixonMaterial /Process /Honesty
  109. 109. Tom DixonMaterial /Process /Honesty
  110. 110. Tom DixonMaterial /Process /Honesty
  111. 111. Tom DixonMaterial /Process /Honesty
  112. 112. Tom DixonMaterial /Process /Honesty
  113. 113. Johanna Van Daalen + Tim Denton Human Interaction / Relationships / Closeness /
  114. 114. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  115. 115. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  116. 116. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  117. 117. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  118. 118. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  119. 119. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  120. 120. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  121. 121. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  122. 122. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  123. 123. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  124. 124. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  125. 125. Stuart Haygarth Recycling / Light / Colour /
  126. 126. Stuart HaygarthRecycling /Light /Colour /
  127. 127. Stuart HaygarthRecycling /Light /Colour /
  128. 128. Stuart HaygarthRecycling /Light /Colour /
  129. 129. Stuart HaygarthRecycling /Light /Colour /
  130. 130. Stuart HaygarthRecycling /Light /Colour /
  131. 131. Stuart HaygarthRecycling /Light /Colour /
  132. 132. Stuart HaygarthRecycling /Light /Colour /
  133. 133. Stuart HaygarthRecycling /Light /Colour /
  134. 134. Stuart HaygarthRecycling /Light /Colour /
  135. 135. Stuart HaygarthRecycling /Light /Colour /
  136. 136. Stuart HaygarthRecycling /Light /Colour /
  137. 137. Stuart HaygarthRecycling /Light /Colour /
  138. 138. Gitta Gschwedtner Humour / Subversion / Mutation /
  139. 139. Gitta GschwedtnerHumour /Subversion /Mutation /
  140. 140. Gitta GschwedtnerHumour /Subversion /Mutation /
  141. 141. Gitta GschwedtnerHumour /Subversion /Mutation / Playing with the scale and shape of normal objects gives them new meaning and new life.
  142. 142. Gitta GschwedtnerHumour /Subversion /Mutation /
  143. 143. Gitta GschwedtnerHumour /Subversion /Mutation /
  144. 144. Gitta GschwedtnerHumour /Subversion /Mutation /
  145. 145. Gitta GschwedtnerHumour /Subversion /Mutation /
  146. 146. Gitta GschwedtnerHumour /Subversion /Mutation /
  147. 147. Dominic Wilcox Speed /Re-appropriation / Tradition / New
  148. 148. Each day for 30 consecutive days IDominic Wilcox attempted to makeSpeed /Re-appropriation / something creative. ITradition /New hoped to force myself into making quick decisions, creating things instinctively.
  149. 149. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  150. 150. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  151. 151. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  152. 152. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  153. 153. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  154. 154. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  155. 155. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  156. 156. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  157. 157. Dominic WilcoxSpeed /Re-appropriation /Tradition /New A traditional door mat actually becomes the carpet for the whole house.
  158. 158. Industrial FacilityKim Colin + Sam Hecht Reduced / Clean / Functional
  159. 159. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  160. 160. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  161. 161. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  162. 162. Industrial FacilityKim Colin + Sam HechtReduced / Space and objects /Clean /Functional Form and function together
  163. 163. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  164. 164. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  165. 165. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional Even the smallest object in a space is treated with the same attention to detail.
  166. 166. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  167. 167. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  168. 168. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  169. 169. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  170. 170. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  171. 171. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  172. 172. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  173. 173. Norman Foster Technology / Machine / Modernity
  174. 174. Norman FosterTechnology /Machine /Modernity
  175. 175. While the form looks patterned,Norman FosterTechnology / it actuallyMachine /Modernity serves to cool the building by moving fresh air around.
  176. 176. Norman FosterTechnology /Machine /Modernity
  177. 177. Norman FosterTechnology /Machine /Modernity
  178. 178. Norman FosterTechnology /Machine /Modernity
  179. 179. Norman FosterTechnology /Machine /Modernity
  180. 180. Norman FosterTechnology /Machine /Modernity
  181. 181. Norman FosterTechnology /Machine /Modernity
  182. 182. Norman FosterTechnology /Machine /Modernity
  183. 183. Thomas Heatherwick Nature / Collection / Celebration
  184. 184. Thomas HeatherwickNature /Collection /Celebration
  185. 185. Thomas HeatherwickNature /Collection /Celebration
  186. 186. Thomas HeatherwickNature /Collection /Celebration
  187. 187. Thomas HeatherwickNature /Collection /Celebration
  188. 188. Breaking up a space and playing with theThomas HeatherwickNature / dimensions meansCollection /Celebration we look at it afresh and in a new way.
  189. 189. Thomas Heatherwick
  190. 190. Thomas HeatherwickNature /Collection /Celebration Even the most ugly of forms can be inspirational
  191. 191. Thomas Heatherwick
  192. 192. Thomas HeatherwickNature /Collection /Celebration
  193. 193. Thomas HeatherwickNature /Collection /Celebration Each pole extension actually draws light into the building.
  194. 194. Thomas HeatherwickNature /Collection /Celebration
  195. 195. Thomas HeatherwickNature /Collection /Celebration Sometimes ideas come from processes as well as from shapes.
  196. 196. Thomas HeatherwickNature /Collection /Celebration
  197. 197. Thomas HeatherwickNature /Collection /Celebration
  198. 198. Thomas HeatherwickNature /Collection /Celebration
  199. 199. Thomas HeatherwickNature /Collection /Celebration
  200. 200. Thomas HeatherwickNature /Collection /Celebration
  201. 201. Thomas HeatherwickNature /Collection /Celebration
  202. 202. Thomas HeatherwickNature /Collection /Celebration 205
  203. 203. Thomas HeatherwickNature /Collection /Celebration
  204. 204. Thomas HeatherwickNature /Collection /CelebrationEast Beach Café,Near Chichester College
  205. 205. Thomas HeatherwickNature /Collection /Celebration
  206. 206. Thomas HeatherwickNature /Collection /Celebration
  207. 207. Thomas HeatherwickNature /Collection /Celebration Looking at the shapes in naturecan give us so much inspiration.
  208. 208. Seymour PowellRichard Seymour + Dick Powell Sleek / Functional / Quality
  209. 209. Richard Seymour &Dick PowellSleek /Functional /Quality 212
  210. 210. Richard Seymour &Dick PowellSleek /Functional /Quality
  211. 211. Richard Seymour &Dick PowellSleek /Functional /Quality
  212. 212. Richard Seymour &Dick PowellSleek /Functional /Quality
  213. 213. Richard Seymour &Dick PowellSleek /Functional /Quality
  214. 214. Richard Seymour &Dick PowellSleek /Functional /Quality
  215. 215. Richard Seymour &Dick PowellSleek /Functional /Quality
  216. 216. End

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