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Creative Digital Anarky: 3D modelling for 3D printing
 

Creative Digital Anarky: 3D modelling for 3D printing

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This presentation is for the 3DPrintShow seminars in London on Friday 8th November 2013 at 6 pm. It present in images the case for why designer makers with all their expertise and knowledge are able ...

This presentation is for the 3DPrintShow seminars in London on Friday 8th November 2013 at 6 pm. It present in images the case for why designer makers with all their expertise and knowledge are able to design and create so effectively using 3D digital design and modelling packages and 3D printing. Once they get to grips with the technologies they produce remarkable works of great value: they have the drive and tenacity to push boundaries, and without the constraints that product designers have to work under, the freedom to explore and experiment. More details about this 3DPrintShow seminar: http://3dprintshow.com/events-registration/?ee=36
The presenter is Ann Marie Shillito, Founder and CEO of Anarkik3D Ltd. She is herself a practising designer maker and contemporary jeweller, an honorary research fellow (Edinburgh College of Art) and author of ‘Digital Crafts: Industrial Technologies for Applied Artists and Designer Makers'. She brings unique knowledge and understanding of the creative sector, manufacturing processes and the value of user-centred development to the creation of Anarkik3D's remarkable touch-enabled 3D sketch/modelling software. Developed by designers makers for designer makers to be intuitive, easy and quick to learn and use, this software also provides easy access to 3D printing technology.

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    Creative Digital Anarky: 3D modelling for 3D printing Creative Digital Anarky: 3D modelling for 3D printing Presentation Transcript

    • Creative Digital Anarky Ann Marie Shillito Designer maker / jeweller Author of ‘Digital Crafts: Industrial Technologies for Applied Artists and Designer Makers’ Founder and CEO of Anarkik3D Ltd Honorary Research Fellow, Edinburgh College of Art Ann Marie Shillito
    • To participate in, use industrial technologies: need digital data My own work: 1990 to 1998 • 2D/3D CAD • Laser cutting • 3D printing 2
    • To quote Peter Dormer: “It is not craft as ‘handicraft’ that defines contemporary craftsmanship: it is craft as knowledge that empowers a maker to take charge of technology.” The tools we use as humans are extensions of our bodies. It is not hands that have built our world, it is tools we have made. Peter Musson 2011
    • Peter Musson: Designer silversmith http://www.petermusson. com Image: Celebration of Calibration • metalsmithing workshop his laboratory: developing/adapting CNC system for his needs: – fine scanning as well as 3D printing in metals. – scripting and processing as a design tool. ‘Which is a good way to waste time, what with playing with it! Who said CNC would save time in the crafts! Ha!
    • 5
    • Jonathan Keep: 3D printing ceramic 6
    • http://www.keep-art.co.uk Delta 3D printer •to extrude clay 7
    • 3D digital data = access to 3D printing Digital model ‘bacon-sliced. Digital slices sent to printer Layers physically built into 3D object. Different systems & range of materials. (3a) Extrusions: plastics, edibles, composites (3b) Sintered: plastics, starches, metals Other materials/systems: resin, sheet, paper
    • Marcus Kayser: sintering desert sand. 9
    • Unfold: Rapman 3D printer • for extruding clay Unfold: Rapman 3D printer for extruding clay 10
    • Esteban Schunemann: •extruding precious metal clay (silver) 11
    • 4AXYZ furniture company (Samir Shah) Own machine: specialised glues to recreate wood http://4axyz.com 12
    • Different ways to create: •Algorithms •SHAPES iN PLAY,
    • Different ways to create: Algorithms Justin Marshall (at the University College Falmouth) and the University of Huddersfield. 14
    • Lynn MacLa 15
    • designer makers accessing digital technologies to explore the potential for themselves* Different ways to create: •Scanning – Geoffrey Mann (*UK Craft Council report by Mary Schwarz and Dr. Karen Yair, June 2010) 16
    • Combining advantages of traditional and cuttingedge technology Gordon Burnett 17
    • Combining advantages of traditional skills and methods with cuttingedge technology: •Jae-won Yoon: designed using CAD, 3D printed/cast units coupled with Mokumegane 18
    • Using 3D print services, combining available materials: Farah Bandookwala 19
    • Jewellery from consumer 3D printers: Hot Pop Factory (below) Elizabeth Armour (right) 20
    • Direct metal laser sintering: Ann Marie Shillito: 3D printed in bronze, titanium. 21
    • Towards a more inclusive gestural system for digital formmaking. Unfold 22
    • Towards a more inclusive haptic system for digital formmaking. Kathryn Hinton 23
    • ‘Tacitus’ Research Project 2000 – 2004 Proof of Concept Award 2005 - 2006 investigating haptic technology as a more intuitive way of working digitally in 3D for designer makers/applied artists Ann Marie Shillito: Principle Investigator, Edinburgh College of Art: Research Fellow Dr. Mark Wright: Co-Investigator University of Edinburgh. Research Fellow (EdVEC/Informatics) 24
    • Spin-out, founded 2006/2007: • 2007-2009: SMART Award, SE Business Support • 2008: developing own brand product: • affordable haptic 3D sketch modelling package • Markets: Creative sector • Application: 3D printing, CNC milling • 2011: Shortlisted: educational Bett Award • 2013: Shortlisted 3DPrintShow Global Award • Category: Best Consumer Software
    • Anarkik 3D Design creative freedom to stretch the scope of our imagination. •designer makers and artists, • creative persons, all ages •Non-CAD users haptic 3D modelling software plus robust 3DoF haptic device: •coherent 3D interaction •easy navigation •more intuitive •non complex interface • straight forward range of tools
    • Anarkik 3D Design: Cloud9 interface: • move & rotate objects & world in 3D • manipulate, deform: feel and see interactions • scale, construct, subtract: serendipity as default • Export file formats: direct to 3D printing • To some CAD (e.g. Rhino) 27
    • Anarkik 3D Design package: • non-CAD users: creative freedom • easy access to 3D modelling 3D printing  •Product designers: ‘quick & dirty’ idea  generation & prototyping:  • Fast iterations: explore multiple options  • Testing: best to fail ‘fast and early’  •http://vimeo.com/31644466 •www.anarkik3d.co.uk Farah Bandookwalla Birgit Laken 28
    • TinkerCAD Ana rkik 3D Des ign Sketchup Grasshopper Illustration adapted from Sketchup Presentation for i.materialise conference. Can be seen here http://vimeo.com/11322333 29
    • Education: Anarkik 3D Design plus Personal 3D printers: access for  pupils in art and crafts to engage with technology. 30
    • 3D Consequences Pilot Project • Collaboration & stretching the scope of their imagination • 4 designers makers: swop digital models: 3 iterations •Educational: one newbie supported to 3D digitally model for 3D printing
    • 3D Consequences Pilot Project •12 digital models for 3D printing •3D printed 8 models: sponsorship from Sculpteo • • 4 more digital models to 3D print   further sponsorship sought to complete
    • Be inspired, pile in, you do have the means to participate in these exciting technologies Thank you. My book: ‘Digital Crafts: Industrial Technologies for  Applied Artists and Designer Makers’ info@anarkik3d.co.uk http://anarkik3d.co.uk anarkik3d.wordpress.com @anarkik3d @anarkymarie Anarkik 3D Design 33