All those who have been enlightened by Viktor Frankl's great book, Man's Search for Meaning, will be profoundly grateful to Alex Pattakos for bringing Frankl's principles alive again in our own search for meaning in our everyday personal and working lives.
Pattakos calls meaning the megatrend of the 21st century and I hope he's right. Most people are disgusted with corporate greed, golden parachutes and assorted scandals on Wall Street and other financial markets around the world. Most people are tired of our own everyday race through work and looking for something to enrich our daily jobs.
In Prisoner's of Our Thoughts, Pattakos gives us both reminders and important new ideas, as well as exercises with which to discover and apply meaning to our work. Ideas don't merely float by on the page. He encourages us as readers to work interactively with his basic principles to cement them in truly practical ways in our lives.
Pattakos also give us rich examples of people who work with meaning in all kinds of jobs. There's Vita, the mail carrier, who whistles as she delivers the mail, even in bad weather, because she sees her job as connecting people and building a community. There's Tom, the CEO who invites his employees to share in a meaning-based bottom line, encouraging volunteerism and giving 10% of his profits to local and global concerns. And there is Nelson Mandela. For many of us Mandela epitomizes a life's work filled with meaning. Pattakos brings us a step further in Mandela's experience to the moment he is released. For the briefest moment he feels anger over having lost twenty-seven years of his life to prison, then realizing that this was not the time to become imprisoned again in his mind.
"It almost seems as though meaning holds forgiveness at its core," Pattakos tells us, "when we forgive ourselves and others, we are no longer prisoners of our thoughts."
In my own work as a documentary filmmaker, I have tried to bring a breath and depth of meaning to the content and the making of my films. In The Cola Conquest, I interviewed a man who was part of a group of shareholders concerned with the social responsibility of their companies - an uncommon concept back in the late 90's. They pressured Coca Cola to intervene in the murder of worker who wanted to unionize the Coca Cola bottling plant in Guatemala. After 12 deaths, the shareholders spoke up, Coke spoke up in turn, the murders finally stopped.
More recently, in Black Coffee, I explored the search for meaning through the historical and contemporary story of coffee. The three-hour series ends with the search for the "perfect cup" - the cup we enjoy best as consumers because it tastes great, it's great for the farmer who grows it, and for the environment in which it grows.
But my most meaningful film I will ever make is Dark Lullabies, about the reverberations of the Holocaust on the children of survivors and the next generations of Germans. It was this film that brought me to Viktor Frankl, a survivor of the concentration camps like my parents, who also lived and worked with meaning and humanity throughout their imprisonment and throughout their lives.
I am grateful to Pattakos for giving new meaning and application to Frankl's work, and have already begun the fulfilling task of enriching my own work with Pattakos' suggestions and ideas.
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