Of Steinbeck's short stories, I wonder if "The Red Pony" is perhaps the best known, or at least the most widely read in high school or college literature survey courses? Or perhaps that distinction belongs to "The Chrysanthemums." In any event, those are the only two stories from this collection that I can recall having read elsewhere, leaving the other eleven to delight me with their novelty. The "delight," however, is that which comes with the discovery of intensely thought-provoking stories, not, with one exception, the delight that comes from encountering light-hearted, uplifting tales of an optimistic bent, for that is far from Steinbeck's style.
For the most part, the short stories reveal the same dark universe in which unenlightened and certainly unsaved men struggle to survive, a struggle that they occasionally lose, spiritually if not physically. A certain hunger, an unfulfilled need, and a pre-ordained suffering doom most of Steinbeck's characters. Existence is filled with cruel ironies that dash hope upon the vicious and inescapable rocks of reality. We see happiness in a vicarious dream of escaping the entrapment of an unchanging existence dashed by a pile of flowers unceremoniously dumped in the road. A youth's attainment of manhood is marked not by joy but by the guilt of a murder, ruthless pursuit, and a hard rifle bullet. We see the cultural anchor of a town destroyed by an unimaginable sin. And so the stories go.
Apropos of Steinbeck's view of the human condition is the title of the collection. While "the long valley" certainly describes California's Salinas River valley, the general setting for many of Steinbeck's stories, it also suggests the spiritual valley in which his characters typically dwell.
One may argue that the people in Steinbeck's stories bring suffering upon themselves through their own ignorance and unthinking acts. Yet, if we look closely at their intents and motivations, we often see situations unfold that seem to force the characters into the acts that in turn become their undoing. It is as if the Fates play with men and rejoice in their destruction.
Earlier, though, I mentioned an exception to this dark, brooding atmosphere and theme. The exceptional story is "Saint Katy the Virgin." This story is not what one expects to find in Steinbeck. It is a wonderful bit of humorous satire, lightheartedly poking a little fun at some of the tenets of Catholicism. Had Steinbeck written his major novels in this vein, his reputation would have been that of a sublime humorist.
I recommend this collection of short stories to two very different groups of readers, those who have never read Steinbeck before and wish to sample several brief selections before investing their interest in a major novel, and those who have enjoyed Steinbeck's other works already and should not neglect his short stories. All will discover that these stories are fast paced, interest holding, and thought provoking. I believe I shall now go light a candle to Saint Katy the Virgin. Won't you come along and join me by enjoying her story also?
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