'Europe Central' surpasses genre. For all I learned about Germany and Russia from this book, it could well have been a history textbook; but the unflagging eloquence of its prose earns it a place amongst the great novels of our time. The novel grapples with vast, vast ideas, but the story is not crushed by didacticism. On the contrary, 'Europe Central' paints the struggles, whether military, political, ideological, psychological, or personal, in vivid and often nightmarish colors. I was extremely impressed by the author's facility with narrative voice and his expressive and lavish prose style.
The novel is not organized round a plot that points at any conclusion; rather, it is a sequence of vignettes that contribute to a Gestalt of the times it covers. Certain characters, especially the composer Dmitri Shostakovich and his love interest Elena Konstantinovskaya, have a presence throughout the novel, but the vignettes are in only a loose chronological order. I found this presentation extremely effective. Readers who find themselves adrift without the presence of a plot may not enjoy 'Europe Central' as much as I did, but I urge anyone who appreciates good literature, or who is interested in the Second World War, the Cold War, and the history of European totalitarianism, to give it a good long try.
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