From the first page the book had me on tenterhooks wondering what was going to happen next. The suspense was amazing and I like how well the mystery was played out in the book. It didn't become the sole focus, rather it was always there as a lingering thought and less so as an immediate confront-able problem, which in a weird way allowed for a deeper development of the characters and the emotional and physical aspects.
The characters were extremely well developed, I felt as if I knew Gabriel from the very beginning. The reader is really able to get inside his mind and struggle as Victoria does with making sense of if and how he can be helped. Victoria is also an admirable character. She doesn't complain or internally martyr herself. I loved how Schone didn't make her out to be this shining beauty with such a beautiful and kind soul that calls to the tortured hero. Instead, it was the hero who was painfully beautiful (but no less masculine!!!!). Ultimately they were a perfect match though. Victoria tried to understand him, not in a forced way but in a natural way that drew me in. It made me appreciate and believe all the more how good they were together.
And...even though Schone was very physically explicit, it wasn't just in a sexual sense. True to the times, I imagine, the characters and the encounters weren't even remotely dulled down or softened. For example, there is a scene when the heroine's face gets cut, not just a nick but deep and serious. Most books I come across wouldn't actually go that far, even those that wade into the sexually explicit and daring territory. They would stop before the heroine gets cut or fail to describe it so that it has that forceful, slightly disturbing, but nevertheless highly effective effect that Schone captures. When I try to think of another author that attempts the shocking, both sexually and otherwise in their novels I think of Susan Johnson. BUT!!!! Susan Johnson often leaves me with a bad taste in my mouth. Her heros may be tortured but they are not sympathetic in any way and can be really disagreeable, and anything explicit ends up leaving me with a bad taste in my mouth. With Gabriel's Woman I actually believe her characters and their struggles. If you looked at Gabriel and Victoria on paper they may not seem like very appealing characters to pick, but there is an inherent vulnerability and respect interwoven in the novel that is capturing. Ultimately, Schone doesn't dress things up, but this fortunately means that she doesn't get caught up in the more frivolous tendencies that authors adopt especially concerning period pieces in England. I hate when a sudden kiss in a garden leads to a forced marriage or when 21 is considered "on-the-shelf". These stereotypes are so often contrived and exaggerated that they make it hard to really get drawn into a book and they fail to distinguish one novel from the next. Schone dealt with believable, realistic and sometimes distasteful issues while managing to weave a heart-wrenching tale, the combination of the two made the novel all the more special and remarkable.
Even if you think the slightly romantica/erotica aspects might not be thing, take a risk and read a wonderful and engrossing book! I couldn't put it down. It did everything for me that I really want in a book; I laughed, I held my breath, my heart clenched...and at the end I sincerely smiled. This has convinced me to read all of her other stuff.
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