The ECL model in a multi-territorial / cross-border setting  Johan Axhamn, IViR visiting researcher
“Typical” characteristics of digitization and online disseminationof the collections of the national cultural institutions...
ECL?¢   ECL provisions and agreements in the Nordic     countries      £ The extension effect is supported by law     £...
Cross-border solution                  Type the footer here                                         4
The cross-border (multi-territory) problem ¢   Copyright is territorial, i.e. permission to use (license) has to be clear...
.. but there is demand and political pressure on makingthe collections of cultural institutions available all overEurope (...
Possible solutions to the multi-repertoire multi-territory problem¢   Encourage the cultural institutions to clear the   ...
Encourage the cultural institutions to clear the rightswith CMOs in every country of destination¢   “Do nothing”¢   Pro/...
Promote multi-territory licensing¢   Encourage the CMOs to develop the current system of reciprocal     agreements      £...
Introduce a country of transmission principle¢   Similar to the “country of uplink” principle in the Sat/Cab     directiv...
Proposed ECL for cultural institutions in SE¢   “Certain cultural institutions may, if the     prerequisites of an ECL ar...
Commission staff working document (2007)¢   “The extension of the country of origin principle     raises a number of conc...
Green paper – copyright and related rights in theInformation society (1995)¢   “Here as elsewhere the basic principle sho...
Conclusion¢   Possible solution     £   Combine an ECL provision at national          level with a principle of country ...
Development of ECL agreements¢   Historically in the Nordic countries     £ Organisations à Collective agreements      ...
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The ECL model in a multi-territorial / cross-border settingJohan

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Presentation by Johan Axhamn, IViR visiting researcher at the Europeana Connect ECL workshop in Luxembourg

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The ECL model in a multi-territorial / cross-border settingJohan

  1. 1. The ECL model in a multi-territorial / cross-border setting Johan Axhamn, IViR visiting researcher
  2. 2. “Typical” characteristics of digitization and online disseminationof the collections of the national cultural institutions ¢ Many copyright protected items ¢ Many right holders, including outsiders ¢ Mass-use: Many items are to be digitised and disseminated online (in a relatively short period of time). ¢ Many works are orphan, i.e. it is difficult to find or locate the right holder ¢ Very high or infinite transaction costs and therefore suitable for an ECL solution at national level £ Presupposes good structure and culture of CMOs Type the footer here 2
  3. 3. ECL?¢ ECL provisions and agreements in the Nordic countries £ The extension effect is supported by law £ Legal safeguards for outsiders¢ ”ECLs” not supported by legislation £ Traditionally referred to as indemnity agreements 3
  4. 4. Cross-border solution Type the footer here 4
  5. 5. The cross-border (multi-territory) problem ¢ Copyright is territorial, i.e. permission to use (license) has to be cleared with right holders in every country (territory) where use occurs ¢ The current legal situation is that the act of making available to the public of a copyright protected work takes place in all the territories where it can be received. £ i.e. a country of destination/access rather than country of transmission (i.e. the country in which the service originates) principle ¢ Traditionally, national CMOs have issued licenses only for their own territory £ Multi-repertoire and mono-territory licenses Type the footer here 5
  6. 6. .. but there is demand and political pressure on makingthe collections of cultural institutions available all overEurope (through Europeana) ¢ i.e. demand for multi- territory licenses Type the footer here 6
  7. 7. Possible solutions to the multi-repertoire multi-territory problem¢ Encourage the cultural institutions to clear the rights with CMOs in every country of destination¢ Promote multi-territory licensing¢ Introduce a country of transmission principle 7
  8. 8. Encourage the cultural institutions to clear the rightswith CMOs in every country of destination¢ “Do nothing”¢ Pro/con: The territoriality of copyright is kept intact within the EU¢ Con: Very high transaction costs for cultural institutions to negotiate licenses with CMOs in each and every member state, even if ECL provisions are introduced at national level
  9. 9. Promote multi-territory licensing¢ Encourage the CMOs to develop the current system of reciprocal agreements £ A model similar to the “IFPI Simulcasting agreement” ˜ The traditional multi-repertoire mono-territory aspect of the reciprocal agreements is supplemented by a mandate enabling the national CMOs to license multi repertoires for multiple (i.e. also each others) territories. ˜ The user does not have to obtain the license from his national CMO.¢ Pro/con: Based on free negotiations between the CMOs.¢ Pro/con: The territoriality of copyright is kept intact within the EU
  10. 10. Introduce a country of transmission principle¢ Similar to the “country of uplink” principle in the Sat/Cab directive £ The copyright-relevant act only occurs in the country where the library is residing¢ The national cultural institution would only have to clear rights with CMOs in its country of residence¢ Reasonably, the provision has to be limited to content that is only of national cultural importance (in line with the aims of Europeana) £ Is “country of first publication” an adequate notion?¢ Pro: Easy rights-clearance and legal certainty for libraries.
  11. 11. Proposed ECL for cultural institutions in SE¢ “Certain cultural institutions may, if the prerequisites of an ECL are fulfilled, reproduce copies of works in their own collections and communicate them to the public.”¢ Necessarily broad – leaves great flexibility but also responsibility to the market parties 11
  12. 12. Commission staff working document (2007)¢ “The extension of the country of origin principle raises a number of concerns, such as the difficulties of locating the relevant act of transmission in the digital environment, the risk of devaluation of copyright if a single tariff and license were to be applied to the whole Internal Market.” Type the footer here
  13. 13. Green paper – copyright and related rights in theInformation society (1995)¢ “Here as elsewhere the basic principle should be that the applicable law is that of the Member State in which the service originates. But in the intellectual property sphere that principle can be applied only if there is a far- reaching harmonization of the relevant rights at the same time.”¢ “A Community rule on the applicable law would seem to be indispensable. Such a rule could be along the lines of the mechanism in the Satellite and Cable Directive: the act of communication could be defined in a similar way, on the basis of transmission rather than reception.” Type the footer here
  14. 14. Conclusion¢ Possible solution £ Combine an ECL provision at national level with a principle of country of transmission ˜ For cross-border dissemination of national cultural heritage £ Introduce common EU principles on good 14
  15. 15. Development of ECL agreements¢ Historically in the Nordic countries £ Organisations à Collective agreements à ECL provisions in law¢ In this context £ ECL provisions in law à Organisations à ECL agreements 15
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