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SHOOTING SCRIPT- SUPER DUPER LOVE (ARE YOU DIGGIN ON ME)

CAST:

LUCINDA CORRIE

DAVID WHEATLEY



EXT. GARDEN- DAY

It is a bright sunny day. There is a medium close up as Lucinda taps
the side of her hip in time with the music. The audience will get a
sense of her style. There is then a quick cut as the shot zooms in.

There is then an extreme close up on her boots as she taps her foot
on the grass in time with the music and then a worms eye view shot
of the boot hitting the grass to the beat.

EXT. FRONT GATE AND LANE- DAY

Shot is taken from Lucinda’s side and is a mid-shot as she looks
down the street outside her house.

EXT. CAR- DAY

There is now a series of long, mid and close up shots as Lucinda
sings. She is sat casually on the bonnet of her green Peugeot 106.
She is wearing jeans, a bright top and a bandana which reflect her
“style” and how the audience view her. This also reflects the genre
of the music video as the clothing style represents the genre of
“indie/soul”.

EXT. FRONT GATE AND LANE- DAY

There is another mid- shot as she sings to the camera looking out of
her front gate down the lane.

INT. BEDROOM- NIGHT

There are then two shots of Lucinda as she sits on her bed. There
are fairy lights behind her and she is wearing a casual cardigan and
jeans. The screen effects include a split screen into four. She
sings to the camera in a long shot and then it zooms into a close
up.

INT. CORRIDOR- DAY

This is a long shot. Lucinda is talking down the phone to Dave. She
is sat with her back against the right hand side wall so that we can
see her side profile. She is wearing a bright blue cardigan, jeans
and peacock earrings.
EXT. GARDEN WALL- DAY

I am using one long take to create this shot. Lucinda will be sat on
a garden wall pulling apart petals from a flower as she sings. She
is wearing a maxi dress and flower garland in her hair.

There is then another shot of Lucinda stood on the wall with the
blue sky behind her. This will create an effective shot.

EXT. FIELD- DAY

I will now create a close up shot of Lucinda laughing. This will
express personality and fit the mood of the song.

EXT. PARK- DAY

I will create an extreme long shot of Lucinda and Dave walking
through a park. There will be trees and greenery and leaves on the
ground creating an autumn look. He has his arm around her and they
look happy.

EXT. CAR- DAY

This shot is a split screen close up of Lucinda sat on the car. She
is nodding her head in time with the music.

EXT. COUNTRY LANE- DAY

This will be a long shot of Lucinda cycling down a long country
lane. She looks happy. She is wearing a woolly hat and stripy
jumper.

EXT. PARK- DAY

Mid shot with Dave as they play fight. This shows their connection.

Another mid shot as Dave holds Lucinda to his chest.

Close up- he holds her hand

EXT. CAR- DAY

Long shot as Lucinda sings on the car bonnet.

EXT. PARK- DAY

Lucinda and Dave walk through an arch through the park together.

Over the shoulder shot- They are speaking

EXT. COUNTRY LANE- DAY

Lucinda cycles away down the lane.

Ends on a close up of her smiling.

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Shooting script

  • 1. SHOOTING SCRIPT- SUPER DUPER LOVE (ARE YOU DIGGIN ON ME) CAST: LUCINDA CORRIE DAVID WHEATLEY EXT. GARDEN- DAY It is a bright sunny day. There is a medium close up as Lucinda taps the side of her hip in time with the music. The audience will get a sense of her style. There is then a quick cut as the shot zooms in. There is then an extreme close up on her boots as she taps her foot on the grass in time with the music and then a worms eye view shot of the boot hitting the grass to the beat. EXT. FRONT GATE AND LANE- DAY Shot is taken from Lucinda’s side and is a mid-shot as she looks down the street outside her house. EXT. CAR- DAY There is now a series of long, mid and close up shots as Lucinda sings. She is sat casually on the bonnet of her green Peugeot 106. She is wearing jeans, a bright top and a bandana which reflect her “style” and how the audience view her. This also reflects the genre of the music video as the clothing style represents the genre of “indie/soul”. EXT. FRONT GATE AND LANE- DAY There is another mid- shot as she sings to the camera looking out of her front gate down the lane. INT. BEDROOM- NIGHT There are then two shots of Lucinda as she sits on her bed. There are fairy lights behind her and she is wearing a casual cardigan and jeans. The screen effects include a split screen into four. She sings to the camera in a long shot and then it zooms into a close up. INT. CORRIDOR- DAY This is a long shot. Lucinda is talking down the phone to Dave. She is sat with her back against the right hand side wall so that we can see her side profile. She is wearing a bright blue cardigan, jeans and peacock earrings.
  • 2. EXT. GARDEN WALL- DAY I am using one long take to create this shot. Lucinda will be sat on a garden wall pulling apart petals from a flower as she sings. She is wearing a maxi dress and flower garland in her hair. There is then another shot of Lucinda stood on the wall with the blue sky behind her. This will create an effective shot. EXT. FIELD- DAY I will now create a close up shot of Lucinda laughing. This will express personality and fit the mood of the song. EXT. PARK- DAY I will create an extreme long shot of Lucinda and Dave walking through a park. There will be trees and greenery and leaves on the ground creating an autumn look. He has his arm around her and they look happy. EXT. CAR- DAY This shot is a split screen close up of Lucinda sat on the car. She is nodding her head in time with the music. EXT. COUNTRY LANE- DAY This will be a long shot of Lucinda cycling down a long country lane. She looks happy. She is wearing a woolly hat and stripy jumper. EXT. PARK- DAY Mid shot with Dave as they play fight. This shows their connection. Another mid shot as Dave holds Lucinda to his chest. Close up- he holds her hand EXT. CAR- DAY Long shot as Lucinda sings on the car bonnet. EXT. PARK- DAY Lucinda and Dave walk through an arch through the park together. Over the shoulder shot- They are speaking EXT. COUNTRY LANE- DAY Lucinda cycles away down the lane. Ends on a close up of her smiling.