It's remarkable how these quick, seemingly simple drawings contain so much knowledge. Sargent's drawings have as much artistic merit as his paintings. It's sad that the drawings are more obscure.
Although you have never met any of the people in this book, when you see their faces you will understand that this person really existed. No photograph is capable of having such a powerful presence. Some of these drawings look like they convey several facial expressions at once. In one single drawing the person might be smiling, might be starting to frown, they are looking over here but in a second they might look over there. Many great portraits created by other artists use this same illusion, most famously the Mona Lisa. Sargent was equally proficient at drawing all types of people, it made no difference if the subject was young or old, rich or poor, male or female, friendly or distant.
Maybe I'm just imagining it, but it seems like not only was Sargent capable of capturing the model's individual personality, he was also able to capture the personality of the models occupation. Artists are portrayed as reserved but watchful, dancers are proud and drawn as if they are actually in motion, writers are serious and always drawn with dark shadows obscuring half of their faces.
Like many Dover books, this is a beautiful book for little money. The Amazon preview doesn't do it justice, because it only shows the artist's earliest work. (And, as always, the resolution of the screen is worse than the resolution of print.) The book is in roughly chronological order, starting from Sargent's days as an art student. I love seeing how he improves over time.
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