Tomie is the object of everyone's desires. Obsession would find her attractive, and desire would covet her hand. The problem with Tomie is that she's not only beautiful but she's also cruel, becoming the proverbial barb that claws at the skin of every one of this flower's bearers. Not able to part with - or even share - her, the men (and sometimes women) in Tomie's life are drawn not only into love but also into a cycle that hopes to possess her - even to the point of killing her and not really understanding why. Sometimes this leads to some really gruesome points, with some people not only dismembering her but also grinding her to pulp or becoming stagehands in even more novel acts of morbidity. The thing about that is that Tomie doesn't really take to being dead long - killing her only gives rise to more Tomies and they are never happy with each other or the offending party involved.
If you've never seen the work that Ito does, he is masterful with horror scripts and illustrates with a macabre sense of delight as shadow and depth crawl through a world of both light and dark and make something - beautiful. Few really seem to do black and white well but Ito excels at it, putting together a portrait of strange happenstance that are sometimes amazingly bleak and sometimes just amazing. I've been a fan of his work for a while now, really enjoying the three Uzumaki books he did, and I thought that I'd actually seen everything he had to offer when The Museum of Horror bombshells went off by me.
I was stunned, to say the least.
For anyone that read the older English collections of Tomie (myself included), you only found yourself reading partial variations of a much larger story. Ito himself attempts to explain this in the back of the 1st new book, saying that the old books had been put together by grouping what the Tomie stories were about more than when they came out. This led to many a confabulated look and many an incomplete piece of work, with stories not meeting in sequential order and whole panels missing. The variety of mistakes was huge, too, and might have been somewhat funny if not for the fact that, along with the missing pieces, there were also missing stories.
When I say missing stories I mean a missing volume; when you take the 1st collection of books and hold it to the new editions you can tell that both of the original Tomie books could fit into the first book. So, the Museum of Horror books are good buys.
The 1st book is basically a sequential volume that tells tale after tale of Tomie, beginning with a really twisted story and ending with some rather twisted means. The tales included in this volume are: Tomie, Tomie Vol. 2, Basement, Photo, Kiss, Mansion, Revenge, Waterfall Basin, and Painter.
While many of these connect outright, some connect in more subtle fashions and follow characters that are, for a lack of better wording, caught in the web that is Tomie. Of these stories I found myself really liking the beginning and perhaps Kiss the most, but really just enjoying the read all the way through. I also liked the fact that this was linear as a concept this time around, giving the reader what Ito was thinking as he was thinking it. That explained a lot - and disturbed a little more.
For people who enjoy stories with twisted spines, horror that could pass both as Pulp and as terror, and works that are different in a way and beautiful in black and white then this is something for you. The first two books, all Tomie, paint a picture of something that would be, in a word, quite terrible.
With the new work almost making these new stories, they are really worth the buy.
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