Potter brings to life the dynamic interplay between the various aspects (print, radio, film, law, etc.) of mass culture in the US during the 1930's and the omnipresent state "war on crime." Through the skillful depiction and dissection of interesting chapters in the war against crime, such as Bonnie and Cylde, Dillinger, the Barker-Karpis gang, the rise of the FBI, and Hoover's orchestration of crime-fighting operations, this work suggests a "new model for political history." This model recognizes and provides an array of examples that demonstrate that cultural phenomena and the political sphere intersected in the 1930's to produce a new, more modern sense of the American "state" during this period. This is an excellent read and I highly recommend it. In particular, I suggest it to those interested in crime in the 1930's, the politics and cultural passion for post-Depression criminal-heroes, and the nascent idea of a more imposing and powerful state bureaucracy.
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