ANTH398D/2A Meeting 11 (final)

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ANTH398D/2A Meeting 11 (final)

  1. 1. ANTH398D - E th nomus ic olog y Me e ting 11 – De via nt Nove m b e r 13, 2007
  2. 2. Wra pping Up
  3. 3. Two B loc ks from th e E dg e • Ne xt Two We e ks – Atta li (de ns e ) – S toke s (lig h t) • La s t We e k – S ing ing S tre a m
  4. 4. Wra p-Up Th re a ds • “E xa m pre pa ra tion” • Th e m e s / s ue s c a m e b a c k re pe a te dly is • Linking with s pe c ific we e ks / a ding s re
  5. 5. Wra p-Up Th re a ds • Ta lking a b out m us ic • De fining m us ic • Mus ic pa rtic ipa tion • Me a ning unive rs a l/ rtic ula r pa • Mus ic c om m unic a tion • S oc ia l org a nis a tion a nd m us ic (As ke w, B e c ke r) • Ab s olute m us ic (King s b ury, F a le s / e rg e r) B • Appropria te c onte xts for m us ic
  6. 6. B e c ke r
  7. 7. B e c ke r Th e me s • Mus ic ia ns vs . a udie nc e – E xc lus ive g roup • S e lf-m a rg ina lis a tion • S ub c ulture s • C om m e rc ia lis a tion, s e lling out • “J a z z ” produc e d w/ re f. de m a nds outs ide rs o • S q ua re s • S e xua l s a tis fa c tion to wom a n – With rh yth m • Th e G ift
  8. 8. Mus ic P e ople
  9. 9. Mus ic S pe c ia lis a tion • Am a te ur m us ic ke r/ profe s s iona l m us ic ia n • R e lig ious pa ra lle ls • Tim e s pe nt • S ta tus • Mus ic -th inking • C re a tivity • Individua lis m
  10. 10. Wh a t a re mus ic ia ns like ? • Ling o • P a s s iona te • P e rfe c tionis t • Cre a tive • Ope n-minde d, ope n to ne w ide a s , c ulture s • Coc ky/ ”a ttitude ” • Ego – S e lf-a g g ra n diz a tion , b ra g g in g – C re a to r’s c on de s c e n s ion • Coolne s s (dre s s , s tyle ) • Unc onve ntiona l • E xc e ntric • S e pa ra te from “re g ula r” – P e rc e p tio n of – Ma rg in a liz a tio n
  11. 11. B e c ke r on Mus ic ia ns • Mus ic a s g ift (pa ra lle l King s b ury) • C re a tivity vs . fina nc ia l we ll-b e ing • S ub ve rs ion/ a c tion towa rd b roa de r re s oc ie ty • “S e x, Drug s , a nd R oc k ’n’ R oll”
  12. 12. E uro-Am e ric a n C onc e ptions of Mus ic ia ns • He donis m • Mone y • S pe c ia lis a tion • P e rform a nc e • P urity (“Art for Art’s S a ke ”)
  13. 13. R oc ks ta r • He a vily s e xua liz e d • Anti-inte lle c tua l • E m otiona l • Virile • Re be l • Working c la s s • De via nt
  14. 14. S te re otypic a l portra it of WAM m us ic ia n • P ro • G e e k, Ne rd • B ra iny • B ourg e ois • R e a c tiona ry • E ffe m ina te • As e xua l • Te c h nic a lly profic ie nt
  15. 15. Oth e r Ac tors • P rom ote rs • Ve nue owne rs • Ma na g e rs • VJ s • Mus ic c ritic s • Mus ic ke rs • “Th e P ub lic ”
  16. 16. Ta ra nte lla Ne a polita n B e e r B a rre l P olka Mitc h Mille r On th e S unny S ide of th e Dia na Kra ll S tre e t G ia nt S te ps J o h n C oltra ne R a ndo m Ab s tra c t (Diddle - Th e B ra nford Ma rs a lis It) Qua rte t F irs t Th ing In Th e Morning Ore g on Witc h i-Ta i-To Ore g on Le m on Inc e s t S e rg e G a ins b ourg J 'a ura is Voulu ê tre Un S ta rm a nia Artis te n a m i c onda m né P our u Dia ne Dufre s ne Dre a m e r S upe rtra m p
  17. 17. B e c ke r Th e me s • Th e G ift • Mus ic ia ns vs . a udie nc e – E xc lus ive g roup • S e xua l s a tis fa c tion to wom a n – With rh yth m • “J a z z ” produc e d w/ re f. de m a nds outs ide rs o • S q ua re s • C om m e rc ia lis a tion, s e lling out • S e lf-m a rg ina lis a tion • S ub c ulture s

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