Cultural Strategies And Urban Regional Regeneration - Presentation Transcript
CULTURAL STRATEGIES AND URBAN-REGIONAL REGENERATION John Lovering School of City and Regional Planning Cardiff University
The prehistory of cultural regeneration
C20th Urbanism- the tradition of exploring the connections:
Benjamin
Gramsci
Munford
Peter Hall
The C21st notion of urban culture as something that policy makers can – and should - induce
Richard Florida ‘The Creative Class’
The academic background: the ‘rediscovery’ of culture
The ‘cultural turn’ in the social sciences
Culture/civil society as the medium of economic interdependencies (Granovetter, etc. A.J.Scott/UCLA school..)
Cultural specificity and the varieties of capitalism (Albrecht, David Coates…)
The idea of a late C20th ‘new phase’ of capitalist development centred on the commodification of space (H.Lefebvre) and of signs (F.Jameson)
The new policy orthodoxy favouring the cultural industries
The early 1990s:
the notion that advanced (western) economies are driven by ‘symbolic analysts’ (Robert Reich), i.e. the ‘cultural industries’ broadly interpreted
The idea of ‘global’ cities as ‘post-industrial’ (Sassen, Castells, Tony Travers – London)
The mid 1990s:
the fashion for the ‘weightless’ economy (Geoff Mulgan, Tony Giddens)
The early 2000s:
the idea that ‘cultural industries’ in particular are particularly important and should receive special favours from policy makers (taken up by Blair government, CEC, and theorised by R.Florida)
The Consultants move in on the act..
The new policy formula:
Culture = Cultural Industries = the new ‘Creative Class’ = Innovation, dynamics, pluralism
So… ‘urban regeneration’ should mean measures that include promoting ‘Cultural Industries’
The new cultural instrumentalism
‘’ the use of culture as an instrument for achieving wider social and economic goals is nowhere more apparent than in cities’
R.Griffiths (2006) Evidence from the competition to select the European Capital of Culture 2008 European Planning Studies 14
The new global urban policy discursive orthodoxy
The rhetoric of urban renaissance’ cities are back’ (Michael Parkinson)
The new ‘culturalist’ sophistry (the world according to Richard Florida ….
The governance dimension: proliferation of urban policy makers
The ‘New Regionalism’ blurs into the new ‘City-regionalism’
Sc ott, Storper, Soja, etc: there are ‘300+ city regions’
And the related rise of the Urban-Regional Service Class
Together give rise to a a fashion for global ‘benchmarking’ – comparison of simple statistics for urban policy
Consultants, and their clients, love making up lists…
‘ Culture-led regeneration’ and ‘symbolic policy’
The economic effects
Experience has been ambivalent: e.g.:
Promotion of arts festivals: short term tourist boom
Promotion of ‘arts districts’ – main effect a real estate boom (Barcelona, London, Dublin..)
Many ‘displacement effects’ (from indigenous to imported/commodified culture, and from local to imported artists/performers) (the Galata project?
The labour market effects
Culture-led development is not automatically beneficial
‘ cultural industries ’tend to be even more elitist in employment terms than industries in general
e.g. London ethnic minority pop = 40%,
E.Ms in cultural industries =11%
The social effects
Encouraging ‘cultural industries’ can often merely accelerate Gentrification
Globalisation of modes of consumption
The ‘Starbucks’ phenomenon
Exacerbating social divisions?
(A paticularly hideous example: April 2006: The Rolling Stones play China = rock n’ roll for the rich
The paradoxical cultural effects
The ambivalence of instrumentalist policies for culture
Who chooses them?
What groups are involved in networks?
Where does the investment come from?
Common hazards:
Creation of identikit ‘portable’ indicators of ‘culture’ (festivals, modern art galleries, promotional advertising etc – ‘what the other cities have got we must have too’
Some other aspects of the emphasis on urban cultural strategy
A fetish for the Visual
Neoliberalism and The Spectacle (Debord inverted)
Remaking Cities for the Gaze
(Daniel Bahrenbohm’s 2006 Reith Lectures)
A magnet for municipal politicians, marketers, the articulate arts/culture ‘community’, convergence with tourism and real estate interests
= ‘boosterism’
Nevertheless, its' global
Famous (UK) successes.. Manchester
Cultural icons of urban regeneration - London
Much exaggerated - Bilbao
Dubious - Cardiff
Where becoming ‘European Capital of Culture’ encourages property-development driven regeneration: Liverpool
The central dilemma
City planners have few real economic powers
Yet they increasingly have to act as if they do – urban-regional policy autonomy (a central component of the global neo-liberal policy orthodoxy)
So: they are under pressure to focus efforts of high-visibility activities
Policy is influenced by the Urban Service Class – including many ‘cultural layers’
Nothing is more high visibility than ‘culture’
= hence the slippage towards ‘ boosterism ’
Common consequences
Diversion of public resources , esp. via planning, to activities which in reality have
Minor economic significance
Limited and uneven employment effects
Unclear sustainability
Ambivalent impact in terms of social inclusion
(equality of ‘respect’ - Richard Sennett)
BUT
Have high visibility
Are supported by and satisfy the most articulate and media-savvy elites (the ‘Begolu Bourgeoisie’?)
And converge with real estate interests – the key drivers of C21st urban regeneration
An alternative conceptualisation of the Cultural Industries
Layer 1: everyday commodified popular culture (the ‘play economy’)
(J.Lovering (2006) Capital City University of Wales Press)
So, cultural strategies and urban regeneration, rethinking the theory
Much hype: causal directions ambiguous
E.g. Florida– do ‘tolerant cities’ attract creative people and ‘cultural industries’ or is it the other way round? – Florida’s theory begs the real questions
The economics of urban cultural strategies: in reality is mostly about enabling real estate development
(e.g. London-Olympics 2012)
The politics of urban cultural strategies: in reality tend to be mainly ‘symbolic’
to demonstrate visibly that the authorities are ‘ performing regeneration ‘
The cultural ironies of ‘culture-led regeneration’
Much (most?) culture-led urban regeneration is neither cultural nor about ‘regeneration’
But it is a globally convenient title for the (partisan) commodification of space and place
=The ‘Starbuckisation’ of the planet?
E.g. London’s Canary Wharf – a US-style office paradise; but very ‘suburban’ at street level..
The ‘new culturalist’ economic analysis – an American bias?
. .. few have doubted* that the fundamentals of the US model – its enterprise culture, lightly regulated labour market competition between states and regions, world class science … openness to migrants .. provide the best strongest position for competitiveness over the next generation’
Florida and Tingali (2004) Europe in the Creative Age
* actually, many doubt it
The analysis also often exaggerates the importance of private Service Sector industries in cities …
What the consultants never tell you: most of the new jobs in UK cities have come from the public sector
In reality its not so simple: even London still has nearly 300,000 in manufacturing
Concluding thoughts: The European Capital of Culture
1: How to win it
Emphasise social inclusion, and ‘the expression of local identity’
E.g. Liverpool: ‘ magnet for transatlantic migration’
Bristol ‘ the world in one city’
(= same as London’s Olympic bid discourse)
Promise to ‘build bridges between communities’
Produce much publicity displaying happy diversity (ethnic, gender, age etc)
2: but don’t expect too much from it
I:‘ Culture; here is narrowly defined (by whom?)
‘ There is little sign.. of culture being viewed as a medium for collective emanciptaion, of culture s a file oppositional of struggle and resistance, of culture as a source of identities’ (Griffiths 2006)
II: little recognition that the main economic impact of ‘culture-led regeneration’ is usually from
(1) commodifying place (e.g. image and tourism)
(2) real estate - gentrification
Worrying signs in Istanbul
Becoming European Capital of Culture 2010 will (according to www.istanbul2010.org)
Boost ‘urban renewal’ and ‘create jobs’ (2/14)
Boost tourist visitors and ‘the brand’ (6/14)
Make Istanbullis more ‘art conscious and ‘proud of their city’ (2/14)
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