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  • 1. Daniel Freaker Professor - DesignChichester College - Higher International Diploma
  • 2. British DesignSmall Island - Big Ideas
  • 3. What is Design?
  • 4. Experience The connection between user and object:Improving and Enriching our lives through design
  • 5. U.K - DiversityThe U.K is a diverse hub for creativity and culture...
  • 6. British DesignerA designer that lives, and works in the U.K.
  • 7. Min-Kyu Choi
  • 8. Min-Kyu Choi with  the  famous  Bri/sh  sculptor  and  designer    Antony  Gormley  
  • 9. Min-Kyu Choi%*+34%(%2.*91&):%;$&%,"<&%*%#$&%-."/,$%21+5%&=&.7%/)&%$&%#.(=&11&4:%>#%",%9"5%(34%4"?0+1#%#*%2(0@:%%
  • 10. Min-Kyu Choi  designed  a  solu/on  to  the  problem.  He  came  up  with  a  way  to  fold  the  plug  flat.  
  • 11. Min-Kyu Choi  also  thought  further.  He  wondered  if  there  was  even  more  scope  to  the  design  of  the  plug.  
  • 12. Michael MarriottSimple / Cheap / Functional / Funny / Surprising / Different
  • 13. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 14. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 15. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 16. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 17. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 18. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 19. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 20. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 21. Michael MarriottSimple /Cheap /Functional /Funny /Surprising / To be picked upDifferent and moved like a bowling ball.
  • 22. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different Table lamp with changeable post-card as lampshade. This lets the user customize the design.
  • 23. Michael MarriotMichael Marriott doesn’t want to design completelySimple /Cheap /Functional /Funny /Surprising /Different new objects, just to see what we have being used in a different way.
  • 24. Michael Marriott Many would say that the design has no technique, but the design is about the imagination, about play and fun.
  • 25. Michael MarriottSimple /Cheap /Functional /Funny /Surprising /Different
  • 26. Carl Clerkin Subtle / Familiar / New / Unusual /
  • 27. Carl ClerkinSubtle /Familiar /New /Unusual /
  • 28. Carl ClerkinSubtle /Familiar /New /Unusual /Long Crawling thing
  • 29. Even the titles of the works areCarl ClerkinSubtle / humorous. This isFamiliar /New /Unusual / called: “Long Crawling Thing”
  • 30. Carl ClerkinSubtle /Familiar /New /Unusual /
  • 31. Carl ClerkinSubtle /Familiar /New /Unusual /
  • 32. Carl ClerkinSubtle /Familiar /New /Unusual / Glass Chandelier: 18 wine glasses and clear clips for self- assembly.
  • 33. Richard Shed Interaction / Process / Context / Function
  • 34. Richard ShedInteraction /Process /Context /Function
  • 35. Richard ShedInteraction /Process /Context /Function
  • 36. Richard ShedInteraction /Process /Context /Function
  • 37. The design will interact with the space aroundRichard Shed it. Almost becomingInteraction /Process /Context / part of the space, rather than staying onFunction its own.
  • 38. Richard ShedInteraction /Process /Context /Function The hook for jackets is two things combined. It is a sign for where to put your jacket and the hook itself.
  • 39. Richard ShedInteraction /Process /Context /Function
  • 40. Richard ShedInteraction /Process /Context /Function Richard Shed asks questions like: how can an object work better and become two things at once?
  • 41. Richard ShedInteraction /Process /Context /Function Richard Shed asks questions like: how can an something become adaptable to the space I am in?
  • 42. Richard ShedInteraction /Process /Context /Function
  • 43. Richard ShedInteraction /Process /Context /Function
  • 44. Richard ShedInteraction /Process /Context /Function Sometimes the design is completely functional, at other times the use of image makes us feel more secure in a psychological way.
  • 45. Richard ShedInteraction /Process /Context /Function
  • 46. Richard ShedInteraction /Process /Context /FunctionSolutions for spaces look atreal issues. This space hadissues with sound so thedesign of the ceiling issound absorbing.
  • 47. Richard ShedInteraction /Process /Context /FunctionExhibition space designmade it feel like the worksurrounded the viewer.
  • 48. Richard ShedInteraction /Process /Context /FunctionExhibition space designmade it feel like the worksurrounded the viewer. Butthe use of materials ishonest and cheap.
  • 49. Max LambExperimentation / Simplicity / Materials / Everyday
  • 50. Max LambExperimentation /Simplicity /Materials /Everyday
  • 51. Max LambExperimentation /Simplicity /Materials /Everyday
  • 52. Max LambExperimentation /Simplicity /Materials /Everyday
  • 53. Max LambExperimentation /Simplicity /Materials /Everyday
  • 54. Max LambExperimentation /Simplicity /Materials /Everyday
  • 55. Max LambExperimentation /Simplicity /Materials /Everyday
  • 56. Max LambExperimentation /Simplicity /Materials /Everyday
  • 57. Max LambExperimentation /Simplicity /Materials /Everyday
  • 58. Max LambExperimentation /Simplicity /Materials /Everyday
  • 59. Max LambExperimentation /Simplicity /Materials /Everyday
  • 60. Max LambExperimentation /Simplicity /Materials /Everyday
  • 61. Max LambExperimentation /Simplicity /Materials /Everyday
  • 62. Max LambExperimentation /Simplicity /Materials /Everyday
  • 63. Max LambExperimentation /Simplicity /Materials /Everyday
  • 64. Max LambExperimentation /Simplicity /Materials /Everyday
  • 65. Max LambExperimentation /Simplicity /Materials /Everyday
  • 66. Max LambExperimentation /Simplicity /Materials /Everyday
  • 67. Max LambExperimentation /Simplicity /Materials /Everyday
  • 68. Max LambExperimentation /Simplicity /Materials /Everyday
  • 69. Max LambExperimentation /Simplicity /Materials /Everyday
  • 70. Max LambExperimentation /Simplicity /Materials /Everyday
  • 71. Max LambExperimentation /Simplicity /Materials /Everyday
  • 72. Max LambExperimentation /Simplicity /Materials /Everyday
  • 73. Max LambExperimentation /Simplicity /Materials /Everyday
  • 74. Max LambExperimentation /Simplicity /Materials /Everyday
  • 75. Max LambExperimentation /Simplicity /Materials /Everyday
  • 76. Max LambExperimentation /Simplicity /Materials /Everyday
  • 77. Max LambExperimentation /Simplicity /Materials /Everyday
  • 78. Max LambExperimentation /Simplicity /Materials /Everyday
  • 79. Max LambExperimentation /Simplicity /Materials /Everyday
  • 80. Max LambExperimentation /Simplicity /Materials /Everyday
  • 81. Max LambExperimentation /Simplicity /Materials /Everyday
  • 82. Max LambExperimentation /Simplicity /Materials /Everyday
  • 83. Max LambExperimentation /Simplicity /Materials /Everyday
  • 84. Max LambExperimentation /Simplicity /Materials /Everyday
  • 85. Max LambExperimentation /Simplicity /Materials /Everyday
  • 86. Max LambExperimentation /Simplicity /Materials /Everyday
  • 87. Max LambExperimentation /Simplicity /Materials /Everyday
  • 88. Max LambExperimentation /Simplicity /Materials /Everyday
  • 89. Max LambExperimentation /Simplicity /Materials /Everyday
  • 90. Max LambExperimentation /Simplicity /Materials /Everyday
  • 91. Max LambExperimentation /Simplicity /Materials /Everyday
  • 92. Max LambExperimentation /Simplicity /Materials /Everyday
  • 93. Max LambExperimentation /Simplicity /Materials /Everyday
  • 94. Max LambExperimentation /Simplicity /Materials /Everyday
  • 95. Max LambExperimentation /Simplicity /Materials /Everyday
  • 96. Max LambExperimentation /Simplicity /Materials /Everyday
  • 97. Tom Dixon Material / Process / Honesty
  • 98. Tom DixonMaterial /Process /Honesty
  • 99. Tom DixonMaterial /Process /Honesty
  • 100. Tom DixonMaterial /Process /Honesty
  • 101. Tom DixonMaterial /Process / Gravity and accident make eachHonesty chair different, but the basic shape is the same.
  • 102. Tom DixonMaterial /Process /Honesty
  • 103. Tom DixonMaterial /Process /Honesty
  • 104. Tom DixonMaterial /Process /Honesty
  • 105. Tom DixonMaterial /Process /Honesty
  • 106. Tom DixonMaterial /Process /Honesty
  • 107. Tom DixonMaterial /Process /Honesty
  • 108. Tom DixonMaterial /Process /Honesty
  • 109. Tom DixonMaterial /Process /Honesty
  • 110. Tom DixonMaterial /Process /Honesty
  • 111. Tom DixonMaterial /Process /Honesty
  • 112. Tom DixonMaterial /Process /Honesty
  • 113. Johanna Van Daalen + Tim Denton Human Interaction / Relationships / Closeness /
  • 114. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 115. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 116. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 117. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 118. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 119. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 120. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 121. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 122. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 123. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 124. Johanna Van Daalen& Tim DentonHuman Interaction /Relationships /Closeness /
  • 125. Stuart Haygarth Recycling / Light / Colour /
  • 126. Stuart HaygarthRecycling /Light /Colour /
  • 127. Stuart HaygarthRecycling /Light /Colour /
  • 128. Stuart HaygarthRecycling /Light /Colour /
  • 129. Stuart HaygarthRecycling /Light /Colour /
  • 130. Stuart HaygarthRecycling /Light /Colour /
  • 131. Stuart HaygarthRecycling /Light /Colour /
  • 132. Stuart HaygarthRecycling /Light /Colour /
  • 133. Stuart HaygarthRecycling /Light /Colour /
  • 134. Stuart HaygarthRecycling /Light /Colour /
  • 135. Stuart HaygarthRecycling /Light /Colour /
  • 136. Stuart HaygarthRecycling /Light /Colour /
  • 137. Stuart HaygarthRecycling /Light /Colour /
  • 138. Gitta Gschwedtner Humour / Subversion / Mutation /
  • 139. Gitta GschwedtnerHumour /Subversion /Mutation /
  • 140. Gitta GschwedtnerHumour /Subversion /Mutation /
  • 141. Gitta GschwedtnerHumour /Subversion /Mutation / Playing with the scale and shape of normal objects gives them new meaning and new life.
  • 142. Gitta GschwedtnerHumour /Subversion /Mutation /
  • 143. Gitta GschwedtnerHumour /Subversion /Mutation /
  • 144. Gitta GschwedtnerHumour /Subversion /Mutation /
  • 145. Gitta GschwedtnerHumour /Subversion /Mutation /
  • 146. Gitta GschwedtnerHumour /Subversion /Mutation /
  • 147. Dominic Wilcox Speed /Re-appropriation / Tradition / New
  • 148. Each day for 30 consecutive days IDominic Wilcox attempted to makeSpeed /Re-appropriation / something creative. ITradition /New hoped to force myself into making quick decisions, creating things instinctively.
  • 149. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 150. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 151. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 152. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 153. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 154. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 155. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 156. Dominic WilcoxSpeed /Re-appropriation /Tradition /New
  • 157. Dominic WilcoxSpeed /Re-appropriation /Tradition /New A traditional door mat actually becomes the carpet for the whole house.
  • 158. Industrial FacilityKim Colin + Sam Hecht Reduced / Clean / Functional
  • 159. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 160. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 161. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 162. Industrial FacilityKim Colin + Sam HechtReduced / Space and objects /Clean /Functional Form and function together
  • 163. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 164. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 165. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional Even the smallest object in a space is treated with the same attention to detail.
  • 166. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 167. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 168. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 169. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 170. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 171. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 172. Industrial FacilityKim Colin + Sam HechtReduced /Clean /Functional
  • 173. Norman Foster Technology / Machine / Modernity
  • 174. Norman FosterTechnology /Machine /Modernity
  • 175. While the form looks patterned,Norman FosterTechnology / it actuallyMachine /Modernity serves to cool the building by moving fresh air around.
  • 176. Norman FosterTechnology /Machine /Modernity
  • 177. Norman FosterTechnology /Machine /Modernity
  • 178. Norman FosterTechnology /Machine /Modernity
  • 179. Norman FosterTechnology /Machine /Modernity
  • 180. Norman FosterTechnology /Machine /Modernity
  • 181. Norman FosterTechnology /Machine /Modernity
  • 182. Norman FosterTechnology /Machine /Modernity
  • 183. Thomas Heatherwick Nature / Collection / Celebration
  • 184. Thomas HeatherwickNature /Collection /Celebration
  • 185. Thomas HeatherwickNature /Collection /Celebration
  • 186. Thomas HeatherwickNature /Collection /Celebration
  • 187. Thomas HeatherwickNature /Collection /Celebration
  • 188. Breaking up a space and playing with theThomas HeatherwickNature / dimensions meansCollection /Celebration we look at it afresh and in a new way.
  • 189. Thomas Heatherwick
  • 190. Thomas HeatherwickNature /Collection /Celebration Even the most ugly of forms can be inspirational
  • 191. Thomas Heatherwick
  • 192. Thomas HeatherwickNature /Collection /Celebration
  • 193. Thomas HeatherwickNature /Collection /Celebration Each pole extension actually draws light into the building.
  • 194. Thomas HeatherwickNature /Collection /Celebration
  • 195. Thomas HeatherwickNature /Collection /Celebration Sometimes ideas come from processes as well as from shapes.
  • 196. Thomas HeatherwickNature /Collection /Celebration
  • 197. Thomas HeatherwickNature /Collection /Celebration
  • 198. Thomas HeatherwickNature /Collection /Celebration
  • 199. Thomas HeatherwickNature /Collection /Celebration
  • 200. Thomas HeatherwickNature /Collection /Celebration
  • 201. Thomas HeatherwickNature /Collection /Celebration
  • 202. Thomas HeatherwickNature /Collection /Celebration 205
  • 203. Thomas HeatherwickNature /Collection /Celebration
  • 204. Thomas HeatherwickNature /Collection /CelebrationEast Beach Café,Near Chichester College
  • 205. Thomas HeatherwickNature /Collection /Celebration
  • 206. Thomas HeatherwickNature /Collection /Celebration
  • 207. Thomas HeatherwickNature /Collection /Celebration Looking at the shapes in naturecan give us so much inspiration.
  • 208. Seymour PowellRichard Seymour + Dick Powell Sleek / Functional / Quality
  • 209. Richard Seymour &Dick PowellSleek /Functional /Quality 212
  • 210. Richard Seymour &Dick PowellSleek /Functional /Quality
  • 211. Richard Seymour &Dick PowellSleek /Functional /Quality
  • 212. Richard Seymour &Dick PowellSleek /Functional /Quality
  • 213. Richard Seymour &Dick PowellSleek /Functional /Quality
  • 214. Richard Seymour &Dick PowellSleek /Functional /Quality
  • 215. Richard Seymour &Dick PowellSleek /Functional /Quality
  • 216. End