Uffizi Gallery 16-18th Century


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  • Fantástica presentación, muchas gracias, Pilar
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  • Hello, Great presentation !!! with beautifull paintings... thanks for sharing. Bernard

    PS: Thank you and congratulations dear Dennis of your very active participation the group 'GREAT CAUSES and JUST CAUSES'and 'SOUND and MUSIC, The best'.Good evening.Bernard (France)
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  • I saw most of these summer 08! Absolutely amazing! Thanks for sharing!
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  • 'The city-states of the Italian peninsula were home to the money, intellect, and talent that were needed for the growth of Renaissance culture, especially in Florence.
    In the Republic of Florence, you will find an enlightened society that reached its peak under Cosimo de'Medici the elder (il Vecchio) and his grandson, Lorenzo the Magnificent, and that considered itself 'the enemy of kings and tyrants.' Fully 3 percent of its citizens were eligible to hold political office (a remarkable percentage for the time).

    On the other hand, Florence's Renaissance history was one of political instability, of factionalism and political experiment that eventually descended into disarray and decline. At the end of the 15th century, under the overzealous Dominican monk Girolamo Savonarola, Florence was a repressive theocracy that ruled through torture. Heretics risked having their tongues cut out, and specially trained groups of boys, called Bands of Hope, roamed the streets to enforce public piety.

    This course will also show you how the Renaissance progressed in other Italian city-states that, due to circumstances of geography and history, had political and social structures that were very different from Florence's. In fact, most Italian Renaissance cities were principalities or despotisms, governed by princes or leaders of ruling families who could be either benign or cruel.

    In Venice, you will see how this Republic's change from a maritime to a more land-oriented city more amenable to Renaissance Humanism, which affected the look of the city. Venetian visual arts and architecture changed from Byzantine to Classical, and a Venetian school of painting arose that gave us such giants as Giorgione, Titian, Veronese, and Tintoretto. '
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  • Κι αν θέλει καποιος θέλει να σου στείλει καμιά ταξιδιάρικη φωτό σε ποιους ακριβώς χειρισμούς πρέπει να προβεί;
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  • Uffizi Gallery 16-18th Century

    1. 1. Uffizi Gallery 16-18 th century
    2. 2. 1504 1504 Raphael Santi (1483-1520) Portrait of Elisabetta Gonzaga
    3. 3. <ul><li>Michelangelo (1475-1564) Doni Tondo </li></ul><ul><li>- The Holy Family with St. John the Baptist. c.1504-1506. </li></ul>
    4. 4. 1506 <ul><li>Raphael Santi </li></ul><ul><li>Madonna with the Goldfinch. c.1506. Oil on panel </li></ul><ul><li>Πυραμοειδής σύνθεση </li></ul><ul><li>Χρωματική διαβάθμιση </li></ul><ul><li>Πινελιές που απαλύνουν τα περιγράμματα των μορφών. </li></ul>
    5. 5. 1510 <ul><li>Giorgione </li></ul><ul><li>(1477/78-1510) </li></ul><ul><li>Portrait of a Gentleman in Armor. c.1510. Oil on canvas </li></ul>
    6. 6. 1513 Pierro di Cozimo Perseus liberate Andromeda.
    7. 7. 1513 <ul><li>Jacopo Carucci called Pontormo </li></ul><ul><li>Pontormo near Empoli 1494-Florence 1556 </li></ul><ul><li>TITLE.Leda and the Swan </li></ul><ul><li>18 - The Tribune </li></ul>
    8. 8. 1515 <ul><li>Titian </li></ul><ul><li>(1488/90 – 1576 ) </li></ul><ul><li>Flora. </li></ul><ul><li>c.1515-1520. Oil on canvas </li></ul>
    9. 9. 1517 <ul><li>Andrea del Sarto's </li></ul><ul><li>1486-1531 </li></ul><ul><li>Madonna delle Arpie (Madonna of the Harpies ) </li></ul>
    10. 10. 1517 <ul><li>Antonio Correggio </li></ul><ul><li>1489-1534 </li></ul><ul><li>The Rest on the Flight to Egypt with Saint Francis </li></ul>
    11. 11. 1517 <ul><li>Lorenzo Lotto </li></ul><ul><li>(1480-1556) </li></ul><ul><li>Susanna and the Elders. </li></ul><ul><li>Oil on wood </li></ul>
    12. 12. 1518 <ul><li>Albrecht Altdorfer </li></ul><ul><li>(1480-1538) </li></ul><ul><li>The Martyrdom of St. Florian (panel from the St. Florian altar). </li></ul>
    13. 13. 1518 <ul><li>Raphael </li></ul><ul><li>(1483-1520)  </li></ul><ul><li>Portrait of Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi </li></ul>
    14. 14. 1519 <ul><li>Pontormo </li></ul><ul><li>[Italian Mannerist Painter, 1494-ca.1556 </li></ul><ul><li>Cosimo il Vecchio </li></ul>
    15. 15. 1521 Giovanni Battista di Jacopo (1494-1540), known as Rosso Fiorentino Angelo musicante 18- the Tribune
    16. 16. 1523 <ul><li>Moses Defending the Daughters of Jethro by Rosso Fiorentino at the Uffizi Gallery , Florence. </li></ul>
    17. 17. 1528 <ul><li>Lucas Cranach detto il vecchio ( Kronach , 1472 – Weimar , 16 ottobre 1553 ) </li></ul><ul><li>Adam and Eve . </li></ul><ul><li>Oil on panel </li></ul>
    18. 18. 1528 <ul><li>Jacopo Carucci (May 24, 1494 — January 2, 1557), usually known as Jacopo da Pontormo </li></ul><ul><li>The Madonna and Child with the Infant Saint John the Baptist </li></ul>
    19. 19. 1531 <ul><li>Girolamo Francesco Maria Mazzola (1503 - 1540), also known as Francesco Mazzola or as Parmigianino </li></ul><ul><li>Mare de Déu amb l'Infant , sant Zacaries, santa Magdalena i el jove sant Joan Baptista </li></ul>
    20. 20. 1534 <ul><li>18 - The Tribune </li></ul><ul><li>Giorgio Vasari Arezzo 1511-Florence 1574 </li></ul><ul><li>Portrait of Lorenzo the Magnificent </li></ul>
    21. 21. Titian Venus of Urbino . 1538. Oil on canvas
    22. 22. 1537 <ul><li>Titian Portrait of Eleonora Gonzaga Della Rovere. 1536-1537. Oil on canvas. </li></ul>
    23. 23. 1538 <ul><li> Titian </li></ul><ul><li>(1488/90 - 1576) </li></ul>Portrait of Francesco Maria della Rovere, Duke of Urbino. c.1536-1538. Oil on canvas
    24. 24. 1540 <ul><li>Agnolo di Cosimo (1503 - 1572), usually known as Il Bronzino, </li></ul><ul><li>Portrait of Lucretia Pucci Panciatichi 18 - The Tribune </li></ul>
    25. 25. 1540 <ul><li>Girolamo Francesco Maria Mazzola – </li></ul><ul><li>Parmigianino </li></ul><ul><li>1503-1540 </li></ul><ul><li>(a nickname meaning &quot;the little one from Parma&quot;) </li></ul><ul><li>Madonna with the Long Neck </li></ul>
    26. 26. 1542 <ul><li>Giovanni Lutteri </li></ul><ul><li>1489-1542 </li></ul><ul><li>Doso Dosi </li></ul><ul><li>Magic or Hercules Allegory </li></ul>
    27. 27. 1545 <ul><li>Agnolo Bronzino </li></ul><ul><li>1503-1572 Portrait of Cosimo I de' Medici in Armor 1545-1559 Oil on panel, </li></ul>
    28. 28. 1545 <ul><li>Bronzino, Agnolo (Agnolo di Cosimo) (1503-72). Florentine Mannerist painter, the pupil and adopted son of Pontormo </li></ul><ul><li>Giovanni de Medici as a child </li></ul><ul><li>18-Tribune </li></ul>
    29. 29. 1555 <ul><li>Paolo Veronese (1528 – April 19, 1588) was an Italian painter of the Renaissance in Venice , </li></ul><ul><li>Isopod and Adriano da Porto  </li></ul>
    30. 30. 1557 Daniele Ricciarelli da Volterra: Slaughter of the Innocents
    31. 31. 1558 <ul><li>Francesco de' Rossi (1510-1563) </li></ul><ul><li>Cecchino del Salviati </li></ul><ul><li>Charity </li></ul><ul><li>18-Tribune </li></ul>
    32. 32. 1564 <ul><li>Giorgio Vasari Arezzo 1511-Florence 1574 </li></ul><ul><li>Die Schmiede des Hephaistos </li></ul><ul><li>Το σιδηρουργείο του Ηφαίστου </li></ul>
    33. 33. 1570 <ul><li>Jacopo Tintoretto (real name Jacopo Comin 1518 - 1594) was one of the greatest painters of the Venetian school and probably the last great painter of the Italian Renaissance. </li></ul><ul><li>Leda and the Swan </li></ul>
    34. 34. 18- The Tribune
    35. 35. 18-Αίθουσα <ul><li>The project to arrange the Gallery on the 3rd floor of this large building, conceived by Cosimo I Medici, was realized by his son Francesco I , who, after having Buontalenti build the room of the Tribune for the collection of antique medals and other works of art . </li></ul>
    36. 36. 1597 <ul><li>Michelangelo Merisi da Caravaggio , (1571 –1610) </li></ul><ul><li>on the Baroque school of painting </li></ul><ul><li>BACCHUS </li></ul>
    37. 37. 1598 Caravaggio Medousa
    38. 38. 1600 <ul><li>El Greco </li></ul><ul><li>Crete 1541- Toledo 1614 </li></ul><ul><li>St. John the Evangelist and St. Francis </li></ul>
    39. 39. 1604 1604 Caravaggio Sacrifice of Isaac
    40. 40. 1620 <ul><li>Artemisia Gentileschi </li></ul><ul><li>1593-1652 </li></ul><ul><li>Judith Beheading Holofernes </li></ul>
    41. 41. 1627 Peter Paul Rubens Henry IV at the Battle of Ivry
    42. 42. 1634 <ul><li>Rembrandt </li></ul><ul><li>Leiden 1606- Amsterdam 1669 </li></ul><ul><li>Self-Portrait. c. 1634. Oil on panel. </li></ul>
    43. 43. 17 1 7 <ul><li>Anna Maria Luisa in The Electress Palatine in mourning dress by Jan Frans van Douven , 1717. She points to the portrait of Johann Wilhelm's remains, adorned with the Palatine regalia, in the milieu. </li></ul>
    44. 44. 1737 <ul><li>H προεικονιζομένη Άννα Μαρία Λουντοβίκα επέδειξε εξυπνάδα και διορατικότητα </li></ul><ul><li>Υπογράφοντας το 1737 το σύμφωνο παραχώρησης των έργων τέχνης των Μεδίκων στη δυναστεία της Λορένης έθεσε όρους </li></ul><ul><li>1.Τα έργα τέχνης παραχωρούνται ως στολίδι του κράτους 2. Για το κοινό όφελος των Φλωρεντινών </li></ul><ul><li>3. Αυτή η κληρονομιά θα χρησίμευε για να προσελκύει την περιέργεια των ξένων.Το μήνυμα; </li></ul><ul><li>Η καλλιτεχνική κληρονομιά είναι αγαθό του κράτους και όχι όποιου κυβερνά, πρέπει να βρίσκεται στην υπηρεσία της εκπαίδευσης των πολιτών και τέλος είναι πηγή εισοδήματος γιατί ενθαρρύνει τον πολιτιστικό τουρισμό. </li></ul>
    45. 45. 1740 <ul><li>Ζαν Μπατίστ Σιμεόν Σαρντέν </li></ul><ul><li>Κορίτσι με ρακέτα </li></ul>
    46. 46. 1750 Φραντσέσκο Γκουάρντι Καπρίτσιο με γέφυρες πάνω από κανάλι
    47. 54. See you around Florence !
    48. 55. Leonardo <ul><li>«Ήταν τόσο γλυκομίλητος που μαγνήτιζε τις καρδιές των ανθρώπων.Και μολονότι δεν διέθετε περιουσία και εργαζόταν λίγο, είχε πάντα υπηρέτες και άλογα ,που χαιρόταν πολύ και άλλα ζώα που φρόντιζε και αγαπούσε» Βαζάρι </li></ul><ul><li>“ Facil cosa e falsi universale” </li></ul><ul><li>Επιλογές-Επιμέλεια DIONYSOS. </li></ul>