I have refrained from writing this review for a long time, owing to the number of excellent reviews below, but I can no longer be silent.
By any standard, the Worm Ouroboros is a classic of the fantasy genre, to be included on anyone's top three list, with the Hobbit and LOTR filling the other two spots, of course.(Differences in personal taste can account for individual orderings!) Why this book isn't in more prominent circulation is a riddle to me. Others have complained that its Elizabethan diction is a barrier, but I have trouble relating to this. A high style is a necessary costume of the genre, and WO is much easier to read than, for example, Shakespeare without notes. Here's just another symptom of the decrement of our Western educational system.
In addition to being a riveting, plot-driven adventure yarn told in sonorous, beautiful prose, WO is a book of vast literary merit, weaving a complex tapestry of allusion to the Elizabethan dramatists, classical epics, and Norse sagas. No other writer, except the major poets, shows a defter hand at expression with an ever-ready, seemingly endless well of tropes from which to draw. Eddison possessed a first-rate imagination, depicting scenes of magnificent beauty and power. Just take for example the opening scene in the presence chamber of Lord Juss, the unearthly symphony when Sophonisba first appears, or the death-defying flight to Zora Rach Nam Psarrion. These scenes will stay with you in your hallowed moments!
WO is also a book that will edify! I have often marveled at the ability of the great fantasy writers like Tolkien and Eddison to convey more truth about life through an utterly unrealistic medium than most authors of realistic fiction are able. And I marvel at Eddison's fundamental honesty. WO wrestles with Shakespearian themes of principle and character versus base economic interest, and yet extends these themes to group dynamics and politics between nations. Learn from the Red Foliot how to bend and not break under the threats of a tyrant.
And to top all this off, WO closes with a suprise ending that would make M. Night Shyamalan jealous!
As a final word about the editions, I recommend the Ballantine edition for its superior cover art and the introductions by James Stephens and Orvil Prescot. I went through pains to get the vaunted Dell edition, but did not find it all that revealing.
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