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ANTH398D Meeting 5
 

ANTH398D Meeting 5

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    ANTH398D Meeting 5 ANTH398D Meeting 5 Presentation Transcript

    • ANTH398D - Ethnomusicology Meeting 5 – Conservative October 2, 2007
    • Presentations
      • Past
        • David Huron
        • Journée d’études québécoises en musique
      • Future
        • Pop & Policy
        • Éthique, droit et musique (Oct. 18-21, register by Oct. 5)
    • Kingsbury Themes
      • Critical Thinking
      • Making Links
      • List, switch, then back
    • Ethnomusicology as Discipline Musical Ethnography
    • Ethnographic disciplines
      • Cultural Anthropology
      • Linguistic Anthropology
      • Folkloristics
      • Ethnomusicology
      • Ethnohistory
    • Musical Ethnography
      • Defining ethnomusicology through ethnography
      • “ Classic" ethnomusicology
      • Clear academic Other (musicologists)
      • Fieldwork on Music
    • Differences with Cultural Anthropology?
      • Play together
      • Reciprocity through music
      • Recordings
      • Transcription
      • Defending armchair?
      • Experimentation
    • Disciplinary Differences
      • Relationship to psychology, folkloristics
      • Non-academic researchers
      • SEM/ICTM (vs. AAA)
      • Technology and material culture (including instruments)
      • Less on current social issues
      • Moving on with inequalities
    • Participation and Performance
      • Mantle Hood
      • Bi-musicality
      • Aesthetics
      • Dialogue
      • Competence (Noam Chomsky)
      • B éhague
    • Defining Ethnomusicology
      • Historical parallels with anthro
      • Traditional, oral, ethnic
    • How Become Ethno?
      • Musician
        • Frustrated or not
      • Discovered other music
      • Exposure to Culture
      • Learn about anthropology
      • Bi-musicality
      • Inclusive (women, non-US (Nketia), practitioners)
    • World Music
      • Creation of Otherness
      • West/Non-West
      • Broad View of Music
      • Music itself
      • Music and/as/in culture
    • “ World Music”
      • Music industry
      • Appropriation
      • Empress of Russia
    • Kingsbury
      • Absolute music
      • Formal education
      • Talent
      • Musicality
      • Identity
      • Negotiated meaning of music
      • The field
    • Playlist
      • Ste No. 1- I: Prelude (BVW 1007), J.S. Bach Mstislav Rostropovich
      • Sequenza III (per voce solo) (Luciano Berio), Cathy Berberian
      • Sonatine bureaucratique, Erik Satie, Daniel Varsano
      • My Bonny Lass She Smelleth, PDQ Bach
      • The Planets: Jupiter, the Bringer of Jollity, Gustav Holst
      • Contrapunctus 9, Canadian Brass
      • Contrapunctus 9, Saxophone Quartet
      • Quatuor- IV. Variation II, Quatuor Alexandre
      • Saxoctet : 3e mvt, José Évangélista, Quasar
      • Manu militari, Louis Dufort, Quasar
      • The Unknown Pedestrian, Alexandre Burton