Digital libraries, virtual museums andthe digitization challenges for cultural                 heritage               Fran...
EPOCH• EPOCH is the EU FP6 Network of Excellence on  the Applications of ICT to tangible Cultural  Heritage (2004-2008)• A...
Challenges for museums and monuments - 1• A different visitors’ approach•   In Italy, 12 state museums and sites (over 460...
The challenge of numbersThe challenge of numbers800          Museums in       Museums in             Canada           Tusc...
Challenges for museums and monuments - 22. Visitors are technology-aware•   There are more mobiles than people (107% in It...
Challenges for museums and monuments - 3          3. Combining the tangible and the intangibleSand drawing, Vanuatu       ...
Challenges for museums and monuments - 44. Using the accumulated   outcomes of research•   200 years of archaeological rec...
Standards, semantics and interoperabilityScenario 1: Quantity                      Scenario 2: Quality                Mass...
But…                                         Q. How many columns has                                            the façade...
The technology challenge:                                                new myths, new rites       3% of museums and site...
From interactivity to user-created content                                                                                ...
Quality and reliability• How reliable is this interpretation?                               Porsenna’s Mausoleum, Chiusi  ...
Contact detailsFranco Niccolucci – PIN, University of Florence, ItalyEmail: niccolucci@unifi.itWeb: www.epoch-net.orgEPOCH...
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DE Conferentie 2006 Franco Niccolucci

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DE Conferentie 2006 Franco Niccolucci

  1. 1. Digital libraries, virtual museums andthe digitization challenges for cultural heritage Franco Niccolucci EPOCH University of Florence, Italy
  2. 2. EPOCH• EPOCH is the EU FP6 Network of Excellence on the Applications of ICT to tangible Cultural Heritage (2004-2008)• About 90 Partners including Universities & Research Centres Cultural Institutions & Museums Antiquity & Monument Authorities Affiliates• EPOCH’s holistic approach Understanding challenges Proposing technological solutions Prioritizing technology research
  3. 3. Challenges for museums and monuments - 1• A different visitors’ approach• In Italy, 12 state museums and sites (over 460) make 50% of the visitors (90 sites make 90%)• 3 UNESCO WH sites (over 32) make 50% of the visitors The approach to cultural heritage is similar to mass consumption A few cultural institutions monopolize the cultural market Rest 80 next 10 best top Which is the target of technology?
  4. 4. The challenge of numbersThe challenge of numbers800 Museums in Museums in Canada Tuscany4.000.000 Inhabitants in Yearly visitors Norway of Coliseum16.000.000 Inhabitants in Yearly visitors the Netherlands of top 10
  5. 5. Challenges for museums and monuments - 22. Visitors are technology-aware• There are more mobiles than people (107% in Italy)• Young people uses mobiles and SMS as preferred communication tool – and are willing to have services• Internet chat has substituted the phone for teenagers People (especially the young) are accustomed to ICT and its absence looks abnormal ICT may be a good bait to hook people to culture
  6. 6. Challenges for museums and monuments - 3 3. Combining the tangible and the intangibleSand drawing, Vanuatu The Kihnu Cultural Space, Estonia Kris making, Indonesia Opera dei Pupi, Sicilian Puppet Theatre
  7. 7. Challenges for museums and monuments - 44. Using the accumulated outcomes of research• 200 years of archaeological records (hardly ever standardized)• 20 years of digital records• Changing interpretation perspectives• Using technologies• Combining different approaches Art History (Art Objects, Styles) Architectural History (Building Styles) Cultural History (Dates/Events) Structuralist Archaeology (Symbolism) Processual Archaeology (Systemic Processes) Post-Processual Archaeology (Power Relations) Environmental Archaeology (Culture/Landscape)
  8. 8. Standards, semantics and interoperabilityScenario 1: Quantity Scenario 2: Quality Mass digitization Mass digitization Interoperability Interoperability Digitized data Digitized data Interoperable Interoperable Legacy data Common semantics area
  9. 9. But… Q. How many columns has the façade of the Parthenon? A. (now) No idea A. (tomorrow) It has 83D model by Debevec, Scopigno et al But, what happens if nobody asks? The example shows the main difference between digital libraries (giving answers) and virtual museums (stimulating questions), where:• Communication with user must be pro-active• Interaction with user is paramount
  10. 10. The technology challenge: new myths, new rites 3% of museums and sites Teenagers use blogs and make 50% of the visitors on-line chats as they used (20% make 90%) telephone 10 years ago New patterns for New patterns for heritage demand ICT use • New communication patterns • Quality and reliability • Re-orienting CH researchNew patterns for • Managing user-created contentcontent creation • Providing rich repositories • Adopting a pro-active approach New patterns for • Fostering interactivity interpretation Digital content widely available Intangible heritage New media to be incorporated
  11. 11. From interactivity to user-created content BLOG Ha MUSEUM rd A touch screen Creation with noThe Vasa Museum, Stockholm net, ex nihilo “Fill in the blanks” Template-based creation Parameter-based creation Ea Guided experience of story construction sy The pyramid of user-created contentChurchill’s Lifeline at the Cabinet War Rooms Museum, London
  12. 12. Quality and reliability• How reliable is this interpretation? Porsenna’s Mausoleum, Chiusi Different reconstructions Do it yourself
  13. 13. Contact detailsFranco Niccolucci – PIN, University of Florence, ItalyEmail: niccolucci@unifi.itWeb: www.epoch-net.orgEPOCH is funded by the European Commission under theCommunity’s Sixth Framework Programme, contract no. 507382.However, this presentation reflects only the author’s views and theEuropean Community is not liable for any use that may be made ofthe information contained herein.
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