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Identification of Target Audience:Early on in the process of creating my coursework product I did some audience research i...
How did I target the identified audience?Music video:I was aware that the audience I was targeting was slightly more creat...
Audience feedback:Music Video:For the audience feed back for my music video I created a first cut of it and used Survey Mo...
The changes that resulted from the audience feedback:Music video:In my second rough cut, or final version of the music vid...
Question three of evaluation Improved
Question three of evaluation Improved
Question three of evaluation Improved
Question three of evaluation Improved
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Question three of evaluation Improved

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Transcript of "Question three of evaluation Improved"

  1. 1. Identification of Target Audience:Early on in the process of creating my coursework product I did some audience research intothe target audience of Florence and the Machines, who I felt had a lot in common with theunsigned artist I was creating a music video for; Carly. The creativity and originality of theirlyrics and a more alternative than mainstream identity made them very similar in myopinion, so by identifying Florence and the Machines’ target audience I thought I could getcloser to identifying Carly’s Target audience.I am definitely a member of the target audience for both Carly and Florence and theMachines, so I took an online test to see which area of audience I fall into, using the four csto understand the results.Below is a link to the presentation I created with the results of this test and also a subsequentquestionnaire which looks at what I would expect to be the usual target audience of an artistsuch as Florence and the Machines to be, and what they really are like. I found the resultsquite surprising.http://www.slideshare.net/Crystalbeth/audience-research-13550357In order to identify Carly’s target audience further I also looked at other artists that I feltwere similar to her, such as Ellie Goulding and Paloma Faith. This time I went online andanalysed there websites and the identities their record labels project. This allowed me tochoose a record label that I felt would most suit Carly and help me to identify her targetaudience.Below is a link to the post detailing this research and my conclusions drawn from it.http://btaylora2mediastudies.blogspot.co.uk/2013/02/exploring-target-audience.html
  2. 2. How did I target the identified audience?Music video:I was aware that the audience I was targeting was slightly more creatively open than those most commonly appealed to by the mass media so Iapproached the music video from a creative perspective. This was made relatively easy by the subject and tone of the song which in its self washeavily conceptual. So I settle on creating a conceptual music video, using the themes and ideas of impermanence expressed in the lyrics toshape the visuals of the music video.The two main things that I did to give the video a thoughtful and intellectual edge was add a flickering effect to all of Carly’s movements andhave several different versions of Carly each with their own places, make up and costumes. The flickering effect I achieved in final cut prothrough quick sharp cuts and adjustments to the opacity of the shots communicates the main theme of impermanence by suggesting thespectral nature of the characters Carly portrays. The flickering also allows there to be more than one image of Carly on the screen at one timewhich help communicate impermanence by once again showing the wavering reality of these characters. The different versions of Carly alsohelp to suggest this main theme of impermanence by showing the end of one personality when the next is created. However, these things onlysuggest at this theme of impermanence and are in fact open to many different interpretations, which I think also helps to interest Carly’s targetaudience because they are interested in the thoughts that could be behind these interpretations. One answer in particular from my audiencefeed back is an example of this, and it can be found below. These complex yet readable meanings behind aspects of the video hopefully interestCarly’s more creative and intellectual target audience.Digipak and Magazine add:These deeper meanings were carried on into the designs for the digipak and the magazine advertisement. In the design on the digipak I usedthe cracking effects produced in Photoshop to further convey these meanings of impermanence, yet it also goes deeper with the gold mesh Ihave placed behind these cracks which, as suggested by the album name, ‘Dream Fragments’, is intended to represent the fabric of dreams. Thisidea that Carly is made of dreams links in with that of the spectral like nature of the characters Carly portrays in the music video.In both the digipak and the magazine advertisement I have used typography to the same effect. Using the stretched lyrics of the songs growingfrom Carly’s head like her hair, suggesting very strongly that these songs come from Carly. I think this woulod really appeal to her targetaudience because they would respect creative integrity and that fact that she writes her own songs because they find creativity in its selfinteresting.
  3. 3. Audience feedback:Music Video:For the audience feed back for my music video I created a first cut of it and used Survey Monkey to make a questionnaire thatasked people about the most questionable aspects of the video. Below is a link to the post detailing the responses I received. I madesure that the majority of those who filled out the questionnaire were the age of my target audience by using my Facebook accountto publish it. However, I really wanted to publish it on a forum for one of the other artists that I felt had a lot in common withCarly, so that not only would they possibly be the right age but also be the right kind of person but due to technical problems thiswas not possible. In an effort to achieve this as much as possible through Facebook I included the fact that people who were fans ofFlorence and the Machines and Marina and the diamonds should watch the video and fill out the survey. I also got some feedbackfrom Carly when she watched the music video for the first time, she said she really liked it and loved the flickering effect, but whenI mentioned some special effects she said that it might be improved by some softening and something to make it look moresurreal.The major point that I got from this feedback was the feeling that although the flickering effect was interesting it was too harsh andjolting to fit with the slightly softer sounds of the music its selfhttp://btaylora2mediastudies.blogspot.co.uk/2013/03/audience-feedback-on-second-rough-cut.htmlDigipak and Magazine add:Although I did no specific audience feedback exercise for the Digipak and Magazine advertisement the earlier research I used toidentify the target market for Carly was very useful in designing the two aspects of my ancillary task. I also used some of the feedback from the research I did into the response for my first cut of the music video, as mentioned above, to guide the designs of theancillary task as well. It made me make the design more obvious in its theme of impermanence that perhaps the video was.Because, although I like the fact that the semiology of the video is open to many different interpretations, in order to widen theaudience for Carly’s work the designs need to make the meanings more accessible. This is something I put into action not only inthe digipak by doing things such as using the gold mash I used to represent the fabric of dreams and placing it behind the pupils ofthe large pictures of Carly’s eyes I put on the back of the digipak. But also on the magazine add making a clear and obvious link tothe music video by using the pattern from the bed clothes in the music video in the foreground of the advert.
  4. 4. The changes that resulted from the audience feedback:Music video:In my second rough cut, or final version of the music video I made use of the copious amounts od special effects available in Final Cut Pro. I used a combinationof different special effects set to different levels on both the base layer of the video and the small snippets of film which create the flickering effect in an effort tosoften the flickering and make it seem less aggressive in essence.I think the result I quite effective on this front but also has the effect of making it seem more surreal than the unworked video. This fits really well with the ideathat Carly is made of a dream like substance because it makes it look as if she is a dream. Below is a link to the post detailing exactly what I did with the effects,tweaking pre-sets and layering them to get the finished look I wanted.If I had a chance to do this again I would definitely want to find a way to publish the video and questionnaire on a forum to get possibly a better sample ofCarly’s actual target market and hopefully get better feedback. I do feel that the flickering could have been smoother but I also think that it was in the nature ofthe flickering for it to be a bit aggressive in comparison to the music and I could have removed them but I felt they were so important in conveying the messageof the song and were also the artists favourite bit, Carly felt that it really helped convey the meaning of the song, so maybe it is best left as is.These photos are from before and after I applied the effects.http://btaylora2mediastudies.blogspot.co.uk/2013/01/effects-experimentation.htmlDigipak and Magazine add:Because the ancillary task was designed and constructed after I had carried out the audience research for the music video, mostly I already knew what to beaware of and to do in order to appeal to Carly’s target audience. So no changes were effected because of this research. However, if I had a chance to do this againI would have liked to do a similar questionnaire for my designs for the digipak and magazine add. It would have brought new ideas into the mix and allowed meto consider other peoples point of view in greater depth hopefully producing a more creative end result.
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