Ross King frames his phenomenal story of the birth of Impressionism as a titanic duel between Edouard Manet -- the visionary painter who is not really an Impressionist! -- and Ernest Meissonier -- painter of wildly popular and obsessively accurate historical scenes, who was the most well-known artist in Europe in his day.
King describes Meissonier sympathetically as the inheritor and best exponent of a style of art popular in France until the 1850s. Meissonier's extraordinarily detailed images were painstakingly researched and masterfully executed, but represented an artistic world that was all but ready for revolution. The Paris Salon -- controlled by older artists with an interest in rewarding others who painted in the same style -- assiduously kept out upstarts like Monet and his growing crew of admirers. King also covers political world of France in the mid-19th century, led by Emperor Napoleon III and filled with royalists, arch-conservatives and aristocrats who censored the press, suppressed revolutionary sentiment and controlled the Salon.
Edouard Manet is the pathetic hero of the book. His efforts to break away from the stale historical and classical traditions of the past (artists actually used varnishes to tone down the color of their canvases!) were met with almost universal derision. For years, Parisians would come to the Salon to laugh at his paintings, many of which have become classics. King brings a wonderful narrative expertise to the telling of Manet's story, but also the way it intersects his contemporaries. We meet his models ( especially the notorious Victorine Meurent), his detractors in the Paris Salon, his friends (like the fiery Emile Zola, radical Corbusier and the volatile American, James Whistler), mistresses, competitors and antagonists. 19th century Paris is depicted with subtlety and detail. The oppressive political scene against which Manet painted engages him and his fellow artists in a complex and dangerous ballet. The disastrous Franco-Prussian War, a conflict rarely treated on this side of the Atlantic, comes alive with scenes of Manet, Meissonier and others manning the ramparts of their besieged and doomed city. The technology of the age comes to life as well -- an age when top hats were a new dress item, where "velocipèdes" (bicycles) were making their first appearance and in which hot air balloons rose into the skies.
Expect to be thrilled by the story of how Impressionism (a term not used by its earliest devotees, who called their art Realism) came to be, and of the tribulations that befell it before it gained wild popularity. King weaves a fascinating tale that brings to life a period mostly known for its strange dress and stuffily-posed portraits. The scene that King paints of the city, in the days just before the Salon opened, of hundreds of artists wheeling their enormous masterpieces (some in excess of 30 feet wide) through the streets is unforgettable.
A phenomenal book that will lovers of painting, history and people, regardless of their level of artistic interest. less
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