Working With The Media

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    Working With The Media - Presentation Transcript

    1. Working with the Media PR 313
    2. Interdependence
      • The media and PR industries need each other
      • Many news stories originate from press releases or pitches
    3. Control
      • You can’t control how your pitch will be processed by the journalist
      • You can help to shape how a writer perceives an issue
    4. Why PR over Advertising?
      • Cheap, if not free
      • Participate (and shape) the debate over issues that impact your organization
    5. “ Third Person Effect”
      • The audience is more likely to believe something in the news over something originating directly from a company
      • You gain credibility via the news
    6. What’s in a Name?
      • There appears to be more credibility in the name “spokesperson” than “public relations representative”
      • Most journalists use “spokesperson” in their reporting attribution
    7. Areas of Friction
      • “ Hype”
      • Off-target pitches
      • Aggressive pitches
      • Misleading pitches
      • Barriers to access of information and/or sources
      • Unethical behavior
    8. Hall of Shame
      • OM Records used a questionable campaign to promote Mushroom Jazz
    9. Hall of Shame
      • Lies, lies, lies
    10. Hall of Shame
      • Poor strategy can backfire
      • Example: Burger King’s “Where’s Herb?” campaign
    11. Pictures that Lie
    12. Hall of Shame
    13. Hall of Shame
    14. Hall of Shame
    15. Dealing with Bad Journalists
      • Learn the reputations of journalists
        • Some are known to mislead PR reps
      • Be clear about designating what is on-the-record vs. off-the-record
      • Be suspicious of journalists that ask for favors or free items
      • Anticipate hard questions ahead of time
    16. Some options
      • Some PR professionals insist on recording all interactions with journalists
        • This might agitate some journalists
        • You must disclose your recording
      • Some PR reps monitor all interactions with company executives and journalists
        • Example:
          • This is company policy at MTV Networks
    17. Tainted Journalism
      • Some publications tie editorial content to advertising content
      • In other words, if you buy an ad then you get coverage
    18. Example
      • Kitson vs. US Weekly
        • L.A. boutique Kitson agreed to sponsor a party in exchange for coverage
        • This deal went bad and a lawsuit followed
    19. Example
      • KTLA Morning News
      • A news anchor received a free $10,000 living room makeover in exchange for product placement on the news
      • The segment never aired
    20. My Experiences
    21. Fielding Media Inquiries
      • Be polite
      • If you don’t know the person, ask a few questions to ensure they are legitimate
        • Research the news organization online or among your peers
        • Be careful of “blog” journalists
    22. Media Interviews
      • Make sure that the subject is appropriate for you and your client
      • Don’t conduct an “on the spot” interview
        • Find out as much as you can about why they are calling and then make sure you are prepared
    23. “ No Comment”
      • Very rarely should you offer a “no comment”
        • It makes you look guilty (even if you are not)
        • If you do offer a no comment, then try to explain your reasoning
    24. If you don’t know the answer…
      • Don’t lie if you are put on the spot
      • Tell the reporter that you don’t have that information available
        • Offer to follow-up later with the info, if appropriate
    25. Messaging
      • Your strategy should involve the development of key “message points”
      • Make sure to get these across early and often
    26. 30 Seconds
      • Remember that journalists are looking for a quote
      • Keep key comments brief
        • Use the “30 second rule”
    27. “ Off the Record”
      • Expect that “off the record” information will be used
        • This is often the case even if you are promised otherwise
    28. What it Means
      • On the record – Everything can be quoted with attribution
      • Background – Everything can be quoted but no attribution
      • Deep background – No quotes can be used, some attribution
      • Off the record – No quotes, no attribution

    + Brett AtwoodBrett Atwood, 2 years ago

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