House of Happy Endings: A Memoir by Leslie Garis
As a young girl hiding in the dark corners and the dumbwaiter of the Dell, the newly purchased mansion in idyllic Amherst, Massachusetts, Leslie Garis listened to whispered parental exchanges with the highly attuned sense of foreboding peculiar to intutitive children. Although Roger Garis approached work on his fledgling magazine, The Pioneer, with manic purpose, his early failure to launch a most difficult enterprise signaled the grandiosity, much as the Dell itself did, that would comprise an aspect of his addictive, unstable personality. Garis' failure to graduate from a handful of colleges points to a man for whom doing what was necessary to get from point a to point b was beyond him. The rules of conventional living, e. g., working at a job he loathed, did not apply to him.
Unlike her brothers, Ms. Garis, as first-born, benefitted from parents who were financially and socially comfortable with themselves and Amherst's intellectual community. When her grandparents, Howard, the creator of the Uncle Wiggily books, and Lilian, a writer for the Bobbsey Twins series, move into the Dell, the delicate family balance tips. Financially supported by his parents, Roger Garis chose to overlook his mother's difficult and imperious behavior towards him, his wife, and his children. Lilian's unchallenged abuse, an abuse her son would later duplicate, created an environment in the Garis family where shoddy behavior was tolerated.
After Lilian dies, Howard Garis' drinking escalates along with his son's prescription pill addiction and bouts of mental illness. Destined to doom, Mabel, Roger's harried wife, fifteen years his junior, struggles to prop up this father and son team and create a semblance of family normalcy. Yet the decisions the Garis family makes increasingly revolve around Roger's demands, his next pill, his next chichi institution, his next Caribbean trip, leaving the other family members, especially Leslie's brothers, on an empty field with scant parental emotional or financial support. As the money dwindles, the choices shrink, and the magic house is sold.
An early confidante of her flailing tweed-clad father, Ms. Garis long viewed him with a tolerance and awe prompted, perhaps, by his artistic frustrations. An enterprising daughter of privilege, although now without means-overreaching, she escapes to Vassar, I'm free, I'm finally free, and flees to Paris after graduation. Wherever she is, Ms. Garis carries in her mind the patches of family chaos she has left behind in western Massachusetts. Marrying the handsome, young, successful playwright, Arthur Kopit, a man whose work Roger admires seems again an effort to please her father or a subconscious wish to perpetuate the literary spouse cycle. For someone who also had a complicated father, it was a relief to read that Leslie Garis in spite of suffering from depression created with her husband and three children (and their attendant genetic issues) a house that truly did have a happy ending. That struggle, too, could be a memoir.
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