First Year Curriculum On Students Racial Attitudes - Presentation Transcript
Measuring the Impact of First-Year Curriculum on Students’ Racial Attitudes Michael R. Mason Kent State University
Overview
FYC, FlashTopics, and Hip Hop America
Research Informing Practice
Course Design and Overview
Study Design
Results
Conclusion
Questions/Discussion
First Year Colloquium (FYC)
Assist students with transition to academic community
Expose students to resources and personal growth opportunities
Integrate students into campus community
Graduation requirement
FlashTopics
Pilot program introduced in 2007 (over 50 offered in Fall, 2007)
Faculty create course based on personal/professional interests
Integrate important aspects of traditional FYC curriculum while remaining topical
FlashTopic Goals
Foster greater student-faculty interaction
Encourage active participation in intellectual community
Develop shared passion for subject or scholarly topic
Promote:
Critical thinking
Problem solving
Analysis
Thoughtful reading/writing
Hip-Hop America
History, evolution, and significance of hip-hop music and culture
Historical, social, political influence that have shaped hip-hop music and culture
Impact of hip-hop music and culture on America
Various cultural values and perspectives represented in hip-hop music and culture
Why Focus on Diversity?
Changing demographics of institution and society
Critical issues in the U.S. (e.g. racial profiling, immigration)
40% of Princeton Review’s 331 best colleges & universities include diversity as part of mission (Meacham & Barrett, 2003)
For instance:
… engage students in diverse learning environments that educate them to think critically and to expand their intellectual horizons while attaining the knowledge and skills necessary for responsible citizenship… (KSU Mission Statement)
Value diverse backgrounds, cultures, ideas, and lifestyles (KSU Core Values)
Engage in learning, value differences, embrace community, reflect on the past (KSU FYE)
Diversity & Student Learning
Curricula that addresses diversity issues promotes:
Cognitive development
Critical Thinking
Problems solving skills
Diversity & Student Learning
Diversity experiences increase students’ outcomes on learning and democracy measurements
Learning outcomes: active thinking skills, intellectual engagement and motivation, academic skills
Democratic outcomes: perspective-taking, capacity to perceive difference within and between social groups, citizen participation
Includes multicultural education and experiences
Attained through cognitive dissonance and perspective-taking
Pedagogies should:
Incorporate diverse perspectives
Foster active thinking
Promote intellectual engagement
(Gurin et al., 2002)
Diversity & Student Learning
Compared first-year success course to introductory communication and engineering courses
Incorporating multicultural and social justice content into first-year success courses had positive effect on learning democracy outcomes
Understanding/awareness of multicultural issues
Commitment to social justice and active thinking
Contributes to attainment of democratic, civic, social justice aspects of institutional mission
Prepares students for roles as citizens within diverse and democratic society
(Engberg & Mayhew, 2007)
Media Influences
Media influences how individuals make meaning of experiences
Teaches about others in unconscious ways
Research has shown adults construct identities in light of popular culture
Can reproduce stereotypes and reinforce values of dominant culture
Can also challenge norms
(Tisdell & Thompson, 2007)
Media Literacy
Critical media literacy
Teaches to challenge power relationships
Deconstructing and analyzing entertainment is form of critical pedagogy - provides texts for analysis
Can provide ways to understand others from marginalized groups
(Tisdell & Thompson, 2007)
Learning & the Arts
Arts give adults experiences, context, and tools through which to learn about difference
Forms bridges that cross racial and ethnic lines
Taps into multiple ways of knowing
Arts create and place people in situations where there is greater diversity than elsewhere in their lives
(Wesley, 2007)
Critical Pedagogy & Social Justice
Identification and examination of social inequalities
Dismantle systems of oppression
Emphasize critical thinking skills
Examination of social structures that contribute to privilege, power and dominance
Understanding that media-driven culture shapes students’ cultural lenses
Education, social justice, and democracy are fundamentally related
Hip-Hop as Critical Pedagogy
Hip-hop is cultural discourse
Can create “oppositional consciousness”
Encourages recognition of racism and capitalist exploitation (Freitas, 2005)
Provides outlet for marginalized groups
“ Ghetto CNN” - Chuck D, Public Enemy
Hip-hop represents shift in ideological paradigm that challenges view of popular culture (Hanley, 2007)
Alternative lens through which to view dominant culture
Hip-Hop in the Classroom
Provides venue to understand collective experience of others (Clay, 2006)
Transformative element in the the development of critical thinking and learning (Stovall, 2006)
Bridges course content with part of students’ lives (Stovall, 2006)
Stronger connection to material
Greater response to concepts
Hip-Hop in the Classroom
Students have foundation of knowledge to share
Encourages active participation
Connects to individual experiences
Provides common ground for students and instructor to relate
Increases faculty/student interaction
Engagement in academic community
Appeals to students across various groups (race, gender, class)
Opportunities for diverse interaction
Exchange of ideas
Perspective / experience sharing
Class Structure
In-class listening and discussion (small group and whole class)
Assigned readings in preparation
Reflection papers
Based on articles, current events, class discussion
Documentaries/films
Debate
Lecture
Final projects
Summary, verse/spoken word, lyrical analysis, individualized project
Hip-Hop Texts
Themes addressed in class included:
Hip-Hop and History
Gangsta Rap: Realities and Myths
Police Brutality and Racial Profiling
Politics and Hip-Hop
Hip-Hop as Social Commentary
Sexism
Capitalism and Hip-Hop
Privilege and Power
Focused on topics both within and outside of hip-hop
Emphasized connections to society beyond hip-hop
History of Hip-Hop
The historical context out of which hip-hop was born provides a basis for understanding its educational possibilities (Hanley, 2007)
Cant take the train to the job, there’s a strike at the station
A child was born, with no state of mind
Blind to the ways of mankind
God is smiling on you but he’s frowning too
Cause only God knows what you go through
You grow in the ghetto, living second rate
And your eyes will sing a song of deep deep hate
Gangsta Rap
Black power movement
LA gang culture
LA Riots
Crack epidemic
Violence associated with poverty and hopelessness
Contradictions between reality and fantasy
Critical thinking regarding capitalism
Structural Racism
Narratives detailing experiences within the justice system (i.e. racial profiling, police brutality)
Yeah, officer from overseer
You need a little clarity? Check the similarity!
The overseer rode around the plantation
The officer is off patrolling all the nation
The overseer could stop you what you're doing
The officer will pull you over just when he's pursuing
The overseer had the right to get ill
And if you fought back, the overseer had the right to kill
The officer has the right to arrest
And if you fight back they put a hole in your chest!
They both ride horses
After 400 years, I've got no choices!
“ Sound of da Police”, KRS-ONE
Politics in Hip-Hop
All they talk about is terrorism on television
They tell you to listen, but they don't really tell you they mission
They funded Al-Qaeda, and now they blame the Muslim religion
Even though Bin Laden, was a CIA tactician
They gave him billions of dollars, and they funded his purpose
Fahrenheit 9/11, that's just scratchin' the surface
“ Bin Laden”, Immortal Technique
“
Social Commentary
It ain't right them cops and them firemen died
The [stuff] is real tragic, but it darn sure ain't magic
It won't make the brutality disappear
It won't pull equality from behind your ear
It won't make a difference in a two-party country
If the president cheats, to win another four years
Now don't get me wrong, there's no place I'd rather be
The grass ain't greener on the other genocide
But tell Huey Freeman don't forget to cut the lawn
And uproot the weeds
Cuz I'm not satisfied
“ Satisfied”, J-Live
Sexism
Artists address subject in lyrics
“U.N.I.T.Y”, Queen Latifah
“Keep Ya Head Up”, Tupac
Existence of sexist images in lyrics and video content
Connections between hip-hop and greater society
Male dominance
Homophobia
Capitalism
Elvis was a hero to most
But he never meant ---- to me you see
Straight up racist that sucker was
Simple and plain
“ Fight the Power”, Public Enemy
Old white men is runnin’ this rap biz
Corporate forces is runnin’ this rap biz
AOL and Time Warner runnin’ this rap biz
We poke out our [booties] for a chance to cash in
“ The Rape Over”, Mos Def
White Privilege
Is it fair, is it equal, is it just, is it right?
Do you do the same [things] when the defendant face is white?
If white boys doin it, well, it's success
When I start doin, well, it's suspect
Don't hate me, my folks is poor, I just got money
America's five centuries deep in cotton money
-Mos Def
Let's do the math
If I was black I woulda sold half
Sittin' back look at this [stuff] wow
I'm like "My skin, is it startin' to work to my benefit now?”
“ White America”, Eminem
Study
Three groups: FY exploratory majors
Hip Hop America (n=18)
10 White, 8 African American
Traditional FYC 1 (n=17)
15 White, 1 African American, 1 Middle Eastern
Traditional FYC 2 (n=17)
17 White, 1 African American
Pre/Post-Test given during first and last class meetings (15 week semester)
CoBRAS
Color Blind Racial Attitudes Scale
Belief that race should not and does not matter
The continuance of racism makes it impossible to ignore the impact of race in people’s experiences
Plays a role in current racial divisions and inequity
Impedes individuals’ ability to succeed educationally and economically
Three Factors
Racial privilege (white privilege)
Institutional discrimination
Blatant racial issues
(Neville, et al., 2000)
Results
White students in HHA made statistically significant gains in awareness of blatant racial issues (third factor)
Became more aware of racial discrimination
ANOVA revealed no pre-test difference between groups
Post-test ANOVA revealed difference between groups, t-test confirmed significant change
African-American students did not experience significant change on any factor
Pre-test and post-test scores indicated high awareness on all factors
Discussion
Hip-hop pedagogy effective in increasing white students’ awareness of racial issues
Contributes to mission objectives
Hip-hop studies course
Traditional FYC courses not effective in changing students’ racial attitudes
Future Research
Call for further study
Larger sample size
Increased class time
More African-American students, other demographic groups
Measure impact on other variables (learning & democracy outcomes)
Resources
Clay, A. (2006). All I need is one mic: Mobilizing youth for social change in the post-civil rights era. Social Justice, 33 (2), 105-121.
Engberg, M. E., & Mayhew, M. J. (2007). The influence of first-year “success” courses on student learning and democratic outcomes. Journal of College Student Development, 48 (3), 241-256.
Freitas, E. (2005). Pre-service teachers and the re-inscription of whiteness: Disrupting dominant cultural codes through textual analysis. Teaching Education, 16 (2), 151-164.
Gurin, P., Dey, E. L., Hurtado, S., & Gurin, G. (2002). Diversity and higher education: Theory and impact on educational outcomes. Harvard Educational Review, 72 (3), 330-367.
Guy, T. C. (2004). Gangsta rap and adult education. New Directions for Adult and Continuing Education, 101 , 43-57.
Hanley, M. S. (2007). Old school crossings: Hip hop in teacher education and beyond. New Directions for Adult and Continuing Education, 115 , 35-44.
Resources
Meacham, J., & Barrett, C. (2003). Commitment to diversity in institutional mission statements. Diversity Digest, 7, 6-8.
Neville, H. A., Lilly, R. L., Duran, G., Lee, R. M., Brown, L. (2000). Construction and initial validation of the color-blind racial attitudes scale (cobras). Journal of Counseling Psychology, 47 (1), 59-70.
Stovall, D. (2006). We can relate: Hip-hop culture, critical pedagogy, and the secondary classroom. Urban Education, 41 (6), 585-602.
Tisdell, E. J., & Thompson, P. M. (2007). Seeing from a different angle: The role of pop culture in teaching for diversity and critical media literacy in adult education. International Journal of Lifelong Education, 26 (6), 651-673.
Wesley, S. (2007). Multicultural diversity: Learning through the arts. New Directions in Adult and Continuing Education, 116 , 13-23.
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