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Group 1
Jason Leavy, Michael Buska, Hemanshu Agnihotri, Charlotte
Azaceta, Joe catanese, Chris butler
Key points 1
• Eisenstien focused on camera angles, and
  the movement of large groups in his films
  to emphasize realism.
Key points 2
• Shots are considered as material for a
  purpose of composition is more resistant
  than granite. In other words, he tries to
  recreate reality.
• In his words “cinema is able, more than
  any other art to disclose the process that
  goes on microscopically in other arts”
• He usually explained his story through
  means of a plot, which is centralized
  around a main idea.
Key points 3
• One of his key editing strategies was
  montage. Which is a collaboration of    • http://www.youtube.
  various shots to explain his story.
                                            com/watch?v=1SUzc
• This example( from rocky 4) shows how
  montage’s are used in contemporary
                                            DUERLo
  cinema.

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Presentation1

  • 1. Group 1 Jason Leavy, Michael Buska, Hemanshu Agnihotri, Charlotte Azaceta, Joe catanese, Chris butler
  • 2. Key points 1 • Eisenstien focused on camera angles, and the movement of large groups in his films to emphasize realism.
  • 3. Key points 2 • Shots are considered as material for a purpose of composition is more resistant than granite. In other words, he tries to recreate reality. • In his words “cinema is able, more than any other art to disclose the process that goes on microscopically in other arts” • He usually explained his story through means of a plot, which is centralized around a main idea.
  • 4. Key points 3 • One of his key editing strategies was montage. Which is a collaboration of • http://www.youtube. various shots to explain his story. com/watch?v=1SUzc • This example( from rocky 4) shows how montage’s are used in contemporary DUERLo cinema.