Copy Left, Right, or Wrong

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A brief overview of music copyright laws, and how their current implementations limit education and creativity.

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Copy Left, Right, or Wrong

  1. 1. Copy Left, Right or WrongWednesday, February 9, 2011
  2. 2. A Tour of Copyright, Education and Information Technology by Isabelle Plante and Alexander SommaWednesday, February 9, 2011
  3. 3. Intro: MashupsWednesday, February 9, 2011
  4. 4. We are a Shared Culture Of MashupsWednesday, February 9, 2011
  5. 5. Some rights reserved by dslrninja Some rights reserved by TravOCWednesday, February 9, 2011
  6. 6. Some rights reserved by Kalexanderson Some rights reserved by richardmasonerWednesday, February 9, 2011
  7. 7. Problem #1 It’s illegal to make most mashupsWednesday, February 9, 2011
  8. 8. Problem #2 it’s illegal to show mashups because of copyright lawsWednesday, February 9, 2011
  9. 9. Road Block at most schools sites like Youtube and Flickr are blocked.Wednesday, February 9, 2011
  10. 10. Part I: CopyRightWednesday, February 9, 2011
  11. 11. Part I: CopyRight invented to protect and reward creators a system of rights and rulesWednesday, February 9, 2011
  12. 12. Current Copyright in Canada Bill C-32 (Copyright Modernization Act) Conundrum Essentially perpetual corporations -n 90 years Some rights reserved by @boetterWednesday, February 9, 2011
  13. 13. DRM Control use of digital media preventing access, copying or conversion disallow copyright infringements prevent lawful fair use Some rights reserved by CarbonNYCWednesday, February 9, 2011
  14. 14. Part II: Copy WrongWednesday, February 9, 2011
  15. 15. CDs Susie Suh, Susie Suh (Epic) Trey Anastasio, Shine Amerie, Touch (Columbia) DRMed (Columbia) Celine Dion, On ne Change Pas (Epic) Life of Agony, Broken Valley (Epic) Neil Diamond, 12 Songs (Columbia) Horace Silver Quintet, Silvers Blue Our Lady Peace, Healthy (Epic Legacy) in Paranoid Times (Columbia) Gerry Mulligan, Jeru (Columbia Legacy) Chris Botti, To Love Again (Columbia) Dexter Gordon, Manhattan Van Zant, Get Right with Symphonie (Columbia Legacy) the Man (Columbia) The Bad Plus, Suspicious Activity Switchfoot, Nothing is (Columbia) Sound (Columbia) The Coral, The Invisible The Dead 60s, The Dead 60s (Epic) Invasion (Columbia) Acceptance, Phantoms Dion, The Essential Dion (Columbia Some rights reserved by Creativity103 Legacy) (Columbia)Wednesday, February 9, 2011
  16. 16. criminals/law suites generic media loss of old mediaWednesday, February 9, 2011
  17. 17. Free ideas make people richWednesday, February 9, 2011
  18. 18. Part III: Copy LeftWednesday, February 9, 2011
  19. 19. RIP Rights more creativity Implemented peer review Properly accelerated innovationWednesday, February 9, 2011
  20. 20. Copy Left Not Piracy but Remix Open Source CreativeCommons.org Archive.org Wikipedia.org opensourcecinima.orgWednesday, February 9, 2011
  21. 21. is an alternative to ©Wednesday, February 9, 2011
  22. 22. How Openness WorksWednesday, February 9, 2011
  23. 23. Who you can contact Parliament: CC32@parl.gc.ca Other people: Professor of Law Michael Geist and Lawyer Lawrence Lessig, Digital Culture Critic Cory Doctorow us on Twitter: @CopyLeftBot twitter.com/CopyLeftBotWednesday, February 9, 2011
  24. 24. Techie things music teachers would like to learn how to download video clips how to trim video clips how to create a musical mashup how to auto tune your voiceWednesday, February 9, 2011
  25. 25. list of videos and songs 1. documentary: RIP A REMIX MANIFESTO 2. TED talks: Larry Lessig, Johanna Blakley, and Margaret Stewart 3. CBC interview: Michael Geist interview 4. mashup song of Jackson and NirvanaWednesday, February 9, 2011

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