The Data Protection Act requires us to manage personal data responsibly and to adhere to a
governing Data Protection Polic...
IMPORTANT NOTES:
*Camera Kit must never be left out of sight
*Confidentiality/Release forms must be signed by all key cont...
Simons wood, Crowthorne train station, the house
LOCATIONS
WEDNESDAY 26TH
FEBRUARY
Loc 1
Simons Woods N/a N/a
Loc 2
House ...
Wide shot Outside car To show the car driving off
Establishing shot/Montage Simons woods To show the car in different ways...
POV – Pan round forest Simons woods To show them investigating
where the noise is coming from
Close up Simons woods To sho...
Mid shot Simons woods To show Jessie Frantically
looking around to see where she
can hear the foot steps coming
from
POV -...
Mid shot Simons woods To show Jessie Frantically
looking around to see where she
can hear the foot steps coming
from
POV -...
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Call sheet, shooting schedule a2

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Call sheet, shooting schedule a2

  1. 1. The Data Protection Act requires us to manage personal data responsibly and to adhere to a governing Data Protection Policy (DPP). Our call sheets contain some personal data, such as mobile phone numbers. With this in mind and in accordance with the DPP, we ask that you keep your call sheet safe when it's in your possession and to hand it back or destroy it when you no longer need it. The inclusion of the limited personal data contained within this call sheet is done so with the agreement of the individuals concerned. DATE: FRIDAY 7th FEBRUARY & SATURDAY 8th FEBRUARY 2014 SHOOT: CROWTHORNE THIS CALLSHEET IS PRIVATE AND CONFIDENTIAL – PLEASE KEEP THIS ABOUT YOUR PERSON LOCATION TEAM CONTACTS Producer/ Director Ellie Beazley M: 07584 088914 E: EllieLouiseBeazley@Gmail.com Director of Photography Vanessa Lorriman M: 07501 834058 E: v.lorriman@Hotmail.co.uk FILMING SCHEDULE: WEDNESDAY 26th FEBRUARY 2014 WEDNESDAY 26th FEBRUARY 2014 TIME SCHEDULE 09:00 Pick up the equipment from John Madejski Academy 09:30 Places the equipment in the car and drive to location (10 minutes added in case of traffic) 10:10 Arrive at location 10:30 Making of the fake blood 11:00 Mark out location spots within the forest 12:30 Get props all ready for the filming 13:30 Set the bedroom out ready for shooting 15:00 Meet Actress either at train station or location 15:30 Get Actress ready for bedroom shoot (Make-up/Clothing) 16:30 Film bedroom segment (scene 1 – INT JESSIE BEDROOM) 17:30 Meet Actor on the set 18:00 Set up equipment for the car scenes 18:30 Film car segments (Drug scene – scene 2 INT CHRIS CAR /establishing shots – scene 3- EXT FOREST|/the breaking down – Scene 4/5) 21:00 (22:00 if needed) Filming is completed for the day WEDNESDAY 26th FEBRUARY TIME SCHEDULE 13:00 Meet back at location of set 13:20 Run through of second half of the script – Marking out locations 16:30 Take a break warm up and have some food 18:00 Set up equipment for forest segment 18:10 Film forest segment up until the opening of the Jack in the box (scene 7) 19:30 Make-up for clown look to be placed on ‘Chris’ 20:00 Film forest segment from point we have left of (scene 8 and scene 9) 22:00 (Latest 23:00) Filming wraps up and is completed
  2. 2. IMPORTANT NOTES: *Camera Kit must never be left out of sight *Confidentiality/Release forms must be signed by all key contributors and crew LOCAL A&E & POLICE: A & E POLICE Broadmoor Hospital Crowthorne, West Berkshire RG45 7EG 01344 773111 or 999 Upper Broadmoor Road Crowthorne, West Berkshire RG45 7AB T:999 CAMERA KIT & STOCK FINANCE & RELEASE FORMS: RELEASE FORMS: A release form will be supplied with this document SAFETY DETAILS: HEALTH & SAFETY / RISK ASSESSMENT: A copy of the risk assessment will be supplied with this document INSURANCE: John Madejski Academy Public Liability Insurance Keith Eldridge MAPS: KIT HIRE COMPANY Z1 EQUIPMENT LIST X1 / STOCK John Madejski Academy Tripod Should Mount XF 100 Camera Fisheye
  3. 3. Simons wood, Crowthorne train station, the house LOCATIONS WEDNESDAY 26TH FEBRUARY Loc 1 Simons Woods N/a N/a Loc 2 House in Crowthorne SHOT LIST These are the shots that will be used throughout the scenes. Shot Type Where Why Pan Bedroom To introduce Jessie as a character so we are able to see what she is like Over the shoulder zoom Bedroom To show that Jessie is getting ready for a party then focusing on her getting ready for a party Establishing shot Outside the house of the car To show that someone is waiting for Jessie outside her house Medium close up Inside car To introduce Chris as a character Extreme close up/Depth of field Inside car To show a small baggie filled up with white powder Medium close up Inside car Chris placing his finger inside the small bag Extreme close up Inside car To show Chris rubbing the white powder onto his gums Medium close up Inside car To show Chris quickly hiding the baggie External medium shot Inside car To show Jessie getting into the car POV shot - medium close up Inside car To show Chris looking at Jessie while she is speaking to him Close up Inside car To show Chris wiping his mouth
  4. 4. Wide shot Outside car To show the car driving off Establishing shot/Montage Simons woods To show the car in different ways driving through the forest Two shot/close up Inside car To show Jessie and Chris inside the car POV – mid close up Inside car To show Chis driving the car Medium close up Inside car To show Jessie opening a beer can POV – Mid close up Inside car To show Jessie consuming some of the beer Two shot/medium close up Inside car To show Chris and Jessie dancing Extreme close up Inside car To show the speed dial increasing in speed POV – medium close up chis perspective Inside car To show Chris leaning over and grabbing himself a beer POV medium close up Chris perspective Inside car To show Jessie moaning at him for getting a beer while driving POV – Medium close up from Jessies perspective Inside car To show Chris telling Jessie to calm down POV – Medium close up from Chris perspective Inside car To show Jessie moaning and wanting to get out the car POV – Medium close up Jessie perspective Inside car To show again Chris telling Jessie to calm down POV – Medium close up Chris perspective Inside car To show Jessie shouting no Extreme close up Inside car To show Jessie putting the handbreak on POV – Medium close up Jessie perspective Inside car To show Chris trying to restart the car Mid shot Outside car – next to forest To show both Jessie and Chris getting out of the car Slow zoom Outside forest To show Chris going round to the front of the car Medium close up – Low angle by bonnet of car Outside forest To show Chris messing around in the bonnet trying to fix the car Two shot – medium shot Outside forest To show Jessie walking into shot with Chris Extreme close up Outside forest To show Jessie has no signal on her phone Wide shot Outside forest To show Chris slamming the bonnet in anger Medium close up via tracking Outside forest To show Chris getting the GPS out the car Extreme close up Outside forest To show the destination is not to far away Mid shot Outside forest To show Chris pointing away in the direction they need to go Mid close up/Two shot Outside forest To show Chris and Jessie walking into the forest Extreme close up Simons woods To show Jessie placing the car keys into her purse Wide shot Simons woods To show Chris holding Jessie around the waist Extreme close up Simons woods To see the worried expression on Jessies face Extreme close up Simons woods To see the calm and relaxed look on Chris face Very wide shot Simons woods To show the extent of how large the forest goes on for Mid shot Simons woods To show Jessie asking Chris if they are lost Mid-close up shot Simons woods To show Chris responding and acting like he knows where he is
  5. 5. POV – Pan round forest Simons woods To show them investigating where the noise is coming from Close up Simons woods To show Jessies frightened look upon her face due to the noise Wide shot/two shot Simons woods To show the couple looking around for the noise and then Chris pointing in a direction with the torch POV pan – From torch Simons woods To show the direction in which the noise is coming from Wide shot/two shot/ tilt upwards from the box Simons woods To show the couple walking towards the Jack in the box Mid shot Simons woods To show Chris bending down and picking up the Jack in the box Extreme close up Simons woods To show the Jack in the box in more detail Two shot Simons woods To show the couple examining the Jack in the box Extreme close up Simons woods To show the box again in more detail Medium close up Simons woods To show Chris being amused by the box Mid shot Simons woods To show Jessie moaning at Chris Two shot/Mid shot Simons woods To show Jessie try to knock the box out of Chris hands Extreme close up Simons woods To show Jessie almost hitting the box but Chris moving it in time Mid shot/Two shot Simons woods To show Chris turning his back on Jessie so he is able to open the box Extreme close up Simons woods To show Chris grabbing than handle and beginning to turn up Close up – Depth of field Simons woods To show Chris continuing to open the box while Jessie it moaning Extreme close up Simons woods To show Chris mouth laughing at what Jessie just said Two shot/wide shot Simons woods To show Jessie again trying to get the box out of Chris hands Close up Simons woods To show the Jack in the box popping out and spraying blood Close up – Depth of field Simons woods To show the blood splatters over Chris face Extreme close up Simons woods To show blood starting to come from Chris mouth Medium close up Simons woods To show Chris change from himself to the Jack in the box Depth of field – POV Chris Simons woods To show Jessie running into the forest (Only Jessie in focus) POV shot - Jessie Simons woods To show Jessie running through the forest Montage of shots Simons woods To show Jessie running through the forest Wide shot Simons woods To show Jessie resting on a tree in an opening in the forest Extreme close up Simons woods To show Jessie worries/Confused expression on her face Medium shot - pan Simons woods To show Jessie at the tree and that nothing is around her Cut away extreme close up– Chris feet Simons woods To show Chris is coming
  6. 6. Mid shot Simons woods To show Jessie Frantically looking around to see where she can hear the foot steps coming from POV - Jessie Simons woods To show from Jessie’s perspective of her looking around frantically Medium close up Simons woods To show Jessie leaning back up against the tree POV - Jessie Simons woods To show Jessie peeping around the tree Extreme close up Simons woods To show Chris emotionless face Wide shot Simons woods To show Chris and Jessie looking at each other then Chris taking a step forwards Cut back and forth Simons woods To show the expressions on Jessies and Chris face Mid shot Simons woods To show Jessie spinning and running away Wide shot Simons woods To show Chris sluggishly walking towards the direction in which Jessie just ran Mid shot Simons woods To show Jessie looking behind and shouting at Chris Cut to POV shot of Chris Simons woods To show Chris being unresponsive Montage – Fast pace Simons woods To show Jessie again running through the forest POV – Jessie Simons woods To show Chris slumping into her path POV Chris – Tilt down Simons woods To show Jessie skidding onto the floor and scrambling to get back up POV - Jessie Simons woods Screaming at Chris Mid shot Simons woods Jessie running through the fores POV - Jessie Simons woods To showing Jessie seeing the car in a clearing Mid shot/Over the shoulder Simons woods To show Jessie running towards the car whilst grabbing the keys out her bag Mid shot Simons woods To show Jessie running into the car then frantically opening the door Extreme close up Simons woods To show Jessie placing keys into the engine Close up Simons woods To show the sign of relief on Jessies face Close up Simons woods To show Jessies face relaxing then suddenly Chris face appearing from the back seats Extreme close up Simons woods To show the terror on Jessie face Screen goes black Simons woods To show Jessie screaming and then the humming starts
  7. 7. Mid shot Simons woods To show Jessie Frantically looking around to see where she can hear the foot steps coming from POV - Jessie Simons woods To show from Jessie’s perspective of her looking around frantically Medium close up Simons woods To show Jessie leaning back up against the tree POV - Jessie Simons woods To show Jessie peeping around the tree Extreme close up Simons woods To show Chris emotionless face Wide shot Simons woods To show Chris and Jessie looking at each other then Chris taking a step forwards Cut back and forth Simons woods To show the expressions on Jessies and Chris face Mid shot Simons woods To show Jessie spinning and running away Wide shot Simons woods To show Chris sluggishly walking towards the direction in which Jessie just ran Mid shot Simons woods To show Jessie looking behind and shouting at Chris Cut to POV shot of Chris Simons woods To show Chris being unresponsive Montage – Fast pace Simons woods To show Jessie again running through the forest POV – Jessie Simons woods To show Chris slumping into her path POV Chris – Tilt down Simons woods To show Jessie skidding onto the floor and scrambling to get back up POV - Jessie Simons woods Screaming at Chris Mid shot Simons woods Jessie running through the fores POV - Jessie Simons woods To showing Jessie seeing the car in a clearing Mid shot/Over the shoulder Simons woods To show Jessie running towards the car whilst grabbing the keys out her bag Mid shot Simons woods To show Jessie running into the car then frantically opening the door Extreme close up Simons woods To show Jessie placing keys into the engine Close up Simons woods To show the sign of relief on Jessies face Close up Simons woods To show Jessies face relaxing then suddenly Chris face appearing from the back seats Extreme close up Simons woods To show the terror on Jessie face Screen goes black Simons woods To show Jessie screaming and then the humming starts

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