Forget any news you've heard about this, and simply start reading it for the grand achievement that it is - a heartfelt memoir of a precocious young female writer who grew up sheltered in New Hampshire, was one of the first women to attend Exeter, was driven, smart, silly, shy, very concerned about the world, and (as often happens) fated to not quite fit in...
and who suddenly, at the impressionable age of 19, was lured to live with an older famous male author, and she thought she finally, for once, had found her place to fit in.
And then, she suddenly lost it and went tumbling into confusion.
Joyce Maynard is an exceptional story-teller, writer, and memoirist. In memoir-writing, the most important detail is NOT what you put in as much as what you leave out - you have to sort through a thousand incidents and keep out the melodrama while finding the small details that show rather than tell.
When Joyce Maynard talks about the letters she writes to magazine editors as a teenager to try to get published, the way her mother taught her; when she writes about how she spelled "penis" wrong in an essay about sex; when she describes the little-girl dress she wears the first time she meets her future lover J.D. Salinger, when she describes the sound of the racecars zooming after he tells her he doesn't want to have children with her -- these seemingly minor details tell us so much about how she felt at the time, and about the dark blessing of being "discovered" at 19.
This is simply Joyce Maynard's poignant coming-of-age story, and there are no superfluous details. It's not written in a salacious way. However, when reviewers found out she was writing such a book, they went ballistic - after all, it might end up as a tell-all about J.D. Salinger, and it might also just be an attempt by Maynard to make money off of his name. There was some reason to believe it could turn out that way: She definitely had spent a lot of her life writing about herself (then again, that's what you do when you are destined, first by the adults around you, then by your inner voice, to become a writer, and you drop out of college to do so.)
But it's never salacious. It includes only the details that are relevant to Maynard's feelings, story, and life. It is a wonderfully written both that will make you sometimes proud, sometimes sad, sometimes shocked. It also tells of the very subtle dangers of exploitation. To me, it made me feel a little better about being a writer, but I don't know if everyone would get that out of it. It definitely didn't make me feel better about a certain male author whose writing I love, but that's the breaks. (And yes, I know it's only her side.)
An added bonus is the bit of "journalistic" research Maynard does at the end...there is kind of a bombshell in it, one that the newspapers seemed to prefer not to talk about while excoriating her. Again, it's her side, and we all must keep that in mind. Still, it's an extremely well-written memoir that she probably couldn't have written until she'd attained the proper distance.
For one brief shining moment, this bright young woman had thought, at 19, that she had everything set for the rest of her life - and then her lover/newfound idol suddenly sent her away. Even if it wasn't a famous reclusive male author, the story would definitely be worth telling.
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