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Theoretical framework
 

Theoretical framework

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    Theoretical framework Theoretical framework Presentation Transcript

    • THEORETICAL FRAMEWORK
    • “Mostevolvedthings are beautiful,
      and themostbeautiful are themosthighlyevolved” K.K.
    • Firststage: History of technology.
      Joel Mokyr, Thelever of riches
      Kevin Kelly, Whattechnologywants
      Tim Wu, Themasterswitch
    • Innovationand inventionneedanadecuate social environmenttorise.
      Traditional social groupstendtopunishcreativity and innovation, makingthem imposible
    • Theatrehadbehaved in twowaysthroughhistory: as a community, sometimescreative, someothers, traditional. (BasedonMokyr)
      As a (disembodied) technologytotellstories, evolving in each era as itwasconvenient: hidingtothepoint of almostdisapearing (MiddleAges) toitsglobalization (21st Century). (Basedon Kelly)
    • As a technology, theatreistheresult of thecombinedwork of hundreds of peopleworkingallovertheworld. A jump in itsevolutionisonlypossiblewhenoptimal social circumstances are set. Inventions, discoveriesorinnovations in thistechnologycouldoccursymoultaneously in some places (BasedonWu).
    • Oldtechnologiesdon’tdisappearwhentheyprovetobeuseful. The media they use toworkthrough, changes, buttheydon’tdisappeareither, theyevolve and old media coexistswith new one.
      Theatremightbe a technologytotellstoriesevolving in media likemovies, t.v.or internet.
    • The status of certaintechnologymaychange, as theaterbecamean elite entertainmentinstead of a popular one. Thereis no competitionbetweentheater and cinema: both are different media of theatricality as technologytotellstories
    • Theend