Feature Writing

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This lecture focuses on feature writing (journalism).

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Feature Writing

  1. 1. Feature Writing Presented by Brett Atwood
  2. 2. Feature Writing • Key function is to humanize, to add color, to educate, to entertain, to illuminate • May or may not be tied to a current event • Will often be longer than a traditional news story
  3. 3. Features • Use features when you want to: – Explain, expand and/or analyze previous news stories – Profile a person – Document a trend in society – Create a “how to” guide
  4. 4. Types of Features • Personality profiles • Human interest stories • Trend stories • Analysis stories
  5. 5. Feature Writing • Does not have to be written in the inverted pyramid format • Written to hook the reader and draw them into the story
  6. 6. Observations • Feature stories allow you to integrate details that are observed…not just spoken • Sprinkle direct quotations, observations and additional background throughout the story • Be careful about use of “observations” in traditional reporting. It is more common in feature articles.
  7. 7. Example: Piracy in Hong Kong
  8. 8. Choosing the Theme • Has the story been done before? • Is the story of interest to the audience? • Does the story have holding power (emotional appeal)? • What makes the story worthy of being reported? • The theme answers the question, "So what?"
  9. 9. Example: Forrest Gump
  10. 10. Writing the Lede • A summary may not be the best lede • A lead block of one or two paragraphs often begins a feature • Rather than put the news elements of the story in the lede, the feature writer uses the first two or three paragraphs to set a mood, to arouse readers, to invite them inside
  11. 11. Nut Graph • The “So What” paragraph • Usually in the third or fourth paragraph • Explains the reason the story is being written
  12. 12. Body of the Feature • Provides vital information while it educates, entertains, and emotionally ties an audience to the subject
  13. 13. Body of the Feature • Important components include: – Background information – The “thread” of the story – Dialogue – Voice
  14. 14. Background Information • A paragraph or two of background should be placed high in the story to bring the audience up to date
  15. 15. The “Thread” of the Story • Connect the beginning, body and conclusion of the story • Because a feature generally runs longer than a news story, it is effective to weave a thread throughout the story, which connects the lead to the body and to the conclusion • This thread can be a single person, an event or a thing, and it usually highlights the theme
  16. 16. Example: Frazier Chorus
  17. 17. Dialogue • May be used to keep a story moving • In feature reporting, it must be accurate • Can give readers strong mental images and keep them attached to the writing and to the story’s key players
  18. 18. Establish A Voice • The "signature" or personal style of each writer • Voice is the personality of the writer and can be used to inject color, tone, and subtle emotional commentary into the story. • Voice should be used subtly
  19. 19. Wrapping it Up • The ending will wrap up the story and come back to the lead, often with a quotation or a surprising climax. • Often, a feature ends where the lead started, with a single person or event.

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