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The history of every art form has critical periods when that form strives towards effects that can easily achieved if the technical norm is changed, that is to say, in a new art form (Enzenberger, 1970). This paper examines the dynamics of news presented in a satirical comedic frame and considers if this new form of fictive entertainment is shaped by our postmodern world. Network news is not the only network program to conceal its symbolic fabrications in naturalistic film. Most movies, television series, and even advertisements present themselves as an unmediated reality. Network news programs are constructed not only from shared ―referential frames‖ and their common symbiotic relationship to established power, but also from the paradigmatic and syntagmatic operations that manufacture the news as narrative discourse (Stam, 2000). The focus of this paper considers Jon Stewart‘s, The Daily Show impact on blurring the boundaries between news and entertainment shaped by societal forces.